Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Vivaldi's Music for Flute and Recorder
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Concerto, à 5, op. 9, no. 6, for 2 oboes and strings
Author: Tomaso Albinoni
Publisher:
ISBN:
Category : Concertos (Oboes (2) with string orchestra)
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Concertos (Oboes (2) with string orchestra)
Languages : en
Pages : 28
Book Description
Schwann Opus Vol. 10
Author: Becky Barnhart
Publisher:
ISBN: 9781575980515
Category : Music
Languages : en
Pages : 970
Book Description
Publisher:
ISBN: 9781575980515
Category : Music
Languages : en
Pages : 970
Book Description
Concerto in G major, P. 105, for treble recorder/flute, oboe, violin, bassoon & basso continuo
Author: Antonio Vivaldi
Publisher:
ISBN:
Category : Concertos (Harpsichord, bassoon, flute, oboe, violin)
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Concertos (Harpsichord, bassoon, flute, oboe, violin)
Languages : en
Pages : 60
Book Description
Concerto, à 5, op. 9, no. 9, for 2 oboes and strings
Author: Tomaso Albinoni
Publisher:
ISBN:
Category : Concertos (Oboes (2) with string orchestra)
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Concertos (Oboes (2) with string orchestra)
Languages : en
Pages : 32
Book Description
Bach: The Brandenburg Concertos
Author: Malcolm Boyd
Publisher: Cambridge University Press
ISBN: 9780521387132
Category : Music
Languages : en
Pages : 122
Book Description
The Brandenburg Concertos represent a pinnacle in the history of the Baroque concerto. This analysis places the concertos in their historical context, investigates their sources, traces their origins and discusses the changing traditions of performance.
Publisher: Cambridge University Press
ISBN: 9780521387132
Category : Music
Languages : en
Pages : 122
Book Description
The Brandenburg Concertos represent a pinnacle in the history of the Baroque concerto. This analysis places the concertos in their historical context, investigates their sources, traces their origins and discusses the changing traditions of performance.
The Music OCLC Users Group Presents The Best of MOUG
Author:
Publisher:
ISBN:
Category : Authority files (Information retrieval)
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Authority files (Information retrieval)
Languages : en
Pages : 106
Book Description
Tonal Space in the Music of Antonio Vivaldi
Author: Bella Brover-Lubovsky
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Publisher: Indiana University Press
ISBN: 0253351294
Category : Music
Languages : en
Pages : 386
Book Description
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.
Concerto in A minor (Wq 166, H 431) for flute, strings, and basso continuo
Author: Carl Philipp Emanuel Bach
Publisher:
ISBN:
Category : Concertos (Flute with string orchestra)
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Concertos (Flute with string orchestra)
Languages : en
Pages : 48
Book Description
Journal
Author: International Double Reed Society
Publisher:
ISBN:
Category : Bassoon
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Bassoon
Languages : en
Pages : 148
Book Description