Piano Concerto No. 23 in A, K. 488 PDF Download
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Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
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Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
Get Book Here
Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769240329
Category : Music
Languages : en
Pages : 0
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Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: F. York
Publisher: G Schirmer, Incorporated
ISBN: 9780793564996
Category : Music
Languages : en
Pages : 0
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Book Description
(Piano). Two Pianos, Four Hands. 2 Copies needed to perform. To see other NFMC selections, click here.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457488177
Category : Music
Languages : en
Pages : 28
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Book Description
Wolfgang Amadeus Mozart's popular serenade for strings arranged for one piano, four hands.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music Publishing
ISBN: 9780769281889
Category : Music
Languages : en
Pages : 36
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Book Description
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Author: Oliver Sacks
Publisher: Vintage Canada
ISBN: 0307373495
Category : Psychology
Languages : en
Pages : 448
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Book Description
What goes on in human beings when they make or listen to music? What is it about music, what gives it such peculiar power over us, power delectable and beneficent for the most part, but also capable of uncontrollable and sometimes destructive force? Music has no concepts, it lacks images; it has no power of representation, it has no relation to the world. And yet it is evident in all of us–we tap our feet, we keep time, hum, sing, conduct music, mirror the melodic contours and feelings of what we hear in our movements and expressions. In this book, Oliver Sacks explores the power music wields over us–a power that sometimes we control and at other times don’t. He explores, in his inimitable fashion, how it can provide access to otherwise unreachable emotional states, how it can revivify neurological avenues that have been frozen, evoke memories of earlier, lost events or states or bring those with neurological disorders back to a time when the world was much richer. This is a book that explores, like no other, the myriad dimensions of our experience of and with music.
Author: Ignacy Jan Paderewski
Publisher:
ISBN: 9781540097170
Category : Music
Languages : en
Pages : 162
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Book Description
PWM
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1316850838
Category : Music
Languages : en
Pages : 427
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Book Description
The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
