Comic Books and the Cold War, 1946-1962 PDF Download
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Author: Chris York
Publisher: McFarland
ISBN: 0786489472
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.
Author: Chris York
Publisher: McFarland
ISBN: 0786489472
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.
Author: Mark Berninger
Publisher: McFarland
ISBN: 078645587X
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
These essays from various critical disciplines examine how comic books and graphic narratives move between various media, while merging youth and adult cultures and popular and high art. The articles feature international perspectives on comics and graphic novels published in the U.S., Canada, Great Britain, Portugal, Germany, Turkey, India, and Japan. Topics range from film adaptation, to journalism in comics, to the current manga boom.
Author: Trischa Goodnow
Publisher: Univ. Press of Mississippi
ISBN: 1496810317
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.
Author: Greg Barnhisel
Publisher: Univ of Massachusetts Press
ISBN: 9781558497368
Category : Book industries and trade
Languages : en
Pages : 0
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Book Description
Original essays on the role of the printed world in the ideological struggle between East and West
Author: R. Lopes
Publisher: Springer
ISBN: 1137402083
Category : History
Languages : en
Pages : 258
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Book Description
West Germany and the Portuguese Dictatorship 1968-1974 examines West Germany's ambiguous policy towards the Portuguese dictatorship of Marcelo Caetano. Lopes sheds new light on the social, economic, military, and diplomatic dimensions of the awkward relationship between the Federal Republic of Germany and the Caetano regime.
Author: Norman Friedman
Publisher:
ISBN: 9780233005911
Category : History
Languages : en
Pages : 0
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Book Description
A graphic account of this long-running global drama, this newly condensed edition of The Cold War is published in a new era of fear and uncertainty, and to mark the 30th anniversary of the fall of the Berlin Wall. Encompassing such high-tension conflicts as the Berlin Crisis of 1961, the Cuban Missile Crisis of 1962, and the nuclear alerts of 1973 and 1983, The Cold War captures those moments when the world stood on the brink of nuclear Armageddon. Written by a leading American defense analyst, Dr. Norman Friedman, this gripping history features 60 photographs and documents--maps, diaries, letters, and items from the Imperial War Museum and other collections. They include a 1963 nuclear attack protective booklet produced for homeowners by the British government and the official pack for US troops passing through Checkpoint Charlie, with practical advice on visiting Communist-controlled East Berlin.
Author: Frances Stonor Saunders
Publisher: New Press, The
ISBN: 1595589147
Category : History
Languages : en
Pages : 458
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Book Description
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Author: Marek Fields
Publisher: BRILL
ISBN: 9004416420
Category : History
Languages : en
Pages : 454
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Book Description
In Defending Democracy in Cold War Finland, Marek Fields offers a thorough account on the various informational and cultural strategies Britain and the United States used during the early Cold War decades in order to increase their influence and contain communism in Finland. The book shows that by using propaganda and cultural diplomacy in an exceptionally challenging environment, the two Western powers were able to achieve their main objectives in the region, i.e. to defend democracy and strengthen Finland’s attachment to the West, surprisingly well. Making use of a large variety of British, American and Finnish archives, Fields proves that the Western countries’ interest in Finland during the Cold War was stronger than it has previously been realised.
Author: Victoria M. Grieve
Publisher: Oxford University Press
ISBN: 0190675705
Category : History
Languages : en
Pages : 249
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Book Description
Both conservative and liberal Baby Boomers have romanticized the 1950s as an age of innocence--of pickup ball games and Howdy Doody, when mom stayed home and the economy boomed. These nostalgic narratives obscure many other histories of postwar childhood, one of which has more in common with the war years and the sixties, when children were mobilized and politicized by the U.S. government, private corporations, and individual adults to fight the Cold War both at home and abroad. Children battled communism in its various guises on television, the movies, and comic books; they practiced safety drills, joined civil preparedness groups, and helped to build and stock bomb shelters in the backyard. Children collected coins for UNICEF, exchanged art with other children around the world, prepared for nuclear war through the Boy and Girl Scouts, raised funds for Radio Free Europe, sent clothing to refugee children, and donated books to restock the diminished library shelves of war-torn Europe. Rather than rationing and saving, American children were encouraged to spend and consume in order to maintain the engine of American prosperity. In these capacities, American children functioned as ambassadors, cultural diplomats, and representatives of the United States. Victoria M. Grieve examines this politicized childhood at the peak of the Cold War, and the many ways children and ideas about childhood were pressed into political service. Little Cold Warriors combines approaches from childhood studies and diplomatic history to understand the cultural Cold War through the activities and experiences of young Americans.
Author: William Grady
Publisher: University of Texas Press
ISBN: 1477329986
Category : History
Languages : en
Pages : 329
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Book Description
"As the Western began to flourish in literature, it also began to appear in illustrations and early comic strips of the late 19th and early 20th centuries. William Grady charts the history of the genre in comic strips and books from its origins in this period through its mid-century heyday to its gradual decline in the 60s and 70s, ending with a brief look at the current "afterlife" of Western comics over the last few decades. In doing so, he also argues for the importance of comics in the development of the Western alongside both literature and film/television. He explains how the mythic-historical settings of Western comics allowed the young readers at whom they were aimed to explore different aspects of their contemporary society, wrestle with taboo topics, and envision different futures for the US. Grady begins by exploring the origins of the Western genre in the late 19th century and shows the importance of illustrated narratives and cartoons in helping readers visualize the West, thus establishing much of its iconic imagery of frontier life, including racist stereotypes of Indigenous Peoples. He moves forward in time to show how the West became mythologized and fantastic elements were introduced into the real landscape in comic strips such as Gasoline Alley and Krazy Kat, until the Great Depression, where strips emphasized the escapist adventures of the West in Red Ryder, Lone Ranger, and others. The postwar Western spread into comic books and was used alternately as positive and negative commentaries on the Cold War and America's place in the world, but in the era of Vietnam and Watergate, Western comics portrayed darker reflections of American culture and history and eventually more or less died out. Despite the genre's apparent demise, Grady ends by examining its ongoing influence over the last decades as its tropes are used to interrogate and subvert the idea of the mythic West and explore diverse perspectives on the genre"--
