Castle Rackrent. Essay on Irish bulls. The science of self-justification. Ennui. The dun PDF Download
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Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
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Author: Maria Edgeworth
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 460
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Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
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Author: Maria Edgeworth
Publisher: W. W. Norton & Company
ISBN: 0393614654
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
The only edition of this 1800 novel—widely regarded as the first historical novel—to include supporting materials on both the importance of Maria Edgeworth as a writer and the influence of contemporary history on this novel. Castle Rackrent’s publication in 1800 signaled many firsts: the first historical novel, the first regional novel in English, the first “big house” novel, the first Anglo-Irish novel, and the first novel with a narrator who is neither reliable nor part of the action. This Norton Critical Edition is based on the Baldwin & Cradock edition that appeared as part of an eighteen-volume collected edition titled Tales and Novels of Maria Edgeworth (1832–33). It is accompanied by detailed explanatory annotations. Ryan Twomey focuses the volume’s “Backgrounds and Contexts” on Edgeworth’s importance as a writer, the influence of contemporary historical events on her writing (most importantly, the Act of Union of 1800, which united Ireland and Great Britain), and Castle Rackrent’s impact on the development of the novel. These include a selection of Edgeworth’s letters; five major contemporary reviews; biographical pieces; Sir Walter Scott on Edgeworth and her response to him; and excerpts from Edgeworth’s juvenilia, The Double Disguise. “Criticism” is thematically organized to give readers a clear sense of Castle Rackrent’s major themes: Irish writing and specifically the Irish novel, narrative voices, patriarchy and paternalism, and Edgeworth’s Hiberno-English writing. Contributors include Seamus Deane, Marilyn Butler, Katherine O’Donnell, Julia Nash, Joyce Flynn, and Brian Hollingworth, among others. A chronology of Edgeworth’s life and work and a selected bibliography are also included.
Author: Heidi Kaufman
Publisher: University of Delaware Press
ISBN: 9780874138788
Category : History
Languages : en
Pages : 308
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Book Description
In recent years, Maria Edgeworth (1768-1849) has been the subject of increasing interest. A woman, a member of the landholding elite, an educator, and a daughter who lived under the historical shadow of her father, Edgeworth's life is difficult to categorize. Ironically, these very aspects of Edgeworth's identity that once excluded her from literary and historical discussions now form the basis of current interest in her life and her writing. This collection of essays builds on existing scholarship to develop new perspectives about Edgeworth's place in English and Irish history, literary history, and women's history. These essays explore the ways in which Edgeworth's entire adult life was an attempt to reconcile the irreconcilable, an attempt to justify and preserve her own privileged position even as she acknowledged the tenuousness of that position and as she sought to claim other privileges denied her. Christopher Fauske is the assistant dean in the School of Arts & Science at Salem State College, Salem, Massachusetts. Heidi Kaufman is assistant Professor of English at the University of Delaware.
Author: Joseph Rezek
Publisher: University of Pennsylvania Press
ISBN: 081229162X
Category : Literary Criticism
Languages : en
Pages : 295
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In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society. London and the Making of Provincial Literature tells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.
Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
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Author: Andrew Gibson
Publisher: OUP Oxford
ISBN: 0191541885
Category : Literary Criticism
Languages : en
Pages : 318
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The Ireland of Ulysses was still a part of Britain. This book is the first comprehensive, historical study of Joyce's great novel in the context of Anglo-Irish political and cultural relations in the period 1880-1920. The first forty years of Joyce's life also witnessed the emergence of what historians now call English cultural nationalism. This formation was perceptible in a wide range of different discourses. Ulysses engages with many of them. In doing so, it resists, transforms, and works to transcend the effects of British rule in Ireland. The novel was written in the years leading up to Irish independence. It is powered by both a will to freedom and a will to justice. But the two do not always coincide, and Joyce does not place his art in the service of any existing political cause. His struggle for independence has its own distinctive mode. The result is a unique work of liberation - and revenge.
Author: Maria Edgeworth
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 110
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Book Description
In eighteenth-century Ireland, a privileged class of Anglo-Irish landowners known as the “Protestant Ascendancy” lived on great estates, with the mostly-Catholic Irish as their tenants and servants. Maria Edgeworth was part of this Anglo-Irish aristocracy. Castle Rackrent, her best known novel, satirizes the failures and follies of her Anglo-Irish peers, their mismanagement of their estates, and their abuse of their Irish tenants. The narrator of Castle Rackrent is Thady Quirk, whose family has served on the Rackrent estate for generations. Thady relates the life stories of four successive lords of Castle Rackrent and how their individual character and personality affect the lives and families that depend on them. Castle Rackrent was one of the first historical novels written in English, and Walter Scott later cited it as inspiration for his own Scottish historical novels. Edgeworth included two sets of explanatory notes on aspects of Irish life and culture for her English readers, footnotes in the main text and a “glossary” added in the second edition. These have been merged into a single set of endnotes in this Standard Ebooks edition. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Author: Ian Duncan
Publisher: Princeton University Press
ISBN: 1400884306
Category : Literary Criticism
Languages : en
Pages : 408
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Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history. Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.
Author: Public Library, Museums, and National Gallery of Victoria (MELBOURNE)
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
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