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Author: John Benson
Publisher: Fantagraphics Books
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 126
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Book Description
The history of one company's romance comics and their publisher Archer St. John. It includes a short biography and interviews with the company's editors and artists. St. John's good reputation as a publisher attracted many of the top artists of the day, including Joe Kubert, Leonard Starr, and George Tuska. Benson provides an engaging account of Archer St. John, (once kidnapped by Al Capone) and his distinctive comics. Confessions is lavishly illustrated with examples of the comics and includes rare visuals from the period.
Author: John Benson
Publisher: Fantagraphics Books
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 126
Get Book Here
Book Description
The history of one company's romance comics and their publisher Archer St. John. It includes a short biography and interviews with the company's editors and artists. St. John's good reputation as a publisher attracted many of the top artists of the day, including Joe Kubert, Leonard Starr, and George Tuska. Benson provides an engaging account of Archer St. John, (once kidnapped by Al Capone) and his distinctive comics. Confessions is lavishly illustrated with examples of the comics and includes rare visuals from the period.
Author: John L. Benson
Publisher:
ISBN:
Category : Romance comic books, strips, etc
Languages : en
Pages : 112
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Book Description
This companion volume to Romance Without Tears explores the background of the romance comics of Archer St. John, including a short biography, interviews with the editors and artists, critical commentary and more.
Author: Michelle Nolan
Publisher: McFarland
ISBN: 1476604908
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
For the better part of three decades romance comics were an American institution. Nearly 6000 titles were published between 1947 and 1977, and for a time one in five comics sold in the U.S. was a romance comic. This first full-length study examines the several types of romance comics, their creators and publishing history. The author explores significant periods in the development of the genre, including the origins of Archie Comics and other teen publications, the romance comic "boom and bust" of the 1950s, and their sudden disappearance when fantasy and superhero comics began to dominate in the late 1970s.
Author: Jack Kirby
Publisher: Fantagraphics Books
ISBN: 1606995022
Category : Comics & Graphic Novels
Languages : en
Pages : 208
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Book Description
In the late 1940s, Joe Simon and Jack Kirby ― creators of Captain America ― set the comics world on fire with the creation of a new genre that resulted in some of the best-selling American comic books of all time: the romance comics. The stories they created were exciting, innovative, and beautifully drawn, and remain a high point in both artists’ careers, even as Kirby went on to become the unrivaled King of Comics and co-creator (along with Stan Lee) of many of the most iconic characters in American history.
Author: John Markert
Publisher: McFarland
ISBN: 1476621241
Category : Literary Criticism
Languages : en
Pages : 611
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Book Description
Romance novels have attracted considerable attention since their mass market debut in 1939, yet seldom has the industry itself been analyzed. Founded in 1949, Harlequin quickly gained market domination with their contemporary romances. Other publishers countered with historical romances, leading to the rise of "bodice-ripper" romances in the 1970s. The liberation of the romance novel's content during the 1980s brought a vitality to the market that was dubbed a revolution, but the real romance revolution began in the 1990s with developments in the mainstream publishing industry and continues today. This book traces the history and evolution of the romance industry, covering successful (and not so successful) trends and describing changes in romance publishing that paved the way for the many popular subgenres flooding the market in the 21st century.
Author: Benoît Crucifix
Publisher: Cambridge University Press
ISBN: 1009250930
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
This book proposes a new history of the graphic novel by examining how it recirculates older comics in the present.
Author: John Benson
Publisher: Fantagraphics Books
ISBN: 1606995111
Category : Comics & Graphic Novels
Languages : en
Pages : 193
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Book Description
The best and funniest material from the bandwagon-jumping MAD imitators, with work by Jack Davis, Will Elder, Dick Ayers, Bill Everett, Jack Kirby and many more, plus expert commentary. Casual comics readers are probably familiar with the later satirical magazines that continued to be published in the '60s and '70s, such as Cracked and Sick, but the comics collected in this volume were imitations of the MAD comic book, not the magazine, and virtually unknown among all but the most die-hard collectors. For the first time, Fantagraphics is collecting the best of these comics in an unprecedented collection!
Author: Bill Schelly
Publisher: Fantagraphics Books
ISBN: 1606994875
Category : Comics & Graphic Novels
Languages : en
Pages : 233
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Book Description
Joe Kubert is one of the great comic book artists. His career literally traverses the history of comics, beginning in 1938 when he became a professional at age 12, to today as one of the greatest draftsmen working in the field. Kubert is known and respected as much for his sinewy, passionate drawing as he is for his consummate storytelling skills. Over his 70-year career in comics, he has worked as an artist, an editor, a publisher, an entrepreneur, and a cartooning auteur. The Art of Joe Kubert is a deluxe, full-color book that honors this legendary creator with beautifully reproduced artwork from every phase of his career as well as critical commentary by the book’s editor, comics historian and Kubert biographer Bill Schelly.
Author: Kristin Ramsdell
Publisher: Bloomsbury Publishing USA
ISBN: 0313054053
Category : Literary Criticism
Languages : en
Pages : 489
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Book Description
As the first encyclopedia solely devoted to the popular romance fiction genre, this resource provides a wealth of information on all aspects of the subject. Romance fiction accounts for a large share of book sales each year, and contrary to popular belief, not all of its readers are women: roughly 16 percent are men. This enormously popular genre continues to captivate people reading for pleasure, and it also commands a growing amount of academic interest. Included are alphabetically arranged reference entries on significant authors along with works, themes, and other topics. The articles are written by scholars, librarians, and industry professionals with a deep knowledge of the genre and so provide a thorough understanding of the subject. An index provides easy access to information within the entries, and bibliographies at the end of each entry, a general bibliography, and a suggested romance reading list allow for further study of the genre.
Author: Santiago García
Publisher: Univ. Press of Mississippi
ISBN: 1628464828
Category : Literary Criticism
Languages : en
Pages : 476
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Book Description
A noted comics artist himself, Santiago García follows the history of the graphic novel from early nineteenth-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. He considers the aesthetic and entrepreneurial innovations that established the conditions for the rise of the graphic novel all over the world. García not only treats the formal components of the art, but also examines the cultural position of comics in various formats as a popular medium. Typically associated with children, often viewed as unedifying and even at times as a threat to moral character, comics art has come a long way. With such examples from around the world as Spain, France, Germany, and Japan, García illustrates how the graphic novel, with its increasingly global and aesthetically sophisticated profile, represents a new model for graphic narrative production that empowers authors and challenges longstanding social prejudices against comics and what they can achieve.
