Collection of Ancient Chinese Cultural Relics, Volume 9 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Collection of Ancient Chinese Cultural Relics, Volume 9 PDF full book. Access full book title Collection of Ancient Chinese Cultural Relics, Volume 9 by . Download full books in PDF and EPUB format.
Author:
Publisher: ATF Press
ISBN: 1925371611
Category : Art
Languages : en
Pages : 333
Get Book Here
Book Description
This book, a collection of ancient Chinese cultural relics, deals with relics from Qing Dynasty, 1644 to 1911. There are two volumes dealing with relics in this period. This book contains 377 relics. The ancestors of the people who established the Manchu Qing Dynasty lived in northeast China in the territory lying between the 'white mountains and the black rivers'. After establishing their capital in Beijing. the Qing Dynasty defeated all the forces that opposed them and they quickly consolidated their frontier defences. in the nearly 300 years of the Qing Dynasty, China achieved some remarkable things especially in the fields of culture and art even though it lagged behind in many other respects in global terms. Jade ware reached a great peak in the mid Qing Dynasty and surpassed previous achievement in size, selection of materials and overall craftsmanship. Porcelain production reached its highest ever peak in this era. Jingdezhen remained the centre for production of porcelain. The period also saw the revival in the history of Chinese calligraphy. Stone inscriptions grew in popularity and a number of pioneer masters emerged and exerted a far-reaching influence. Seal character calligraphy and li calligraphy (official script) were revised again. Literati painting played a dominant role and landscape painting and impressionistic ink and wash painting were prevalent Laquer craftwork in all shapes and sizes reached a great deal level of maturity. Existing techniques were improved and others developed. Embroidery reached unprecedented heights. Silk tapestries became more and more exquisite and the production of metal bodied enamelware reached a great peak. Bamboo wood and horn carvings also were developed. Jade objects went through three stages of development. 1. Frugal period, with jade production was small and made by ordinary craftsmen and lack originality. 2. Due to a growing Qing comic strength. and a plentiful supply of jade materials the jade industry began to flourish, and became one of the high points in jade carving in China. 3. Late period of the Qing Dynasty and due to increasing corruption in society and large number of difficulties, both domestic and external, there was less appetite for large scale pieces of jade in part also due to the high cost of production. This book, the ninth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 377 descriptions.
Author:
Publisher: ATF Press
ISBN: 1925371611
Category : Art
Languages : en
Pages : 333
Get Book Here
Book Description
This book, a collection of ancient Chinese cultural relics, deals with relics from Qing Dynasty, 1644 to 1911. There are two volumes dealing with relics in this period. This book contains 377 relics. The ancestors of the people who established the Manchu Qing Dynasty lived in northeast China in the territory lying between the 'white mountains and the black rivers'. After establishing their capital in Beijing. the Qing Dynasty defeated all the forces that opposed them and they quickly consolidated their frontier defences. in the nearly 300 years of the Qing Dynasty, China achieved some remarkable things especially in the fields of culture and art even though it lagged behind in many other respects in global terms. Jade ware reached a great peak in the mid Qing Dynasty and surpassed previous achievement in size, selection of materials and overall craftsmanship. Porcelain production reached its highest ever peak in this era. Jingdezhen remained the centre for production of porcelain. The period also saw the revival in the history of Chinese calligraphy. Stone inscriptions grew in popularity and a number of pioneer masters emerged and exerted a far-reaching influence. Seal character calligraphy and li calligraphy (official script) were revised again. Literati painting played a dominant role and landscape painting and impressionistic ink and wash painting were prevalent Laquer craftwork in all shapes and sizes reached a great deal level of maturity. Existing techniques were improved and others developed. Embroidery reached unprecedented heights. Silk tapestries became more and more exquisite and the production of metal bodied enamelware reached a great peak. Bamboo wood and horn carvings also were developed. Jade objects went through three stages of development. 1. Frugal period, with jade production was small and made by ordinary craftsmen and lack originality. 2. Due to a growing Qing comic strength. and a plentiful supply of jade materials the jade industry began to flourish, and became one of the high points in jade carving in China. 3. Late period of the Qing Dynasty and due to increasing corruption in society and large number of difficulties, both domestic and external, there was less appetite for large scale pieces of jade in part also due to the high cost of production. This book, the ninth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 377 descriptions.
Author:
Publisher: ATF Press
ISBN: 1925371654
Category : Art
Languages : en
Pages : 331
Get Book Here
Book Description
The second volume dealing with ancient Chines cultural relics in the Qing Dynasty, 1644 to 1911. There are 375 relics. A continuation of Volume 9, dealing with the Qing Dynasty and describes paintings, calligraphy, embroidery and brocade, gold and silver ware and metal enamel ware and clocks. Paintings in this period can be divided into the early, middle and late stages. Early stage: Four Wangs painting school: Wang Shimin, Wang Jian, Wang Hui and Wang Yuanqi. Midle stage: representative artists include: Jiao Bingzhenb, Leng Mei, Tang Dai during Kangxi's reign,and Ding Guanpeng, Jin Tingbiao, Xu Yang, Zhang Zongcang, Jian Tingxi and Zou Yigui in Qianlong's reign. Late stage paintings of literati gradually declined. When the newly developed business cities such as Shanghai and Guangzhou, opened as trading ports, changes were made in themes and styles. New schools formed: 'Secoast School' in Shanghai and 'Ling,an School' in Guangzhou. The former group artists included: Xu Gu, Zhao Zhiqian, Wu Changshuo, while the other school included: Su Liupeng, Su Ren Sahn, Ju Chao and Ju Lian. This book, the tenth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 375 descriptions.
Author: ATF Press
Publisher: ATF Press
ISBN: 1925679594
Category : Religion
Languages : en
Pages : 82
Get Book Here
Book Description
Interface Theology is a biannual refereed journal of theology published in print, epub and open access by ATF Press in Australia. The journal is a scholarly ecumenical and interdisciplinary publication, aiming to serve the church and its mission, promoting a broad based interpretation of Christian theology within a trinitarian context, encouraging dialogue between Christianity and other faiths, and exploring the interface between faith and culture. It is published in English for an international audience.
Author: Jianhua Yang
Publisher: Springer Nature
ISBN: 9813291559
Category : Social Science
Languages : en
Pages : 634
Get Book Here
Book Description
This book is one of the first to systematically explore cultural interactions between the Northern Zone of China and the Eurasian Steppe, with a focus on the formation process of the Xiongnu Confederation and the Silk Road. Combining partition and staging analyses, the authors adopt a broad perspective, viewing the Northern Zone as part of the Eurasian Steppe and combining history with culture by investigating the spread of bronze artifacts. In addition, with more than three hundred figures and color photographs, it offers readers a uniquely grand panorama of two thousand years of cultural interactions between the Northern Zone of China and the Eurasian Steppe.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870997734
Category : Art
Languages : en
Pages : 229
Get Book Here
Book Description
Published in conjunction with an exhibition held at The Metropolitan Museum of Art during 1996 and scheduled to travel to Los Angeles during 1997. The works are selected from the holdings of the Shumei Family, a religious organization based in Japan which holds to the belief that beautiful objects elevate the spirit and, therefore, that they were created to be shared (the group is currently constructing a new museum in Japan to house the collection). The works included here--antiquities from the Mediterranean, the Near East, and China--are beautifully presented in color photos, with text by a broad spectrum of curators, art historians, and conservators. Annotation copyright by Book News, Inc., Portland, OR
Author: Guo Wu
Publisher: Springer Nature
ISBN: 9811922691
Category : Social Science
Languages : en
Pages : 212
Get Book Here
Book Description
This book presents cutting-edge archaeological materials from Xinjiang, from the Bronze Age to the early Iron Age. Through a systematic topological study of major archaeological cemeteries and sites, it establishes chronologies and cultural sequences for three main regions in Xinjiang, namely the circum-Eastern Tianshan region, the circum-Dzungarian Basin region and the circum-Tarim Basin region. It also discusses the origins and local variants of prehistoric archaeological cultures in these regions and the mutual relationships between them and neighboring cultures. By doing so, the book offers a panoramic view of the socio-cultural changes that took place in prehistoric Xinjiang from pastoral-agricultural societies to the mobile nomadic-pastoralist states in the steppe regions and the agricultural states of the oasis, making it a must-read for researchers and general readers who are interested in the archaeology of Xinjiang.
Author: Guo Wu
Publisher: Springer Nature
ISBN: 9811968896
Category : Social Science
Languages : en
Pages : 334
Get Book Here
Book Description
This book presents cutting-edge archaeological materials from Xinjiang, from the Bronze Age to the early Iron Age. Through a systematic topological study of major archaeological cemeteries and sites, it establishes chronologies and cultural sequences for three main regions in Xinjiang, namely the circum-Eastern Tianshan region, the circum-Dzungarian Basin region and the circum-Tarim Basin region. It also discusses the origins and local variants of prehistoric archaeological cultures in these regions and the mutual relationships between them and neighboring cultures. By doing so, the book offers a panoramic view of the socio-cultural changes that took place in prehistoric Xinjiang from pastoral-agricultural societies to the mobile nomadic-pastoralist states in the steppe regions and the agricultural states of the oasis, making it a must-read for researchers and general readers who are interested in the archaeology of Xinjiang.
Author: Guanghui Dong
Publisher: Frontiers Media SA
ISBN: 2889762556
Category : Science
Languages : en
Pages : 205
Get Book Here
Book Description
Author: Jueming Hua
Publisher: Springer Nature
ISBN: 9811565252
Category : History
Languages : en
Pages : 864
Get Book Here
Book Description
The book presents thirty great Chinese inventions, both ancient and modern, which are original, distinct, have made outstanding contributions and had extensive influence in China and around the globe. It also clarifies the misunderstandings and provides a clear definition and classification of the evaluation criteria for great inventions. Each invention is presented with color pictures and comprehensive discussions. The book not only offers readers the fascinating stories behind the greatest inventions of all time from China, such as the compass, paper, and tea making & planting, but also allows them to be inspired by the great Chinese inventors’ inherent spirit of innovation and creativity.
Author: Lothar Ledderose
Publisher: Princeton University Press
ISBN: 0691252874
Category : Art
Languages : en
Pages : 280
Get Book Here
Book Description
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
