Chiara di Rosembergh. Melodramma in due atti [and in verse], da rappresentarsi nell'I. R. Teatro alla Scala l'autunno dell'anno 1831. [Based on “Le Siège de Rochelle” by Madame de Genlis.] PDF Download
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![Chiara di Rosembergh. Melodramma in due atti [and in verse], da rappresentarsi nell'I. R. Teatro alla Scala l'autunno dell'anno 1831. [Based on “Le Siège de Rochelle” by Madame de Genlis.] PDF](https://books.google.com/books/content/images/frontcover/hjBdAAAAcAAJ?fife=w150-h200)
Author: Gaetano ROSSI (Dramatist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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![Chiara di Rosembergh. Melodramma in due atti [and in verse], da rappresentarsi nell'I. R. Teatro alla Scala l'autunno dell'anno 1831. [Based on “Le Siège de Rochelle” by Madame de Genlis.] PDF](https://books.google.com/books/content/images/frontcover/hjBdAAAAcAAJ?fife=w80-h100)
Author: Gaetano ROSSI (Dramatist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
![Chiara di Rosenberg. Melodramma con musica [in two acts and in verse], etc. [By G. Rossi, founded on “Le Siège de La Rochelle” by Madame de Genlis.] MS. notes PDF](https://books.google.com/books/content/images/frontcover/wh2ja5bOtIAC?fife=w80-h100)
Author: Chiara di ROSENBERGH
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
Author: Katherine K. Preston
Publisher: University of Illinois Press
ISBN: 9780252070020
Category : Music
Languages : en
Pages : 508
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Book Description
"Leads the reader on an operatic tour of pre-Civil War America in this cultural study of what was an almost ubiquitous art form. It covers orchestral and choral musicians as well as stars, impresarios, business methods, repertories, advertising techniques, itineraries, sizes of companies, and methods of travel." -- Publisher's description
Author: Michael Burden
Publisher: Taylor & Francis
ISBN: 1040156118
Category : Music
Languages : en
Pages : 1819
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Book Description
The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
Author: Guy A. Marco
Publisher: Routledge
ISBN: 113557801X
Category : Art
Languages : en
Pages : 655
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Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Author: Karyl Lynn Zietz
Publisher: McFarland
ISBN: 1476612021
Category : Music
Languages : en
Pages : 501
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Book Description
Although books have been written about various opera houses throughout the world, no one work has covered more than a relatively small number of the larger, well known companies and houses, and none have made more than brief mention of the smaller houses. No book has comprehensively listed opera repertories. Little, in sum, has been written about any of the smaller companies and houses located in non-English-speaking countries. This is the most comprehensive reference book ever written on opera companies and houses in Western Europe, Canada, Australia and New Zealand--over 300, from the well known to the smaller. Each entry includes a history of the opera house or company, the works (title and composer) and type of productions offered, company staff, world and country premieres, repertory, and practical information on the theater's address, nearby hotel accommodations and how to order tickets. Most entries conclude with a bibliography.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 744
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Author: Hilary Poriss
Publisher: Oxford University Press
ISBN: 0190452684
Category : Music
Languages : en
Pages : 240
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Book Description
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Author: Roy Johnston
Publisher: Routledge
ISBN: 1351542109
Category : Music
Languages : en
Pages : 369
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Book Description
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast?s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast?s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast?s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
