Author: Wolfgang Hirschmann
Publisher: Cambridge University Press
ISBN: 1108493831
Category : Music
Languages : en
Pages : 377
Book Description
This first multi-author book on Telemann in English examines the composer's life and works from a wide range of perspectives.
Telemann Studies
Author: Wolfgang Hirschmann
Publisher: Cambridge University Press
ISBN: 1108493831
Category : Music
Languages : en
Pages : 377
Book Description
This first multi-author book on Telemann in English examines the composer's life and works from a wide range of perspectives.
Publisher: Cambridge University Press
ISBN: 1108493831
Category : Music
Languages : en
Pages : 377
Book Description
This first multi-author book on Telemann in English examines the composer's life and works from a wide range of perspectives.
Bach
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 1107139252
Category : Biography & Autobiography
Languages : en
Pages : 721
Book Description
Peter Williams revisits Bach's biography through the lens of his music, revealing the development of the composer's interests and priorities.
Publisher: Cambridge University Press
ISBN: 1107139252
Category : Biography & Autobiography
Languages : en
Pages : 721
Book Description
Peter Williams revisits Bach's biography through the lens of his music, revealing the development of the composer's interests and priorities.
Bach Perspectives, Volume 9
Author: Andrew Talle
Publisher: University of Illinois Press
ISBN: 0252095391
Category : Music
Languages : en
Pages : 169
Book Description
This provocative addition to the Bach Perspectives series offers a counternarrative to the isolated genius status that J. S. Bach and his music currently enjoy. Contributors contextualize Bach by examining the output, reputation, and compositional practices of his contemporaries in Germany whose work was widely played and enjoyed in his time, including Georg Philipp Telemann, Christoph Graupner, Gottlieb Muffat, and Johann Adolf Scheibe. Essays place Bach and his work in relation to his peers, examining avenues of composition they took while he did not and showing how differing treatments of the same subjects or texts resulted in markedly different compositional results and legacies. By looking closely at how Bach's contemporaries addressed the tasks and challenges of their time, this project provides a more nuanced view of the musical world of Bach's time while revealing in more specific terms than ever how and why Bach's own music remains fresh and compelling. In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's. Andrew Talle compares settings and strategies of Vergnügte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J. S. Bach's compositional style by discussing the other composers that Scheibe critiqued.
Publisher: University of Illinois Press
ISBN: 0252095391
Category : Music
Languages : en
Pages : 169
Book Description
This provocative addition to the Bach Perspectives series offers a counternarrative to the isolated genius status that J. S. Bach and his music currently enjoy. Contributors contextualize Bach by examining the output, reputation, and compositional practices of his contemporaries in Germany whose work was widely played and enjoyed in his time, including Georg Philipp Telemann, Christoph Graupner, Gottlieb Muffat, and Johann Adolf Scheibe. Essays place Bach and his work in relation to his peers, examining avenues of composition they took while he did not and showing how differing treatments of the same subjects or texts resulted in markedly different compositional results and legacies. By looking closely at how Bach's contemporaries addressed the tasks and challenges of their time, this project provides a more nuanced view of the musical world of Bach's time while revealing in more specific terms than ever how and why Bach's own music remains fresh and compelling. In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's. Andrew Talle compares settings and strategies of Vergnügte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J. S. Bach's compositional style by discussing the other composers that Scheibe critiqued.
J. S. Bach
Author: George B. Stauffer
Publisher: Oxford University Press
ISBN: 0197661203
Category : Music
Languages : en
Pages : 649
Book Description
In the obituary that appeared soon after his death, Johann Sebastian Bach was described as "the world-famous organist" and "the greatest organist...we have ever had." In Hamburg, Dresden, and other big cities, Bach dazzled audiences with his organ playing, performing passages with his feet that many thought impossible for the hands. One eyewitness declared that he had never seen anything like it. His extant organ works--more than 250 chorale settings and free pieces--are filled with bold, dramatic passages and fully independent pedal parts. They represent the most important body of music in the organ repertoire and the only genre that Bach turned to continuously throughout his life, from his earliest efforts as a teenager in Ohrdruf to his final deathbed revisions as a cantor in Leipzig. In this new survey, leading musicologist George B. Stauffer traces the evolution of Bach's organ works within the broad spectrum of his development as a composer. With detailed discussions of the individual pieces, the book shows how Bach initially drew on contemporary models from Germany and France before evolving a personal idiom based on the concertos of Antonio Vivaldi. In Leipzig, he went still further, synthesizing national and historical styles to produce cosmopolitan masterpieces that exude sophistication and elegance. Serving as a backdrop to this growth was the emergence of the Central German pre-Romantic organ, which inspired Bach to write pieces with unique chamber-music, choral, and orchestral qualities. Stauffer follows these developments step-by-step, showing how Bach's unending quest for novelty, innovation, and refinement resulted in organ works that continue to reward and awe listeners today.
Publisher: Oxford University Press
ISBN: 0197661203
Category : Music
Languages : en
Pages : 649
Book Description
In the obituary that appeared soon after his death, Johann Sebastian Bach was described as "the world-famous organist" and "the greatest organist...we have ever had." In Hamburg, Dresden, and other big cities, Bach dazzled audiences with his organ playing, performing passages with his feet that many thought impossible for the hands. One eyewitness declared that he had never seen anything like it. His extant organ works--more than 250 chorale settings and free pieces--are filled with bold, dramatic passages and fully independent pedal parts. They represent the most important body of music in the organ repertoire and the only genre that Bach turned to continuously throughout his life, from his earliest efforts as a teenager in Ohrdruf to his final deathbed revisions as a cantor in Leipzig. In this new survey, leading musicologist George B. Stauffer traces the evolution of Bach's organ works within the broad spectrum of his development as a composer. With detailed discussions of the individual pieces, the book shows how Bach initially drew on contemporary models from Germany and France before evolving a personal idiom based on the concertos of Antonio Vivaldi. In Leipzig, he went still further, synthesizing national and historical styles to produce cosmopolitan masterpieces that exude sophistication and elegance. Serving as a backdrop to this growth was the emergence of the Central German pre-Romantic organ, which inspired Bach to write pieces with unique chamber-music, choral, and orchestral qualities. Stauffer follows these developments step-by-step, showing how Bach's unending quest for novelty, innovation, and refinement resulted in organ works that continue to reward and awe listeners today.
Twelve Trios
Author: Georg Philipp Telemann
Publisher: A-R Editions, Inc.
ISBN: 089579456X
Category : Music
Languages : en
Pages : 202
Book Description
Publisher: A-R Editions, Inc.
ISBN: 089579456X
Category : Music
Languages : en
Pages : 202
Book Description
The Penguin Guide to Recorded Classical Music
Author:
Publisher:
ISBN:
Category : Compact discs
Languages : en
Pages : 1614
Book Description
Publisher:
ISBN:
Category : Compact discs
Languages : en
Pages : 1614
Book Description
Gramophone
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 716
Book Description
The Gramophone
Author:
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 858
Book Description
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 858
Book Description
Traverso
Author: Ardal Powell
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Accompanying CD-ROM contains ... "the entire publication [from 1989 to 2008] in PDF format."--P. [4] of cover.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Accompanying CD-ROM contains ... "the entire publication [from 1989 to 2008] in PDF format."--P. [4] of cover.
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description