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Tableaux et objets rares et précieux du plus beau choix
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Objets rares et précieux
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Catalogue des objets rares et précieux, du plus beau choix, qui consistent en statues, groupes, bas-reliefs ... & un très-grand nombre d'autres curiosités
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Languages : fr
Pages : 105
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Pages : 105
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Catalogue des objets rares et précieux, du plus beau choix, qui consistent en statues... bijoux... tableaux... un très grand nombre d'autres curiosités provenant du cabinet de feu M. le baron P. N. Van Hoorn Van Vlooswyck,... rédigé par M. Lebrun,... La vente s'en fera... le 22 novembre 1809 et jours suivans...
Author: Jean-Baptiste-Pierre Lebrun
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Languages : fr
Pages : 105
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Languages : fr
Pages : 105
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Catalogue des objets rares et précieux, du plus beau choix, qui consistent en statues... bijoux... tableaux... et... autres curiosités... Provenant du cabinet de feu M. le Baron P. N. Van Hoorn van Vlooswyck,... rédigé par M. Lebrun,... La vente s'en fera... le 22 novembre 1809 et jours suivants...
Author: Pierre Nicolas baron Van Hoorn van Wlooswyck
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The Tastemakers
Author: Diana Davis
Publisher: Getty Publications
ISBN: 1606066412
Category : Art
Languages : en
Pages : 322
Book Description
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.
Publisher: Getty Publications
ISBN: 1606066412
Category : Art
Languages : en
Pages : 322
Book Description
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.
Catalogue des objets rares et précieux, du plus beau choix, qui consistent en statues, groupes, bas-reliefs ... & un très-grand nombre d'autres curiosités
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Languages : fr
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Catalogue d'objets rares et curieux, et du plus beau choix de tableaux ...
Author: Jean-Baptiste-Pierre Le Brun
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Languages : fr
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Catalogus Librorum Impressorum Bibliothecae Bodleianae in Academia Oxoniensi B. Bandinel
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Languages : en
Pages : 1082
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Languages : en
Pages : 1082
Book Description
Watteau at Work
Author: Emily A. Beeny
Publisher: Getty Publications
ISBN: 1606067362
Category : Art
Languages : en
Pages : 88
Book Description
Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau’s day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau’s death, this book considers La Surprise within the context of the artist’s oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.
Publisher: Getty Publications
ISBN: 1606067362
Category : Art
Languages : en
Pages : 88
Book Description
Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau’s day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau’s death, this book considers La Surprise within the context of the artist’s oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.