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Author: Walter Crane
Publisher: Courier Corporation
ISBN: 0486135837
Category : Art
Languages : en
Pages : 130
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Book Description
Original collection of more than 100 images surveys Crane's best paintings and the first illustrations for children's books. Includes scenes from fairy and folk tales and classics by Shakespeare, Hawthorne, and Spenser.
Author: Walter Crane
Publisher: Courier Corporation
ISBN: 0486135837
Category : Art
Languages : en
Pages : 130
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Book Description
Original collection of more than 100 images surveys Crane's best paintings and the first illustrations for children's books. Includes scenes from fairy and folk tales and classics by Shakespeare, Hawthorne, and Spenser.
Author: Walter Crane
Publisher:
ISBN:
Category : Book ornamentation
Languages : en
Pages : 342
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Book Description
Author: Walter Crane
Publisher: BoD – Books on Demand
ISBN: 3734043522
Category : Fiction
Languages : en
Pages : 42
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Book Description
Reproduction of the original: Walter Crane ́s Painting Book by Walter Crane
Author: Paul G. Konody
Publisher: Legare Street Press
ISBN: 9781017207040
Category : Art
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Walter Crane
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6155564159
Category : Art
Languages : en
Pages : 412
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Book Description
As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical work of an art school, and to be suggestive and helpful to those face to face with the current problems of drawing and design. These have been approached from a personal point of view, as the results of conclusions arrived at in the course of a busy working life which has left but few intervals for the elaboration of theories apart from practice, and such as they are, these papers are now offered to the wider circle of students and workers in the arts of design as from one of themselves. They were illustrated largely by means of rough sketching in line before my student audience, as well as by photographs and drawings. The rough diagrams have been re-drawn, and the other illustrations reproduced, so that both line and tone blocks are used, uniformity being sacrificed to fidelity. WALTER CRANE. Outline, one might say, is the Alpha and Omega of Art. It is the earliest mode of expression among primitive peoples, as it is with the individual child, and it has been cultivated for its power of characterization and expression, and as an ultimate test of draughtsmanship, by the most accomplished artists of all time. The old fanciful story of its origin in the work of a lover who traced in charcoal the boundary of the shadow of the head of his sweetheart as cast upon the wall by the sun, and thus obtained the first profile portrait, is probably more true in substance than in fact, but it certainly illustrates the function of outline as the definition of the boundaries of form. Silhouette As children we probably perceive forms in nature defined as flat shapes of colour relieved upon other colours, or flat fields of light on dark, as a white horse is defined upon the green grass of a field, or a black figure upon a background of snow. Definition of Boundaries To define the boundaries of such forms becomes the main object in early attempts at artistic expression. The attention is caught by the edges—the shape of the silhouette which remains the paramount means of distinction of form when details and secondary characteristics are lost; as the outlines of mountains remain, or are even more clearly seen, when distance subdues the details of their structure, and evening mists throw them into flat planes one behind the other, and leave nothing but the delicate lines of their edges to tell their character. We feel the beauty and simplicity of such effects in nature. We feel that the mind, through the eye resting upon these quiet planes and delicate lines, receives a sense of repose and poetic suggestion which is lost in the bright noontide, with all its wealth of glittering detail, sharp cut in light and shade. There is no doubt that this typical power of outline and the value of simplicity of mass were perceived by the ancients, notably the Ancient Egyptians and the Greeks, who both, in their own ways, in their art show a wonderful power of characterization by means of line and mass, and a delicate sense of the ornamental value and quality of line. Formation of Letters Regarding line—the use of outline from the point of view of its value as a means of definition of form and fact—its power is really only limited by the power of draughtsmanship at the command of the artist. From the archaic potters' primitive figures or the rudimentary attempts of children at human or animal forms up to the most refined outlines of a Greek vase-painter, or say the artist of the Dream of Poliphilus, the difference is one of degree.
Author: Walter Crane
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 308
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Book Description
Author: T. Bose
Publisher: UBC Press
ISBN: 0774844833
Category : Literary Collections
Languages : en
Pages : 538
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Book Description
The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.
Author: Jenny Uglow
Publisher: National Geographic Books
ISBN: 0500022623
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
An exploration of the life and work of Walter Crane, the pioneering British socialist artist who transformed the illustration of children’s books. This volume in Thames & Hudson’s The Illustrators series showcases the work of Walter Crane, one of the most influential children’s book creators of his generation. Crane transformed the illustration of children’s books with his bold outlines, jeweled colors, and vivid characters. While many knew Crane for fantastical children’s tales, he was also a leading voice in the aesthetic and Arts and Crafts movements and a powerful socialist. Along with Randolph Caldecott and Kate Greenaway, Crane pioneered the child-in-the-garden motifs that would characterize nursery rhymes and children’s stories for decades. Craftsman and visionary at once, he created powerful images for the new socialism in the latter part of the nineteenth century. Distinguished biographer Jenny Uglow expertly narrates a fascinating study of how Crane’s art and politics developed from his childhood love of Pre-Raphaelite painting and the influence of the ideas of William Morris and other progressive thinkers of the time. This book is a brilliant record of an artist who blended styles and influences like no one before him.
Author: Susan Doyle
Publisher: Bloomsbury Publishing USA
ISBN: 1501342118
Category : Design
Languages : en
Pages : 592
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Book Description
"Written by an international team of illustration historians, practitioners, and educators, History of Illustration covers image-making and print history from around the world, spanning from the prehistoric to the contemporary. With hundreds of color image, this book to contextualize the many types of illustrations within social, cultural, and technical parameters, presenting information in a flowing chronology. This essential guide is the first comprehensive history of illustration as its own discipline. Readers will gain an ability to critically analyze images from technical, cultural, and ideological standpoints in order to arrive at an appreciation of art form of both past and present illustration"--
Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 558
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Book Description
Includes its Report, 1896-1945.
