Author: Thomas DaCosta Kaufmann
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 364
Book Description
"Five centuries of drawing in Central Europe are surveyed in this interpretive and fully illustrated catalogue featuring one of the oldest public collections in the United States. Included are the works of well-known masters Albrecht Durer, Johan Rottenhammer, and Johan Georg von Dillis, artists whose production influenced successive generations. This catalogue also offers a unique look at rare sheets by important figures such as Karel Skreta, Wenzel Hollar, and Johann Holzer. Overall, Thomas DaCosta Kaufmann's achievement is realized in bringing this important collection of Old Master drawings from Central Europe together in a beautiful volume sure to provide an invaluable resource to scholars, connoisseurs, and art enthusiasts alike." --Book Jacket.
Central European Drawings in the Collection of the Crocker Art Museum
Author: Thomas DaCosta Kaufmann
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 364
Book Description
"Five centuries of drawing in Central Europe are surveyed in this interpretive and fully illustrated catalogue featuring one of the oldest public collections in the United States. Included are the works of well-known masters Albrecht Durer, Johan Rottenhammer, and Johan Georg von Dillis, artists whose production influenced successive generations. This catalogue also offers a unique look at rare sheets by important figures such as Karel Skreta, Wenzel Hollar, and Johann Holzer. Overall, Thomas DaCosta Kaufmann's achievement is realized in bringing this important collection of Old Master drawings from Central Europe together in a beautiful volume sure to provide an invaluable resource to scholars, connoisseurs, and art enthusiasts alike." --Book Jacket.
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 364
Book Description
"Five centuries of drawing in Central Europe are surveyed in this interpretive and fully illustrated catalogue featuring one of the oldest public collections in the United States. Included are the works of well-known masters Albrecht Durer, Johan Rottenhammer, and Johan Georg von Dillis, artists whose production influenced successive generations. This catalogue also offers a unique look at rare sheets by important figures such as Karel Skreta, Wenzel Hollar, and Johann Holzer. Overall, Thomas DaCosta Kaufmann's achievement is realized in bringing this important collection of Old Master drawings from Central Europe together in a beautiful volume sure to provide an invaluable resource to scholars, connoisseurs, and art enthusiasts alike." --Book Jacket.
Picturing the Book of Nature
Author: Sachiko Kusukawa
Publisher: University of Chicago Press
ISBN: 0226465292
Category : Art
Languages : en
Pages : 350
Book Description
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Publisher: University of Chicago Press
ISBN: 0226465292
Category : Art
Languages : en
Pages : 350
Book Description
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Feeling Exclusion
Author: Giovanni Tarantino
Publisher: Routledge
ISBN: 100070842X
Category : History
Languages : en
Pages : 288
Book Description
Feeling Exclusion: Religious Conflict, Exile and Emotions in Early Modern Europe investigates the emotional experience of exclusion at the heart of the religious life of persecuted and exiled individuals and communities in early modern Europe. Between the late fifteenth and early eighteenth centuries an unprecedented number of people in Europe were forced to flee their native lands and live in a state of physical or internal exile as a result of religious conflict and upheaval. Drawing on new insights from history of emotions methodologies, Feeling Exclusion explores the complex relationships between communities in exile, the homelands from which they fled or were exiled, and those from whom they sought physical or psychological assistance. It examines the various coping strategies religious refugees developed to deal with their marginalization and exclusion, and investigates the strategies deployed in various media to generate feelings of exclusion through models of social difference, that questioned the loyalty, values, and trust of "others". Accessibly written, divided into three thematic parts, and enhanced by a variety of illustrations, Feeling Exclusion is perfect for students and researchers of early modern emotions and religion.
Publisher: Routledge
ISBN: 100070842X
Category : History
Languages : en
Pages : 288
Book Description
Feeling Exclusion: Religious Conflict, Exile and Emotions in Early Modern Europe investigates the emotional experience of exclusion at the heart of the religious life of persecuted and exiled individuals and communities in early modern Europe. Between the late fifteenth and early eighteenth centuries an unprecedented number of people in Europe were forced to flee their native lands and live in a state of physical or internal exile as a result of religious conflict and upheaval. Drawing on new insights from history of emotions methodologies, Feeling Exclusion explores the complex relationships between communities in exile, the homelands from which they fled or were exiled, and those from whom they sought physical or psychological assistance. It examines the various coping strategies religious refugees developed to deal with their marginalization and exclusion, and investigates the strategies deployed in various media to generate feelings of exclusion through models of social difference, that questioned the loyalty, values, and trust of "others". Accessibly written, divided into three thematic parts, and enhanced by a variety of illustrations, Feeling Exclusion is perfect for students and researchers of early modern emotions and religion.
Dürer and Beyond
Author: Stijn Alsteens
Publisher: Metropolitan Museum of Art
ISBN: 1588394514
Category : Art
Languages : en
Pages : 274
Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Publisher: Metropolitan Museum of Art
ISBN: 1588394514
Category : Art
Languages : en
Pages : 274
Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Central European Drawings, 1680-1800
Author: Thomas DaCosta Kaufmann
Publisher: Princeton University Press
ISBN: 9780691040820
Category : Art
Languages : en
Pages : 292
Book Description
Central Europe occupies a prominent place in many realms of eighteenth-century culture. This volume is the catalogue of an exhibition of drawings, organized in 1989 by The Art Museum, Princeton University, which presents some of the little-known accomplishments of artists from the region of present-day East and West Germany, Austria, Switzerland, and parts of Poland, Czechoslovakia, and Hungary. Providing the first available survey of drawings of the period in English, the illustrated introduction to the catalogue considers the works in historical and artistic context. The book includes important drawings by artists such as Cosmas Damian Asam, Egid Quirin Asam, Matthus Gnther, and Adrian Zingg. Published for the first time are unique drawings by such important sculptors as Georg Raphael Donner and Franz Xaver Messerschmidt. The fully illustrated catalogue contains 105 entries, many of which deal with major issues of art of the time and treat the drawings exhibited in relation to works elsewhere. Biographies are presented for all the artists exhibited.
Publisher: Princeton University Press
ISBN: 9780691040820
Category : Art
Languages : en
Pages : 292
Book Description
Central Europe occupies a prominent place in many realms of eighteenth-century culture. This volume is the catalogue of an exhibition of drawings, organized in 1989 by The Art Museum, Princeton University, which presents some of the little-known accomplishments of artists from the region of present-day East and West Germany, Austria, Switzerland, and parts of Poland, Czechoslovakia, and Hungary. Providing the first available survey of drawings of the period in English, the illustrated introduction to the catalogue considers the works in historical and artistic context. The book includes important drawings by artists such as Cosmas Damian Asam, Egid Quirin Asam, Matthus Gnther, and Adrian Zingg. Published for the first time are unique drawings by such important sculptors as Georg Raphael Donner and Franz Xaver Messerschmidt. The fully illustrated catalogue contains 105 entries, many of which deal with major issues of art of the time and treat the drawings exhibited in relation to works elsewhere. Biographies are presented for all the artists exhibited.
Fifteenth- to Eighteenth-century European Drawings
Author: Egbert Haverkamp Begemann (Kunsthistoriker)
Publisher: Metropolitan Museum of Art
ISBN: 0870999184
Category : Art
Languages : en
Pages : 490
Book Description
"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).
Publisher: Metropolitan Museum of Art
ISBN: 0870999184
Category : Art
Languages : en
Pages : 490
Book Description
"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).
18th century drawings from California collections
Author: David Wilton Steadman
Publisher:
ISBN: 9780915478095
Category : Art
Languages : en
Pages : 112
Book Description
Publisher:
ISBN: 9780915478095
Category : Art
Languages : en
Pages : 112
Book Description
Art Libraries Journal
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
Book Description
A Pioneering Collection
Author: William Breazeale
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Purchased for the most part in 1869-71 by the founders of the Crocker Art Museum, the master drawings in this rich historic collection are in some ways a time capsule that gives insight into the European art market and the taste of the patrons. Through this catalogue the Museum introduces a selection of the best drawings to the public for the first time, and provides a splendid overview of this unique collection, shedding fuller light on its history and context, both in relation to California events and to American patronage.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 178
Book Description
Purchased for the most part in 1869-71 by the founders of the Crocker Art Museum, the master drawings in this rich historic collection are in some ways a time capsule that gives insight into the European art market and the taste of the patrons. Through this catalogue the Museum introduces a selection of the best drawings to the public for the first time, and provides a splendid overview of this unique collection, shedding fuller light on its history and context, both in relation to California events and to American patronage.
The Art of Drawing
Author: Jeffrey Ruda
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 212
Book Description