Come in uno specchio - Un capolavoro di Ingmar Bergman PDF Download
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Author: Salvatore M. Ruggiero
Publisher: Lulu.com
ISBN: 1291389253
Category : Reference
Languages : it
Pages : 58
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Book Description
Come il uno specchio è la storia di una donna psicotica (Karin) in vacanza su un'isola col padre, il marito e il fratello. Dopo il riacutizzarsi della crisi chiede di essere portata in ospedale ma non vuole essere curata.
Author: Salvatore M. Ruggiero
Publisher: Lulu.com
ISBN: 1291389253
Category : Reference
Languages : it
Pages : 58
Get Book Here
Book Description
Come il uno specchio è la storia di una donna psicotica (Karin) in vacanza su un'isola col padre, il marito e il fratello. Dopo il riacutizzarsi della crisi chiede di essere portata in ospedale ma non vuole essere curata.
Author: Salvatore M. Ruggiero
Publisher: Lulu.com
ISBN: 1291378634
Category : Reference
Languages : it
Pages : 62
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Book Description
Un'analisi del film Persona (Persona, 1966) che muove dalla metafora della maschera, nella vita come nell'arte e dal silenzio come rappresentazione universale della incomunicabilità. temi ricorrenti nel grande cinema di Ingmar Bergman.
Author: Salvatore M. Ruggiero
Publisher: Lulu.com
ISBN: 129157946X
Category : Reference
Languages : it
Pages : 54
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Book Description
Il film è la storia, anzi la cronistoria, del progressivo, inarrestabile disfacimento del rapporto matrimoniale di Marianne e Johan.
Author: Salvatore M. Ruggiero
Publisher: Lulu.com
ISBN: 1291408118
Category : Reference
Languages : it
Pages : 52
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Book Description
Verso la metà del '800 una carrozza attraversa un bosco atro. Viaggia verso la città più grande della Scandinavia. Trasporta un gruppo di persone, guidato dall'illusionista Albert Emanuel Vogler, che forma la cd. Compagnia medico-ipnotica del Dottor Vogler.1 Nella compagnia di Vogler (seguace delle pratiche del mesmerismo2) ci sono la moglie Manda, che si presenta travestita da ragazzo con il nome di Aman, la nonna e Tubal. La carrozza è guidata dal giovane Simons. Al confine l'intera compagnia viene fermata e accompagnata dalla polizia a palazzo. Al palazzo trovano ad attenderli il console Egerman e la moglie Ottilia, e il dottor Vergerus3, un medico di Stato positivista4 e scientista5.
Author: Salvatore M. Ruggiero
Publisher: Lulu.com
ISBN: 1291431136
Category : Reference
Languages : it
Pages : 124
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Book Description
Appunti sparsi dopo la visione di 8 grandi film di Ingmar Bergman
Author: Salvatore M. Ruggiero
Publisher: Lulu.com
ISBN: 1291496904
Category : Reference
Languages : it
Pages : 336
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Book Description
Il cinema di Ingmar Bergman, il Genio di Uppsala, spiegato a chi lo ignora attraverso le recensioni di 18 grandi film e due saggi sull'influenza sui suoi film della filosofia di Kierkegaard e del teatro di Strindbergh.
Author: David Seed
Publisher: Liverpool University Press
ISBN: 1846318122
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.
Author: Richard Abel
Publisher: Indiana University Press
ISBN: 0861969154
Category : Performing Arts
Languages : en
Pages : 362
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Book Description
Essays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —Choice While many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema’s early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the “National” takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.
Author: Donatella Di Cesare
Publisher: John Wiley & Sons
ISBN: 1509503862
Category : Philosophy
Languages : en
Pages : 288
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Book Description
Philosophers have long struggled to reconcile Martin Heidegger's involvement in Nazism with his status as one of the greatest thinkers of the twentieth century. The recent publication of his Black Notebooks has reignited fierce debate on the subject. These thousand-odd pages of jotted observations profoundly challenge our image of the quiet philosopher's exile in the Black Forest, revealing the shocking extent of his anti-Semitism for the first time. For much of the philosophical community, the Black Notebooks have been either used to discredit Heidegger or seen as a bibliographical detail irrelevant to his thought. Yet, in this new book, renowned philosopher Donatella Di Cesare argues that Heidegger's "metaphysical anti-Semitism" was a central part of his philosophical project. Within the context of the Nuremberg race laws, Heidegger felt compelled to define Jewishness and its relationship to his concept of Being. Di Cesare shows that Heidegger saw the Jews as the agents of a modernity that had disfigured the spirit of the West. In a deeply disturbing extrapolation, he presented the Holocaust as both a means for the purification of Being and the Jews' own "self-destruction": a process of death on an industrialized scale that was the logical conclusion of the acceleration in technology they themselves had brought about. Situating Heidegger's anti-Semitism firmly within the context of his thought, this groundbreaking work will be essential reading for students and scholars of philosophy and history as well as the many readers interested in Heidegger's life, work, and legacy.
Author: Antonello Boschi
Publisher: Routledge
ISBN: 1000456315
Category : Architecture
Languages : en
Pages : 166
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Book Description
This book investigates the relationship architecture has with the underground. It provides a broad ranging historical and theoretical survey of, and critical reflection on, ideas pertaining to the creation and occupation of underground space. It overturns the classic dictates of construction on the surface and through numerous examples explores recoveries of existing voids, excavations, caves, quarries, grottos and burrows. The exploitation of land, especially in areas of particular value, has given rise to the need to reformulate the usual approach to building. If the development of urban sprawl, its infrastructure and its networks, generates increasingly compromised landscapes, what are the possible strategies to transform, expand and change the usual relationship between abuse of soil and unused subsoil? Psychological, philosophical, literary and cinematographic legacies of underground architecture are mixed with the compositional, typological and constructive expedients, to produce a rich, diverse and compelling argument for these spaces. As such, the book will appeal to architecture students, scholars and academics as well as those with an interest in literary theory, cinema and cultural studies.
