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Author: Laurence Grove
Publisher: Berghahn Books
ISBN: 9781845455880
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Whereas in English-speaking countries comics are for children or adults 'who should know better', in France and Belgium the form is recognized as the 'Ninth Art' and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane. Laurence Grove is Senior Lecturer and Head of French at the University of Glasgow. His previous affiliations include the University of Pittsburgh, the Newberry Library (Chicago), Middlebury College (Vermont) and the Université Rennes 2. He works on text/image phenomena from the sixteenth century to the present day and has authored a number of works on the subject. Laurence Grove is President of the IBDS, an international society for the study of the bande dessinée.
Author: Laurence Grove
Publisher: Berghahn Books
ISBN: 9781845455880
Category : Literary Criticism
Languages : en
Pages : 364
Get Book
Book Description
Whereas in English-speaking countries comics are for children or adults 'who should know better', in France and Belgium the form is recognized as the 'Ninth Art' and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane. Laurence Grove is Senior Lecturer and Head of French at the University of Glasgow. His previous affiliations include the University of Pittsburgh, the Newberry Library (Chicago), Middlebury College (Vermont) and the Université Rennes 2. He works on text/image phenomena from the sixteenth century to the present day and has authored a number of works on the subject. Laurence Grove is President of the IBDS, an international society for the study of the bande dessinée.
Author: Jean G. Moebius
Publisher:
ISBN: 9781569711323
Category : Fantasy comic books, strips, etc
Languages : en
Pages : 0
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Book Description
A collection of the dream-like science-fiction images and visual storytelling techniques of Jean Giraud ("Moebius"), including his wordless "pantomime" work and the character Arzach.
Author: Mark McKinney
Publisher: Contemporary French and Franco
ISBN: 9781846316425
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Although France has changed much in recent decades, colonial-era imagery continues to circulate widely in comics, in part because the colonial archives are easily accessible, and through the republication of colonial-era comics that are viewed as classics. The latter include the Tintin series of comic books, by the Belgian artist Herg , and the "Zig and Puce" series by Alain Saint-Ogan, a Frenchman. In this important new study Mark McKinney situates comics in debates about French colonialism, arguing that cartoonists still use representations of colonial history in their comics as a way of intervening in debates about contemporary France and its current relationships to its former colonies. McKinney argues that comics offer unique opportunities to both reproduce and thereby perpetuate colonial ideologies, images and discourses, as well as to deconstruct and contest them. The ways, and the degree to which, they do one or the other tell us a great deal about the heritage of imperialism and colonialism
Author: Jennifer Howell
Publisher: Lexington Books
ISBN: 1498516076
Category : History
Languages : en
Pages : 261
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Book Description
The decolonization of Algeria represents a turning point in world history, marking the end of France’s colonial empire, the birth of the Algerian republic, and the appearance of the Third World and pan-Arabism. Algeria emerged from colonial domination to negotiate the release of American hostages in Iran during the Carter administration. Radical Islam would later rise from the ashes of Algeria’s failed democracy, leading to a civil war and the training of Algerian terrorists in Afghanistan. Moreover, the decolonization of Algeria offered an imperfect model of decolonization to other nations like South Africa that succeeded in abolishing apartheid while retaining its white settler population. Algeria and its war of national liberation therefore constitute an inescapable reference for those looking to understand today’s “war on terror” and ever-expanding islamophobia in Western media circuits. Consequently, it is imperative that students and educators understand the global implications of the Algerian War and how to best approach this conflict in school and at home so as to learn from the consequences of misrepresentation at all levels of the memory transmission chain. These objectives are all the more important today given the West’s misunderstanding and mischaracterization of Islam, the Arab Spring, the Muslim-majority world, and, most importantly, the continuing influence of French colonialism—especially in the postcolonial era. Conceived as a case study, The Algerian War in French-Language Comics: Postcolonial Memory, History, and Subjectivity argues that comics provide an alternative to textbook representations of the Algerian War in France because they draw from many of the same source materials yet produce narratives that are significantly different. This book demonstrates that although comics rely on conventional vectors of memory transmission like national education, the family, and mainstream media, they can also create new and productive dialogues using these same vectors in ways unavailable to traditional textbooks. From this perspective, these comics are an effective and alternative way to develop a more inclusive social consciousness.
Author: Mark McKinney
Publisher: Leuven University Press
ISBN: 9462702411
Category : Comics & Graphic Novels
Languages : en
Pages : 402
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Book Description
Profound analysis of French comics through a postcolonial lens Postcolonialism and migration are major themes in contemporary French comics and have roots in the Algerian War (1954–62), antiracist struggle, and mass migration to France. This volume studies comics from the end of the formal dismantling of French colonial empire in 1962 up to the present. French cartoonists of ethnic-minority and immigrant heritage are a major focus, including Zeina Abirached (Lebanon), Yvan Alagbé (Benin), Baru (Italy), Enki Bilal (former Yugoslavia), Farid Boudjellal (Algeria and Armenia), José Jover (Spain), Larbi Mechkour (Algeria), and Roland Monpierre (Guadeloupe). The author analyzes comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics.
Author: Joel E. Vessels
Publisher: Univ. Press of Mississippi
ISBN: 1604734450
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
In France, Belgium, and other Francophone countries, comic strips---called bande dessinee or "BD" in French---have long been considered a major art form capable of addressing a host of contemporary issues. Among French-speaking intelligentsia, graphic narratives were deemed worthy of canonization and critical study decades before the academy and the press in the United States embraced comics. The place that BD holds today, however, belies the contentious political route the art form has traveled. In Drawing France: French Comics and the Republic, author Joel E. Vessels examines the trek of BD from it being considered a fomenter of rebellion, to a medium suitable only for semi-literates, to an impediment to education, and most recently to an art capable of addressing social concerns in mainstream culture. In the mid-1800s, alarmists feared political caricatures might incite the ire of an illiterate working class. To counter this notion,proponents yoked the art to a particular articulation of "Frenchness" based on literacy and reason. With the post-World War II economic upswing, French consumers saw BD as a way to navigate the changes brought by modernization. After bande dessinee came to be understood as a compass for the masses, the government, especially Francois Mitterand's administration, brought comics increasingly into "official" culture. Vessels argues that BD are central to the formation of France's self-image and a self-awareness of what it means to be French.
Author: Lucy Knisley
Publisher: Simon and Schuster
ISBN: 1416588248
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Through delightful drawings, photographs, and musings, twenty-three-year-old Lucy Knisley documents a six-week trip she and her mother took to Paris when each was facing a milestone birthday. With a quirky flat in the fifth arrondissement as their home base, they set out to explore all the city has to offer, watching fireworks over the Eiffel Tower on New Year's Eve, visiting Oscar Wilde's grave, loafing at cafés, and, of course, drinking delicious French milk. What results is not only a sweet and savory journey through the City of Light but a moving, personal look at a mother-daughter relationship.
Author: Emil Ferris
Publisher: Fantagraphics Books
ISBN: 1606999591
Category : Comics & Graphic Novels
Languages : en
Pages : 418
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Book Description
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
Author: Maurice Leblanc
Publisher: BoD – Books on Demand
ISBN: 3368349872
Category : Fiction
Languages : en
Pages : 258
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Book Description
Reproduction of the original.
Author: Brian Michael Bendis
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 34
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Book Description
Following the theft of a priceless Fabergé egg, the Riddler leads the Dark Knight on a wild hunt after its true owner: Jinny Hex, descendant of Jonah Hex! Guest-starring Deathstroke, Green Arrow and dozens of Riddler look-alikes in stories by Brian Michael Bendis with art by Nick Derington, originally published in BATMAN GIANT #3 and #4!
