Charles Sheeler, 1883-1965 PDF Download
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Author: Terry Dintenfass, inc
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Terry Dintenfass, inc
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Charles Sheeler
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Charles Brock
Publisher: University of California Press
ISBN:
Category : Architecture
Languages : en
Pages : 250
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Book Description
Publisher description
Author: Charles Sheeler
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: Terry Dintenfass Gallery (New York)
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Theodore E. Stebbins
Publisher:
ISBN: 9780821228128
Category : Photography
Languages : en
Pages : 224
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Book Description
Essays by leading authorities on the artist's work accompany a stunning collection of nearly two hundred photographs by modernist American photographer Charles Sheeler, offering a landmark retrospective of of the work of the influential master of twentieth-century photography. 15,000 first printing.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Charles Sheeler
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Author: Esther Adler
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
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Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
