Compositions for piano: general and graded index PDF Download
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Author: Louis Charles Elson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
Author: Louis Charles Elson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Louis Charles Elson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 428
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Book Description
Author: Ignace Jan Paderewski
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 448
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Book Description
Author:
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 442
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Book Description
Author:
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 374
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 444
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Book Description
Author: Victor Herbert
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 266
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1034
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Book Description
Author: Joseph Rezits
Publisher: Park Ridge, Ill. : Pallma Music Corporation N. A. Kjos
ISBN:
Category : Piano
Languages : en
Pages : 1016
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Book Description
Author: Maria Cristina Fava
Publisher: University of Illinois Press
ISBN: 0252056574
Category : Music
Languages : en
Pages : 338
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Book Description
Surrounded by the widespread misery of the Depression, left-leaning classical music composers sought a musical language that both engaged the masses and gave voice to their concerns. Maria Cristina Fava explores the rich creative milieu shaped by artists dedicated to using music and theater to advance the promotion, circulation, and acceptance of leftist ideas in 1930s New York City. Despite tensions between aesthetic and pragmatic goals, the people and groups produced works at the center of the decade’s sociopolitical and cultural life. Fava looks at the Composers’ Collective of New York and its work on proletarian music and workers’ songs before turning to the blend of experimentation and vernacular idioms that shaped the political use of music within the American Worker’s Theater Movement. Fava then reveals how composers and theater practitioners from these two groups achieved prominence within endeavors promoted by the Works Project Administration. Fava’s history teases out fascinating details from performances and offstage activity attached to works by composers such as Marc Blitzstein, Charles Seeger, Ruth Crawford Seeger, Elie Siegmeister, and Harold Rome. Endeavors encouraged avant-garde experimentation while nurturing innovations friendly to modernist approaches and an interest in non-western music. Blitzstein’s The Cradle Will Rock offered a memorable example that found popular success, but while the piece achieved its goals, it became so wrapped up in myths surrounding workers’ theater that critics overlooked Blitzstein’s musical ingenuity. Provocative and original, Art Music Activism considers how innovative classical composers of the 1930s balanced creative aims with experimentation, accessible content, and a sociopolitical message to create socially meaningful works.
