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Author: Mark Hutchinson
Publisher: Routledge
ISBN: 1317164644
Category : Music
Languages : en
Pages : 383
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Book Description
What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tōru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.
Author: Mark Hutchinson
Publisher: Routledge
ISBN: 1317164644
Category : Music
Languages : en
Pages : 383
Get Book Here
Book Description
What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tōru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.
Author: Mark Aled Hutchinson
Publisher:
ISBN: 9781472446664
Category : MUSIC
Languages : en
Pages : 214
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Book Description
What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late-twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Ades, Kaija Saariaho, T ru Takemitsu and Gyorgy Kurtag, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, and listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time."
Author: Felix Salzer
Publisher: Courier Corporation
ISBN: 0486222756
Category : Music
Languages : en
Pages : 687
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Book Description
Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.
Author: Mark Hutchinson
Publisher: Routledge
ISBN: 1317164652
Category : Music
Languages : en
Pages : 231
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Book Description
What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tō ru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.
Author: Alan Watkins
Publisher: Kogan Page Publishers
ISBN: 0749470062
Category : Business & Economics
Languages : en
Pages : 352
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Book Description
Every business leader faces innumerable challenges every working day, each one taking their toll on precious energy levels and the ability to respond and react positively in a commercial environment. Coherence recognizes the key factors that take their toll on a leader's effectiveness and ability to lead, and provides the reader with unique solutions designed to improve physiological factors that impact on core competencies. Problems today cannot be solved with yesterday's level of thinking. CEOs fail and leaders burn out because our thinking has not sped up or powered up. The author not only recognizes that leaders have the potential for limitless processing power, but shows them how to access it, taking them back to fundamentals and, quite literally, to the heart of who we are and how we function successfully. By showing leaders how to be 'younger, smarter, healthier and happier' Coherence gives every decision maker the power to make influential decisions under pressure and achieve sustainable success at every level.
Author: Paul Thagard
Publisher: MIT Press
ISBN: 9780262700924
Category : Psychology
Languages : en
Pages : 332
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Book Description
This book is an essay on how people make sense of each other and the world they live in. Making sense is the activity of fitting something puzzling into a coherent pattern of mental representations that include concepts, beliefs, goals, and actions. Paul Thagard proposes a general theory of coherence as the satisfaction of multiple interacting constraints, and discusses the theory's numerous psychological and philosophical applications. Much of human cognition can be understood in terms of coherence as constraint satisfaction, and many of the central problems of philosophy can be given coherence-based solutions. Thagard shows how coherence can help to unify psychology and philosophy, particularly when addressing questions of epistemology, metaphysics, ethics, politics, and aesthetics. He also shows how coherence can integrate cognition and emotion.
Author: Arnold Sch”nberg
Publisher: U of Nebraska Press
ISBN: 9780803242302
Category : Music
Languages : en
Pages : 224
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Book Description
Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. ø Fuller understanding has been delayed because many of his writings have not yet been edited or published. This volume collects four short works, each concentrated on a key issue in composition. Written in 1917, but altered and augmented many times in later years, the manuscripts edited and translated in this volume have never been published before. ø Their importance can permit no further delay since they present Schoenberg's thinking well after the publication in 1911 of Harmonielehre, his revolutionary theoretical book. The later texts provide numerous prospects for enhancing the study and appreciation of Schoenberg's compositions and theories. ø Also a painter, Schoenberg enjoyed the friendship of Kandinsky and the Berlin expressionists. This volume includes a frontispiece reproducing one of Schoenberg's paintings.
Author: Emil Wolf
Publisher: Cambridge University Press
ISBN: 0521822114
Category : Science
Languages : en
Pages : 237
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Book Description
All optical fields undergo random fluctuations. They may be small, as in the output of many lasers, or they may be appreciably larger, as in light generated by thermal sources. The underlying theory of fluctuating optical fields is known as coherence theory. An important manifestation of the fluctuations is the phenomenon of partial polarization. Actually, coherence theory deals with considerably more than fluctuations. Unlike usual treatments, it describes optical fields in terms of observable quantities and elucidates how such quantities, for example, the spectrum of light, change as light propagates. This book is the first to provide a unified treatment of the phenomena of coherence and polarization. The unification has been made possible by very recent discoveries, largely due to the author of this book. The subjects treated in this volume are of considerable importance for graduate students and for research workers in physics and in engineering, who are concerned with optical communications, with propagation of laser beams through fibers and through the turbulent atmosphere, with optical image formation, particularly in microscopes, and with medical diagnostics, for example. Each chapter contains problems to aid self-study. Book jacket.
Author: Reinhard Strohm
Publisher: Proceedings of the British Aca
ISBN: 9780197266564
Category : Music
Languages : en
Pages : 0
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Book Description
The Music Road contains contributions on musical cultures from the Mediterranean to India which brings together historical research, philology, and ethnographic fieldwork to revive the differentiated voices of this world region. It is here referred to as "the Music Road", to emphasize the musical traditions in this western half of the "Silk Road", and the transitional nature of its cultural migrations and coherences. Mobility in space, transmission in time and "the East-West imagination" are demonstrated in the following historical cultures: Ancient Gandhar? (N.W. India, first centuries CE) and the tradition of Alexander's conquest; sections on "Intercultural Islam" from medieval Persia to modern Turkey; "Indian encounters" with the West - and vice versa - in music and dance (18th-20th centuries); Greek music and theatre as a bridge between East and West; and Gypsy musical styles in European nationalist music.
Author: Sanna-Kaisa Tanskanen
Publisher: John Benjamins Publishing
ISBN: 9027253897
Category : Language Arts & Disciplines
Languages : en
Pages : 207
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Book Description
This book approaches cohesion and coherence from a perspective of interaction and collaboration. After a detailed account of various models of cohesion and coherence, the book suggests that it is fruitful to regard cohesion as contributing to coherence, as a strategy used by communicators to help their fellow communicators create coherence from a text. Throughout the book, the context-sensitive and discourse-specific nature of cohesion is stressed: cohesive relations are created and interpreted in particular texts in particular contexts. By investigating the use of cohesion in four different types of discourse, the study shows that cohesion is not uniform across discourse types. The analysis reveals that written dialogue (computer-mediated discussions) and spoken monologue (prepared speech) make use of similar cohesive strategies as spoken dialogue (conversations): in these contexts the communicators' interaction with their fellow communicators leads to a similar outcome. The book suggests that this is an indication of the communicators' attempt to collaborate towards successful communication.
