Choral Commentary in Shakespearean Tragedy PDF Download
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Author: Dean Frye
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
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Book Description
Author: Dean Frye
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
Get Book Here
Book Description
Author: Dean Frye
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Author: John Shearer
Publisher:
ISBN:
Category : Music and literature
Languages : en
Pages : 180
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Book Description
Author: Lewis Walker
Publisher: Routledge
ISBN: 1317943376
Category : Literary Criticism
Languages : en
Pages : 920
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Book Description
This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
Author: Irving Ribner
Publisher: Routledge
ISBN: 1136568883
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama
Author: F W Sternfeld
Publisher: Routledge
ISBN: 1136569162
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.
Author: G B Harrison
Publisher: Routledge
ISBN: 1136567763
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens.
Author: Frederick William Sternfeld
Publisher: Psychology Press
ISBN: 9780415353274
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.
Author: Yashdip S. Bains
Publisher: Routledge
ISBN: 1134819706
Category : Literary Criticism
Languages : en
Pages : 551
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Book Description
This volume is a comprehensive overview of scholarship on this play. It includes chapters on criticism, sources and background, textual studies, bibliographies, editions, and translations. Also covered are the stage history and major productions of the play, and films, music, television, and adaptations and synopses.
Author: Andrea Oberheiden
Publisher: GRIN Verlag
ISBN: 3640468961
Category : Foreign Language Study
Languages : en
Pages : 14
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Book Description
Essay from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1-, Harvard University (Department of English), course: Shakespeare and Modern Culture, language: English, abstract: At first view, the Chorus in Shakespeare’s Henry V simply seems to serve two main practical purposes: to lead the audience through the play as regards content, and to form the audience's view on the character of King Henry V himself. The Chorus with his announcements, explanations, apologies, and appeals to the audience, while itself not being part of the diegetic world, underscores the assumption that the Chorus, represented by one single character, functions as a presenter of the play in general and of each act in particular with the rather practical aim to lead the audience through several changes of time and scene: "Carry them [the kings] here and there, jumping o’er times" (1.29). But understanding that as a reason or even as a justification for the existence of the Chorus in Henry V, the question has to be raised why a chorus, which is after all rarely used in Shakespeare’s other plays, is used specifically in this play. There are numerous Shakespearean plays in which a unifying authority would have been highly useful because of a complex structure of the particular play in regard to time and setting such as in Macbeth, King Lear, or The Merchant of Venice, to mention just a few.
