Chaplin and American Culture PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Chaplin and American Culture PDF full book. Access full book title Chaplin and American Culture by Charles J. Maland. Download full books in PDF and EPUB format.
Author: Charles J. Maland
Publisher: Princeton University Press
ISBN: 0691223882
Category : Performing Arts
Languages : en
Pages : 468
Get Book
Book Description
Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Author: Charles J. Maland
Publisher: Princeton University Press
ISBN: 0691223882
Category : Performing Arts
Languages : en
Pages : 468
Get Book
Book Description
Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.
Author: Lisa Stein Haven
Publisher: Springer
ISBN: 3319404784
Category : Performing Arts
Languages : en
Pages : 300
Get Book
Book Description
This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film.
Author: Joyce E. Chaplin
Publisher: UNC Press Books
ISBN: 0807838306
Category : History
Languages : en
Pages : 430
Get Book
Book Description
In An Anxious Pursuit, Joyce Chaplin examines the impact of the Enlightenment ideas of progress on the lives and minds of American planters in the colonial Lower South. She focuses particularly on the influence of Scottish notions of progress, tracing the extent to which planters in South Carolina, Georgia, and British East Florida perceived themselves as a modern, improving people. She reads developments in agricultural practice as indices of planters' desire for progress, and she demonstrates the central role played by slavery in their pursuit of modern life. By linking behavior and ideas, Chaplin has produced a work of cultural history that unites intellectual, social, and economic history. Using public records as well as planters' and farmers' private papers, Chaplin examines innovations in rice, indigo, and cotton cultivation as a window through which to see planters' pursuit of a modern future. She demonstrates that planters actively sought to improve their society and economy even as they suffered a pervasive anxiety about the corrupting impact of progress and commerce. The basis for their accomplishments and the root of their anxieties, according the Chaplin, were the same: race-based chattel slavery. Slaves provied the labor necessary to attain planters' vision of the modern, but the institution ultimately limited the Lower South's ability to compete in the contemporary world. Indeed, whites continued to wonder whether their innovations, some of them defied by slaves, truly improved the region. Chaplin argues that these apprehensions prefigured the antimodern stance of the antebellum period, but she contends that they were as much a reflection of the doubt inherent in theories of progress as an outright rejection of those ideas.
Author: Wes D. Gehring
Publisher: McFarland
ISBN: 147667244X
Category : Performing Arts
Languages : en
Pages : 261
Get Book
Book Description
Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.
Author: Frank M. Scheide
Publisher: British Film Institute
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 168
Get Book
Book Description
No Marketing Blurb
Author: Claudia Clausius
Publisher: New York [N.Y.] : P. Lang
ISBN:
Category : Comedy films
Languages : en
Pages : 216
Get Book
Book Description
Speaking to us in the language of comedy, Charlie Chaplin's art has always brought the world closer together. At the same time, however, it deliberately, often insidiously puts us at odds with ourselves. What is responsible for this comic tension? And why do we find the humour irresistibly attractive? The answer greets us with a polite bow and tip of the derby - the Tramp. But whose creation is this gentleman tramp? Who holds the strings of the film marionette, Charlie - the puppeteer or the audience? The answer is, of course, both. In the collaboration between Chaplin and the spectator a comedy ignites which challenges as it delights and pricks as it tickles. Written in a straightforward manner with an eye to the amateur film enthusiast as well as the academic critic, this book investigates the Tramp character's evolution from the early shorts, through the sentimental middle period, to the darker, more cynical films and demonstrates how the comedy consistently uses the basic emotional/intellectual collision between Chaplin, the director, and Charlie, the Tramp, to evoke both laughter and reflection. Tackling both traditional and contemporary cinema criticism before analysing several of the key films The Gentleman is a Tramp takes a close-up look at the man in front of and behind the camera.
Author: Charlie Chaplin
Publisher: University of Missouri Press
ISBN: 0826273335
Category : Biography & Autobiography
Languages : en
Pages : 244
Get Book
Book Description
Film star Charlie Chaplin spent February 1931 through June 1932 touring Europe, during which time he wrote a travel memoir entitled “A Comedian Sees the World.” This memoir was published as a set of five articles in Women’s Home Companion from September 1933 to January 1934 but until now had never been published as a book in the U.S. In presenting the first edition of Chaplin’s full memoir, Lisa Stein Haven provides her own introduction and notes to supplement Chaplin’s writing and enhance the narrative. Haven’s research revealed that “A Comedian Sees the World” may very well have been Chaplin’s first published composition, and that it was definitely the beginning of his writing career. It also marked a transition into becoming more vocally political for Chaplin, as his subsequent writings and films started to take on more noticeably political stances following his European tour. During his tour, Chaplin spent time with numerous politicians, celebrities, and world leaders, ranging from Winston Churchill and Mahatma Gandhi to Albert Einstein and many others, all of whom inspired his next feature films, Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and A King in New York (1957). His excellent depiction of his experiences, coupled with Haven’s added insights, makes for a brilliant account of Chaplin’s travels and shows another side to the man whom most know only from his roles on the silver screen. Historians, travelers, and those with any bit of curiosity about one of America’s most beloved celebrities will all want to have A Comedian Sees the World in their collections. Available only in the USA and Canada.
Author: Jim Lochner
Publisher: McFarland
ISBN: 1476633517
Category : Music
Languages : en
Pages : 451
Get Book
Book Description
Charlie Chaplin the actor is universally synonymous with his beloved Tramp character. Chaplin the director is considered one of the great auteurs and innovators of cinema history. Less well known is Chaplin the composer, whose instrumental theme for Modern Times (1936) later became the popular standard "Smile," a Billboard hit for Nat "King" Cole in 1954. Chaplin was prolific yet could not read or write music. It took a rotating cast of talented musicians to translate his unorthodox humming, off-key singing, and amateur piano and violin playing into the singular orchestral vision he heard in his head. Drawing on numerous transcriptions from 60 years of original scores, this comprehensive study reveals the untold story of Chaplin the composer and the string of famous (and not-so-famous) musicians he employed, giving fresh insight into his films and shedding new light on the man behind the icon.
Author: Charles J. Maland
Publisher: Bloomsbury Publishing
ISBN: 1838715096
Category : Performing Arts
Languages : en
Pages : 272
Get Book
Book Description
In 1967, Charlie Chaplin told, 'I think I like 'City Lights' the best of all my films.' Based on archival research of Chaplin's production records, this work offers a history of the film's production and reception, as well as an examination of the film itself, with special attention to the sources of the final scene's emotional power.
Author: Michael Kammen
Publisher: Knopf
ISBN: 0307827712
Category : Social Science
Languages : en
Pages : 300
Get Book
Book Description
Americans have a long history of public arguments about taste, the uses of leisure, and what is culturally appropriate in a democracy that has a strong work ethic. Michael Kammen surveys these debates as well as our changing taste preferences, especially in the past century, and the shifting perceptions that have accompanied them. Professor Kammen shows how the post-traditional popular culture that flourished after the 1880s became full-blown mass culture after World War II, in an era of unprecedented affluence and travel. He charts the influence of advertising and opinion polling; the development of standardized products, shopping centers, and mass-marketing; the separation of youth and adult culture; the gradual repudiation of the genteel tradition; and the commercialization of organized entertainment. He stresses the significance of television in the shaping of mass culture, and of consumerism in its reconfiguration over the past two decades. Focusing on our own time, Kammen discusses the use of the fluid nature of cultural taste to enlarge audiences and increase revenues, and reveals how the public role of intellectuals and cultural critics has declined as the power of corporate sponsors and promoters has risen. As a result of this diminution of cultural authority, he says, definitive pronouncements have been replaced by divergent points of view, and there is, as well, a tendency to blur fact and fiction, reality and illusion. An important commentary on the often conflicting ways Americans have understood, defined, and talked about their changing culture in the twentieth century.
