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Author: James Matthew Wilson
Publisher: CUA Press
ISBN: 0813237637
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
This study constitutes the first-ever definitive account of the life and work of Irish modernist poets Thomas MacGreevy, Brian Coffey, and Denis Devlin. Apprenticed to the likes of W.B. Yeats, T.S. Eliot, James Joyce, and Samuel Beckett, all three writers worked at the center of modernist letters in England, France, and the United States, but did so from a distinctive perspective. All three writers wrote with a deep commitment to the intellectual life of Catholicism and saw the new movement in the arts as making possible for the first time a rich sacramental expression of the divine beauty in aesthetic form. MacGreevy spent his life trying to voice the Augustinian vision he found in The City of God. Coffey, a student of neo-Thomist philosopher Jacques Maritain, married scholastic thought and a densely wrought poetics to give form and solution to the alienation of modern life. Devlin contemplated the world with the eyes of Montaigne and the heart of Pascal as he searched for a poetry that could realize the divine presence in the experience of the modern person. Taken together, MacGreevy, Coffey, and Devlin exemplify the modern Catholic intellectual seeking to engage the modern world on its own terms while drawing the age toward fulfillment within the mystery and splendor of the Church. They stand apart from their Irish contemporaries for their religious seriousness and cosmopolitan openness to European modernism. They lay bare the theological potencies of modern art and do so with a sophistication and insight distinctive to themselves. Although MacGreevy, Coffey, and Devlin have received considerable critical attention in the past, this is the first book to study their work comprehensively, from MacGreevy's early poems and essays on Joyce and Eliot to Coffey's essays in the neo-scholastic philosophy of science, and on to Devlin's late poetic attempts to realize Dante's divine vision in a Europe shattered by war and modern doubt.
Author: James Matthew Wilson
Publisher: CUA Press
ISBN: 0813237637
Category : Literary Criticism
Languages : en
Pages : 496
Get Book Here
Book Description
This study constitutes the first-ever definitive account of the life and work of Irish modernist poets Thomas MacGreevy, Brian Coffey, and Denis Devlin. Apprenticed to the likes of W.B. Yeats, T.S. Eliot, James Joyce, and Samuel Beckett, all three writers worked at the center of modernist letters in England, France, and the United States, but did so from a distinctive perspective. All three writers wrote with a deep commitment to the intellectual life of Catholicism and saw the new movement in the arts as making possible for the first time a rich sacramental expression of the divine beauty in aesthetic form. MacGreevy spent his life trying to voice the Augustinian vision he found in The City of God. Coffey, a student of neo-Thomist philosopher Jacques Maritain, married scholastic thought and a densely wrought poetics to give form and solution to the alienation of modern life. Devlin contemplated the world with the eyes of Montaigne and the heart of Pascal as he searched for a poetry that could realize the divine presence in the experience of the modern person. Taken together, MacGreevy, Coffey, and Devlin exemplify the modern Catholic intellectual seeking to engage the modern world on its own terms while drawing the age toward fulfillment within the mystery and splendor of the Church. They stand apart from their Irish contemporaries for their religious seriousness and cosmopolitan openness to European modernism. They lay bare the theological potencies of modern art and do so with a sophistication and insight distinctive to themselves. Although MacGreevy, Coffey, and Devlin have received considerable critical attention in the past, this is the first book to study their work comprehensively, from MacGreevy's early poems and essays on Joyce and Eliot to Coffey's essays in the neo-scholastic philosophy of science, and on to Devlin's late poetic attempts to realize Dante's divine vision in a Europe shattered by war and modern doubt.
Author: Edwina Keown
Publisher: Peter Lang
ISBN: 9783039118946
Category : Art
Languages : en
Pages : 264
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Book Description
An examination of the emergence, reception and legacy of modernism in Ireland. Engaging with the ongoing re-evaluation of regional and national modernisms, the essays collected here reveal both the importance of modernism to Ireland, and that of Ireland to modernism. This collection introduces fresh perspectives on modern Irish culture that reflect new understandings of the contradictory and contested nature of modernism itself.--
Author: Brent Little
Publisher: CUA Press
ISBN: 0813236657
Category : Biography & Autobiography
Languages : en
Pages : 319
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Book Description
Acts of Faith and Imagination wagers that fiction written by Catholic authors assists readers to reflect critically on the question: "what is faith?" To speak of a person's "faith-life" is to speak of change and development. As a narrative form, literature can illustrate the dynamics of faith, which remains in flux over the course of one's life. Because human beings must possess faith in something (whether religious or not), it inevitably has a narrative structure?faith ebbs and flows, flourishes and decays, develops and stagnates. Through an exploration of more than a dozen Catholic authors' novels and short stories, Brent Little argues that Catholic fiction encourages the reader to reflect upon their faith holistically, that is, the way faith informs one's affections, and how a person conceives and interacts with the world as embodied beings. Amidst the diverse stories of modern and contemporary fiction, a consistent pattern emerges: Catholic fiction portrays faith?at its most fundamental, often unconscious, level?as an act of the imagination. Faith is the way one imagines themselves, others, and creation. A person's primary faith conditions how they live in the world, regardless of the level of conscious reflection, and regardless of whether this is a "religious" faith. Acts of Faith and Imagination investigates the creative depth and vitality of the Catholic literary imagination by bringing late modern Catholic authors into dialogue with more contemporary ones. Readers will then consider well-known works, such as those by Graham Greene, Flannery O'Connor, and Muriel Spark in the fresh light of contemporary stories by Toni Morrison, Alice McDermott, Uwem Akpan, and several others.
Author: Graham McAleer
Publisher: CUA Press
ISBN: 0813238668
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Book sales of the works of J.R.R. Tolkien keep pace with those of the Koran and the Bible. TV companies pay hundreds of millions to the Tolkien Trust to make adaptations of his work. In the UK, he routinely tops the list of the nation's favorite authors. An estimated 2 million war gamers use The Lord of the Rings figurines in their RPG. It is incontestable that Tolkien is the most influential Catholic writer of the last century. Tolkien, Philosopher of War fills a gap in the scholarship. It is the first book addressing the philosophical and theological understanding of war in Tolkien and will interest readers of Catholic Studies, the philosophy and theology of literature, war studies, Tolkien Studies, English studies, political theory, and aesthetics. In popular imagination, Tolkien is a Luddite, but recent scholarship has identified Tolkien's extensive modern sympathies. Tolkien, Philosopher of War contributes to this growing literature. His is a modern critique of Enlightenment thinking, specifically those philosophies of history that wrest the initiative from God in divinizing man. His worry is apocalyptic politics, those political movements that take Christ's "Be ye therefore perfect, even as your Father which is in heaven is perfect" (Matt. 5: 48) out of the realm of grace and make it a platform for political action. Tolkien, Philosopher of War has three core theses: metaphysical, political, and aesthetic. In this, Tolkien is comparable to Cormac McCarthy, especially his Blood Meridian. Tolkien took note of a tight analytical connection between the vanity driving commercial civilization ? which Hume, Smith, and Ferguson all identified ? and the vanity driving the Promethean fantasies of apocalyptic politics. War ? indeed, total war ? is a predictable outcome of this analytical connection. The three theses run: 1) metaphysical: the apocalyptic anxiety of Tolkien's lore is traceable to the gnostic rejection of the analogy of being typical of the philosophies of history that dominated his day; 2) political: in the English context, Tolkien sided with the Tories against Whiggery, defending monarchy as a counterweight to the vanity driving progressive philosophy of history; 3) aesthetic: Futurism's philosophy of history celebrated the Machine; inverting the value order, the Futurism art movement encoded anti-Christianity, fascist politics, and apocalyptic war. Tolkien's "cosmogonical drama," with its pastoralism and portraits of angels (Gandalf) and gods (Nienna), dramatizes an aesthetic resistance to Futurism.
Author: James Matthew Wilson
Publisher:
ISBN: 9780813237640
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 0
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Book Description
"This study constitutes the first-ever definitive account of the life and work of Irish modernist poets Thomas MacGreevy, Brian Coffey, and Denis Devlin. Apprenticed to the likes of W.B. Yeats, T.S. Eliot, James Joyce, and Samuel Beckett, all three writers worked at the center of modernist letters in England, France, and the United States, but did so from a distinctive perspective. All three writers wrote with a deep commitment to the intellectual life of Catholicism and saw the new movement in the arts as making possible for the first time a rich sacramental expression of the divine beauty in aesthetic form"--
Author: Paul Fagan
Publisher: Bloomsbury Publishing
ISBN: 1350177385
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
This book focuses on previously unexplored gaps, limitations and avenues of inquiry within the canon and scholarship of Irish modernism to develop a more attentive and fluid theoretical account of this conceptual field. Foregrounding interfaces between literary, visual, musical, dramatic, cinematic, epistolary and journalistic media, these essays introduce previously peripheral writers, artists and cultural figures to debates about Irish modernism: Hannah Berman, Ethel Colburn Mayne, Mary Devenport O'Neill, Sheila Wingfield, Freda Laughton, Rhoda Coghill, Elizabeth Bowen, Máirtín Ó Cadhain, Joseph Plunkett, Liam O'Flaherty, Edward Martyn, Jane Barlow, Seosamh Ó Torna, Jack B. Yeats and Brian O'Nolan all feature here to interrogate the term's implications. Probing Irish modernism's responsiveness to contemporary theory beyond postcolonial and Irish studies, Irish Modernisms: Gaps, Conjectures, Possibilities uses diverse paradigms, including weak theory, biopolitics, posthumanism and the nonhuman turn, to rethink Irish modernism's organising themes: the material body, language, mediality, canonicity, war, state violence, prostitution, temporality, death, mourning. Across the volume, cutting-edge work from queer theory and gender studies draws urgent attention to the too-often marginalized importance of women's writing and queer expression to the Irish avant-garde, while critical reappraisals of the coordinates of race and national history compel us to ask not only where and when Irish modernism occurred, but also whose modernism it was?
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 1690
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Book Description
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 672
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Book Description
Author: Ruud van den Beuken
Publisher: Syracuse University Press
ISBN: 0815654715
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.
Author: Joseph N. Cleary
Publisher: Cambridge University Press
ISBN: 1107031419
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
This volume takes an interdisciplinary approach to Irish modernism, offering readers an accessible overview of key writers and artists.
