Author: Helen De Borchgrave
Publisher: Fortress Press
ISBN: 9781451409543
Category : Art
Languages : en
Pages : 236
Book Description
Depicts the methods used by Christian artists, including mosaic, paint, and stone, over a 2,000-year period to portray their search for spirituality.
A Journey Into Christian Art
Author: Helen De Borchgrave
Publisher: Fortress Press
ISBN: 9781451409543
Category : Art
Languages : en
Pages : 236
Book Description
Depicts the methods used by Christian artists, including mosaic, paint, and stone, over a 2,000-year period to portray their search for spirituality.
Publisher: Fortress Press
ISBN: 9781451409543
Category : Art
Languages : en
Pages : 236
Book Description
Depicts the methods used by Christian artists, including mosaic, paint, and stone, over a 2,000-year period to portray their search for spirituality.
The Dawn of Christian Art in Panel Paintings and Icons
Author: Thomas F. Mathews
Publisher: Getty Publications
ISBN: 1606065092
Category : Art
Languages : en
Pages : 59
Book Description
Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.
Publisher: Getty Publications
ISBN: 1606065092
Category : Art
Languages : en
Pages : 59
Book Description
Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.
Understanding Early Christian Art
Author: Robin M. Jensen
Publisher: Routledge
ISBN: 1135951772
Category : History
Languages : en
Pages : 233
Book Description
Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.
Publisher: Routledge
ISBN: 1135951772
Category : History
Languages : en
Pages : 233
Book Description
Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.
Christian Art
Author: Rowena Loverance
Publisher: Harvard University Press
ISBN: 9780674024793
Category : Art
Languages : en
Pages : 256
Book Description
At once a sumptuously illustrated survey of Christian art over time and across the globe as well as a study of what RChristian artS really means, Loverance concludes with an assessment of the current state of this art form at the beginning of the 21st century.
Publisher: Harvard University Press
ISBN: 9780674024793
Category : Art
Languages : en
Pages : 256
Book Description
At once a sumptuously illustrated survey of Christian art over time and across the globe as well as a study of what RChristian artS really means, Loverance concludes with an assessment of the current state of this art form at the beginning of the 21st century.
Signs & Symbols in Christian Art
Author: George Ferguson
Publisher: New York : Oxford University Press
ISBN: 9780195014327
Category : Art
Languages : en
Pages : 308
Book Description
Examines the use and meaning of Christian symbols found in Renaissance art.
Publisher: New York : Oxford University Press
ISBN: 9780195014327
Category : Art
Languages : en
Pages : 308
Book Description
Examines the use and meaning of Christian symbols found in Renaissance art.
Contemplative Vision
Author: Juliet Benner
Publisher: InterVarsity Press
ISBN: 083083544X
Category : Religion
Languages : en
Pages : 192
Book Description
Docent Juliet Benner began showing people how to meditate on Christian art treasures, which led to her much-beloved "O Taste and See" columns from the spiritual formation journal Conversations, now expanded into this book. In each chapter you'll encounter a passage of Scripture and a corresponding piece of art to lead you in a new experience of prayer in God's presence.
Publisher: InterVarsity Press
ISBN: 083083544X
Category : Religion
Languages : en
Pages : 192
Book Description
Docent Juliet Benner began showing people how to meditate on Christian art treasures, which led to her much-beloved "O Taste and See" columns from the spiritual formation journal Conversations, now expanded into this book. In each chapter you'll encounter a passage of Scripture and a corresponding piece of art to lead you in a new experience of prayer in God's presence.
Picturing the Bible
Author: Jeffrey Spier
Publisher: Yale University Press
ISBN: 9780300116830
Category : Art
Languages : en
Pages : 334
Book Description
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
Publisher: Yale University Press
ISBN: 9780300116830
Category : Art
Languages : en
Pages : 334
Book Description
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
Interpreting Christian Art
Author: Heidi J. Hornik
Publisher: Mercer University Press
ISBN: 9780865548503
Category : Art
Languages : en
Pages : 224
Book Description
Since the iconoclastic controversies of the eighth and ninth centuries, the visual arts have been the subject of much ecclesiastical discussion and contention. In particular, since the mid-1960s Protestant scholars and clergy have been paying more attention to the potential role of the visual arts in theology and liturgy of the Christian Church. As a result, numerous programs were begun under a variety of nomenclature, e.g., Religion and the Arts, Theology and the Arts, etc. Most of the essays in this book were originally presented as part of the Pruit Symposium on "Interpreting Christian Art, " held at Baylor University in October 2000. The symposium provided the opportunity to bring together scholars, clergy, and laity who are interested in the question of how religious art can contribute to the life of the contemporary Christian community. The resulting essays are a rich fare in interdisciplinary exploration of Christian art by art historians, theologians, and biblical scholars. Essayists include Margaret Miles, Robin M. Jensen, Graydon F. Snyder, Charles Barber, Anthony Cutler, William M. Jensen, Paolo Berdini, John W. Cook, and the editors, Heidi J. Hornik and Mikeal C. Parsons.
Publisher: Mercer University Press
ISBN: 9780865548503
Category : Art
Languages : en
Pages : 224
Book Description
Since the iconoclastic controversies of the eighth and ninth centuries, the visual arts have been the subject of much ecclesiastical discussion and contention. In particular, since the mid-1960s Protestant scholars and clergy have been paying more attention to the potential role of the visual arts in theology and liturgy of the Christian Church. As a result, numerous programs were begun under a variety of nomenclature, e.g., Religion and the Arts, Theology and the Arts, etc. Most of the essays in this book were originally presented as part of the Pruit Symposium on "Interpreting Christian Art, " held at Baylor University in October 2000. The symposium provided the opportunity to bring together scholars, clergy, and laity who are interested in the question of how religious art can contribute to the life of the contemporary Christian community. The resulting essays are a rich fare in interdisciplinary exploration of Christian art by art historians, theologians, and biblical scholars. Essayists include Margaret Miles, Robin M. Jensen, Graydon F. Snyder, Charles Barber, Anthony Cutler, William M. Jensen, Paolo Berdini, John W. Cook, and the editors, Heidi J. Hornik and Mikeal C. Parsons.
Storytelling in Christian Art from Giotto to Donatello
Author: Jules Lubbock
Publisher: Yale University Press
ISBN: 9780300117271
Category : Art
Languages : en
Pages : 380
Book Description
Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church favoured the production of images that lent themselves to being read and interpreted in this way, and he describes the works themselves to demonstrate how the pleasurable activity of deciphering these meanings can work in practice. This book is richly illustrated, and many of its photographs have been specially taken to show how the paintings and relief sculptures appear in the settings, for which they were originally designed. Seen from these viewpoints, they become more readily intelligible. Likewise, the starting point and the originality of Lubbock's interpretations lies in his accepting that these works of art were primarily designed to help people to reflect upon the ethical and religious significance of the biblical stories. The early Renaissance artists developed their highly innovative techniques to further these objectives, not as ends in themselves. Thus, the book aims to appeal to students, scholars and the general public, who are interested in Renaissance art and to those with a religious interest in biblical imagery.
Publisher: Yale University Press
ISBN: 9780300117271
Category : Art
Languages : en
Pages : 380
Book Description
Recounting the biblical stories through visual images was the most prestigious form of commission for a Renaissance artist. In this book, Jules Lubbock examines some of the most famous of these pictorial narratives by artists of the caliber of Giovanni Pisano, Duccio, Giotto, Ghiberti, Brunelleschi, Donatello and Masaccio. He explains how these artists portrayed the major biblical events, such as: the Sacrifice of Isaac, the Annunciation, the Feast of Herod and the Trial and Passion of Jesus, so as to be easily recognizable and, at the same time, to capture our attention and imagination for long enough to enable us to search for deeper meanings. He provides evidence showing that the Church favoured the production of images that lent themselves to being read and interpreted in this way, and he describes the works themselves to demonstrate how the pleasurable activity of deciphering these meanings can work in practice. This book is richly illustrated, and many of its photographs have been specially taken to show how the paintings and relief sculptures appear in the settings, for which they were originally designed. Seen from these viewpoints, they become more readily intelligible. Likewise, the starting point and the originality of Lubbock's interpretations lies in his accepting that these works of art were primarily designed to help people to reflect upon the ethical and religious significance of the biblical stories. The early Renaissance artists developed their highly innovative techniques to further these objectives, not as ends in themselves. Thus, the book aims to appeal to students, scholars and the general public, who are interested in Renaissance art and to those with a religious interest in biblical imagery.
Environmental Values in Christian Art
Author: Susan Power Bratton
Publisher: SUNY Press
ISBN: 0791479242
Category : Art
Languages : en
Pages : 294
Book Description
Publisher: SUNY Press
ISBN: 0791479242
Category : Art
Languages : en
Pages : 294
Book Description