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Author: Tate Gallery
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 84
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Author: Tate Gallery
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 84
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Author: National Gallery (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 75
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Author: Archibald George Blomefield Russell
Publisher: Palala Press
ISBN: 9781359702753
Category :
Languages : en
Pages : 82
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
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ISBN:
Category :
Languages : en
Pages : 0
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Author: William Blake
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Gerald Eades Bentley
Publisher: U of Minnesota Press
ISBN: 0816657068
Category : Reference
Languages : en
Pages : 413
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Book Description
A Blake Bibliography was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The aim of this book is to list every reference to William Blake published between 1757 and 1863 and every criticism and edition of his works from the beginning to the present. Partly because of the deluge of scholarship in the last forty years, it includes perhaps twice as many titles as Sir Geoffrey Keynes's great bibliography of 1921. An introductory essay on the history of Blake scholarship puts the most significant works into perspective, indicates the best work that has been done, and points to some neglected areas. In addition, all the most important references and many of the less significant ones are briefly annotated as to subject and value. Because many of the works are difficult to locate, specimen copies of all works published before 1831 have been traced to specific libraries. Each of Blake's manuscripts is also traced to its present owner. Two areas which have received relatively novel attention are early references to Blake (before 1863) and important sale and exhibition catalogues of his works. In both areas there are significant number of important entries which have not been noticed before by Blake scholars. The section on Blake's engravings for commercial works receives especially detailed treatment. A few of the titles listed here have not been described previously in connection with Blake.
Author: William Blake
Publisher: Tate Enterprises Ltd
ISBN: 1849761361
Category : Art
Languages : en
Pages : 127
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Book Description
In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.
Author: Burlington Fine Arts Club
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages : 82
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Author:
Publisher: Conran Octopus
ISBN:
Category : Art, English
Languages : en
Pages : 116
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Book Description
Author: Henry E. Huntington Library and Art Gallery
Publisher: Huntington Library Press
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
This complete catalogue of William Blake's work from the richly comprehensive collections of the Huntington Library and Art Gallery features a full introduction and explanatory text by a leading Blake scholar and covers the artist's entire oeuvre: his pencil sketches, watercolor drawings, tempera paintings, engravings, etchings, relief color printing, illustrated and illuminated books, and printed writings.