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Author: Benjamin Althaus
Publisher: GRIN Verlag
ISBN: 363832589X
Category : Performing Arts
Languages : en
Pages : 15
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Book Description
Seminar paper from the year 2004 in the subject Film Science, grade: 2,0 (B), University of Cologne (English Seminar), course: Film Makers at Work, 18 entries in the bibliography, language: English, abstract: Film has for a long time been neglected as an art: Sophisticated analysis has mainly been dealing with written literature as ‘the real thing’. In recent years the making of films has become more and more accepted as an art. Films are analysed and dealt with at universities and have become an essential part of school curricula. Nowadays cinematic theory is treated equally to written literature and “as a fully matured art, film is no longer a separate enterprise but an integrated pattern in the warp and woof of our culture” . In order to develop an ability to understand this art one has to learn to read its codes and interpret their meaning. The following paper will deal with the role of communication in film and examine different levels on which filmic articulation takes place. Communication is an indispensable element for films, not only do characters communicate on the level of the plot but also the process of creating, showing and perceiving a film can be regarded as communication. It is this communication that allows the course of an action to be told and understood in the first place. A film is information, it is a message that is transmitted to a recipient, i.e. the audience. There are, however, problems to define who the sender of this message is. In Chapter 2 of this essay I will try to find a solution to this problem. Chapter 3 will put a focus on communication between the characters in this movie including some ways of non-verbal communication. Chapter 4 deals with a special way of communication which is a central point in Kubrick’s film: I will show how the unconscious can send messages to the conscious and how these messages can be interpreted. A lot of parallels can be drawn between film and written literature. There are, however, some vital differences between the two genres. I will therefore make general comparisons between the language of books and that of cinema where it appears important and promotes understanding. I will apply examples from the movie “Eyes Wide Shut” (1999) by Stanley Kubrick to illustrate the theoretical approaches of my work. The main points of this paper are summarised in a conclusion in Chapter 5.
Author: Benjamin Althaus
Publisher: GRIN Verlag
ISBN: 363832589X
Category : Performing Arts
Languages : en
Pages : 15
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Book Description
Seminar paper from the year 2004 in the subject Film Science, grade: 2,0 (B), University of Cologne (English Seminar), course: Film Makers at Work, 18 entries in the bibliography, language: English, abstract: Film has for a long time been neglected as an art: Sophisticated analysis has mainly been dealing with written literature as ‘the real thing’. In recent years the making of films has become more and more accepted as an art. Films are analysed and dealt with at universities and have become an essential part of school curricula. Nowadays cinematic theory is treated equally to written literature and “as a fully matured art, film is no longer a separate enterprise but an integrated pattern in the warp and woof of our culture” . In order to develop an ability to understand this art one has to learn to read its codes and interpret their meaning. The following paper will deal with the role of communication in film and examine different levels on which filmic articulation takes place. Communication is an indispensable element for films, not only do characters communicate on the level of the plot but also the process of creating, showing and perceiving a film can be regarded as communication. It is this communication that allows the course of an action to be told and understood in the first place. A film is information, it is a message that is transmitted to a recipient, i.e. the audience. There are, however, problems to define who the sender of this message is. In Chapter 2 of this essay I will try to find a solution to this problem. Chapter 3 will put a focus on communication between the characters in this movie including some ways of non-verbal communication. Chapter 4 deals with a special way of communication which is a central point in Kubrick’s film: I will show how the unconscious can send messages to the conscious and how these messages can be interpreted. A lot of parallels can be drawn between film and written literature. There are, however, some vital differences between the two genres. I will therefore make general comparisons between the language of books and that of cinema where it appears important and promotes understanding. I will apply examples from the movie “Eyes Wide Shut” (1999) by Stanley Kubrick to illustrate the theoretical approaches of my work. The main points of this paper are summarised in a conclusion in Chapter 5.
Author: Carolin Ruwe
Publisher: GRIN Verlag
ISBN: 3638841766
Category : American cinema
Languages : en
Pages : 24
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Book Description
Eyes Wide Shut is open to several interpretations, none of which fits perfectly to all parts and aspects of the film. And this is exactly what makes the movie so intriguing: its ambiguity and loose ends, which leave interpretation to the viewer.
Author: James Naremore
Publisher: Bloomsbury Publishing
ISBN: 1838717463
Category : Performing Arts
Languages : en
Pages : 558
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Book Description
On Kubrick provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). The book offers provocative analysis of each of Kubrick's films, together with new information about their production histories and cultural contexts. Its ultimate aim is to provide a concise yet thorough discussion that will be useful as both an academic text and a trade publication. James Naremore argues that in several respects Kubrick was one of the cinema's last modernists: his taste and sensibility were shaped by the artistic culture of New York in the 1950s; he became a celebrated auteur who forged a distinctive style; he used art-cinema conventions in commercial productions; he challenged censorship regulations; and throughout his career he was preoccupied with one of the central themes of modernist art – the conflict between rationality and its ever-present shadow, the unconscious. War and science are key concerns in Kubrick's oeuvre, and his work has a hyper-masculine quality. Yet no director has more relentlessly emphasized the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). The book also argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Often described as 'cool' or 'cold,' Kubrick is best understood as a skillful practitioner of what might be called the aesthetics of the grotesque; he employs extreme forms of caricature and black comedy to create disgusting, frightening yet also laughable images of the human body, creating a sense of unease that leaves viewers unsure of how to react.
Author: Frederic Raphael
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
The Oscar-winning screenwriter who spent two years working with Stanley Kubrick on "Eyes Wide Shut" now tells the intimate story of the film's creation.
Author: Suzana Dulabic
Publisher: GRIN Verlag
ISBN: 3638343596
Category : Performing Arts
Languages : de
Pages : 10
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Book Description
Essay aus dem Jahr 2005 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Note: 1,3, Universität Karlsruhe (TH), Veranstaltung: Stanley Kubricks Filme im Spannungsfeld zwischen Genre und Autorenfilm, 4 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Diese Arbeit beschäftigt sich mit Stanley Kubricks Film Eyes Wide Shut, der im Juli des Jahres 1999 Premiere hatte. Es ist der letzte Film von Stanley Kubrick, den er in die Kinos brachte. Seit Full Metal Jacket, dem vorangehenden Film, waren zwölf Jahre vergangen. Eine ironische Anspielung hierauf ist das Autonummernschild des Protagonisten in Eyes Wide Shut, das die Zahlen „9987“, also die Erscheinungsjahre beider Filme, trägt. Diese für Kubrick untypisch lange Zeit war der Presse ein willkommener Grund für viele Spekulationen, warum er nicht dreht und was er wohl in der Zwischenzeit tut. Bekannt ist, dass er in dieser Zeit zwei Projekte konkret in Angriff genommen hatte, beide aber wieder abgebrochen hatte. Eines davon war der Film Aryan Papers nach dem Roman „Wartime Lies“ von Louis Begley, in dem die Geschichte einer jüdischen Familie während der Nazizeit erzählt wird. Wahrscheinlich beendete Kubrick seine bereits weit vorangeschrittene Arbeit wegen der thematischen Nähe zu Steven Spielbergs Schindlers Liste, der fast zur gleichen Zeit entstand. Die andere Idee war der Film A I. über Künstliche Intelligenz nach der Kurzgeschichte „Supertoys Last All Summer Long“ von Bran Aldiss. Doch auch dieses Projekt wurde kurz vor Drehbeginn wieder abgeblasen. Mithilfe der hinterlassene n Drehbuchentwürfe wurde der Film nach Kubricks Tod dann doch von seinem Freund Steven Spielberg realisiert und unter dem ursprünglich geplanten Titel herausgebracht. Es gibt Gerüchte von einigen anderen Ideen, die zwischen 1990 und 1994 in Arbeit waren, doch letztendlich entschied sich Kubrick dafür, sein altes Lieblingsprojekt, die „Traumnovelle“ von Arthur Schnitzler, deren Filmrechte er schon seit 1971 besaß, endlich zu verfilmen. 1995 kündigte Warner Brothers den neuen Kubrick-Film Eyes Wide Shut an, für dessen Hauptrollen Kubrick nur ein Schauspieler-Ehepaar wollte. Die Wahl fiel auf Tom Cruise und Nicole Kidman. Möglicherweise war diese Wahl so zu begründen, dass Kubrick wusste, dass ihm ein derartiges Star-Ehepaar den Zugang zu einem Massenpublikum ermöglicht. Im Jahr 1997 begannen schließlich die Dreharbeiten, die sich über mehr als 15 Monate hinzogen und 65 Millionen Dollar verschlangen.
Author: Michel Chion
Publisher: Bloomsbury Publishing
ISBN: 1838715622
Category : Performing Arts
Languages : en
Pages : 96
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Book Description
Stanley Kubrick died on 7 March 1999 at his Hertfordshire home, having finished the editing of his last film. Eyes Wide Shut was released later that year. Adapted from Arthur Schnitzler's 1926 Viennese novel Dream Story, relocated and updated to contemporary Manhattan, Eyes Wide Shut stars Tom Cruise and Nicole Kidman as a prosperous couple whose marriage is tested in the aftermath a series of sinister events. The film baffled many of its first audiences. It had all the lavish attention to detail of a Kubrick film but it seemed slow, enigmatic, too much of a dream. Michel Chion's extraordinary study of Eyes Wide Shut makes the case that it is one of Kubrick's masterpieces and a fitting testament. To appreciate this, though, it is necessary to look at what happens on the screen without bringing preconceptions to bear. The film needs to be taken at face value. Looked at this way, Eyes Wide Shut reveals itself to be a deeply moving film about characters who are not so different from real people, a film about life in which questions of meaning and motive lose their value.
Author: Robert P. Kolker
Publisher: Oxford University Press, USA
ISBN: 019067802X
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Twenty years since its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about domesticity, sexual disturbance, and dreams. It was on the director's mind for some 50 years before he finally put it into production. Using the Stanley Kubrick Archive at the University of the Arts, London, and interviews with participants in the production, the authors create an archeology of the film that traces the progress of the film from its origins to its completion, reception, and afterlife. The book is also an appreciation of this enigmatic work and its equally enigmatic creator.
Author: Fabrice Jaumont
Publisher: Books We Live by
ISBN: 1628480785
Category : Performing Arts
Languages : en
Pages : 154
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Book Description
April 2, 2018 was the 50th anniversary of a 1968 premiere screening in Washington, D.C. of Stanley Kubrick's 2001: A Space Odyssey. The film remains the most fascinating cinematographic adventure given to experience. As a tribute to the masterpiece, and to the maestro himself, this essay which was first presented in 1995 as a scholarly paper explores the multiple connections to the Odyssean theme that one may find in Stanley Kubrick's filmography. Kubrick's unweaving and re-weaving of the cinematographic tapestry reflect his attachment to the changeability implied in the Odyssean theme, which has become the theme of questioning, the perpetual questioning of one's possibilities. The camera's shuttling back and forth in time, round and round in space, through the means of dolly movements, shots and reverse shots, circular and spiraling recurrences, equates the director's shuttling between classical and avant-garde techniques, between painting and photography, between musical intensity and spatial silence. A chassé-croisé which the pluricephal director utilizes with a view to producing new angles of view and new parallaxes: a constant Kubrickian experimentation of the cinematographic language.
Author: Nathan Abrams
Publisher: Liverpool University Press
ISBN: 1837644896
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Twenty years after its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about marriage, jealousy, domesticity, adultery, sexual disturbance, and dreams. This was the final enigmatic work from its equally enigmatic creator. It has left an indelible mark on our popular culture and remains as relevant as ever. Much maligned and much misunderstood when it first came out, Eyes Wide Shut has since been the subject of an animated debate and discussion among critics, fans and academics. It has been explored from a wide variety of disciplines and methodological perspectives. This collection brings scholars from diverse disciplinary backgrounds together with those who worked on the film to explore Eyes Wide Shut’s legacy, discuss its impact, and consider its position within Kubrick’s oeuvre and the wider visual and socio-political culture.
Author: Simone Ciaruffoli
Publisher:
ISBN: 9788887011593
Category : Performing Arts
Languages : it
Pages : 160
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Book Description
