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Author: Keren Zdafee
Publisher: BRILL
ISBN: 9004410384
Category : History
Languages : en
Pages : 262
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Book Description
In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years. She illustrates how these caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism.
Author: Keren Zdafee
Publisher: BRILL
ISBN: 9004410384
Category : History
Languages : en
Pages : 262
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Book Description
In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years. She illustrates how these caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism.
Author: Ritu Gairola Khanduri
Publisher: Cambridge University Press
ISBN: 1107043328
Category : History
Languages : en
Pages : 369
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Book Description
A highly original study of newspaper cartoons throughout India's history and culture, and their significance for the world today.
Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
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Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Author: Donia Maher
Publisher: Darf Publishers
ISBN: 9781850773061
Category : COMICS & GRAPHIC NOVELS
Languages : en
Pages : 82
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Book Description
Graphic novel set in Egypt and winner of Kahil Award 2015
Author: Alex Dika Seggerman
Publisher: UNC Press Books
ISBN: 1469653052
Category : Art
Languages : en
Pages : 292
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Book Description
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
Author: Allen Douglas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306
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Book Description
The discipline of Middle Eastern studies in the West has often been resistant to incorporating new theoretical and conceptual paradigms. Arab Comic Strips provides at least one indicator that this trend has begun to change. The study reflects the influence of both political economy and post-modernism. The former's influence can be seen in the authors' focus on mass culture and "history from below," while the latter's manifests itself in the authors' use of semiotics and their eschewal of any linear model of social change or totalizing discourse. The strengths of Arab Comic Strips lie in its comprehensive treatment of the genre it scrutinizes. The authors present extensively detailed studies of comic strips that range from Iraq and the Gulf to North Africa and France. Further, the strips they select cover a wide thematic and ideological terrain. Pan-Arabist, Islamist, hybrid Western-Arab, and radical leftist strips all receive in-depth analysis. Through this analysis, the reader gains great insight into political and cultural debates specific to particular regions of the Arab world. The juxtaposition of strips representing different thematic, ideological, and geographical perspectives constitutes comparative analysis at its best. -- From http://www.jstor.org (Dec. 4, 2013).
Author: Hanan Hammad
Publisher: Stanford University Press
ISBN: 1503629783
Category : History
Languages : en
Pages : 398
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Book Description
A biography of the "Cinderella" of Egyptian cinema—the veneration and rumors that surrounded an unparalleled career, and the gendered questions that unsettled Egyptian society. Layla Murad (1918-1995) was once the highest-paid star in Egypt, and her movies were among the top-grossing in the box office. She starred in 28 films, nearly all now classics in Arab musical cinema. In 1955 she was forced to stop acting—and struggled for decades for a comeback. Today, even decades after her death, public interest in her life continues, and new generations of Egyptians still love her work. Unknown Past recounts Murad's extraordinary life—and the rapid political and sociocultural changes she witnessed. Hanan Hammad writes a story centered on Layla Murad's persona and legacy, and broadly framed around a gendered history of twentieth-century Egypt. Murad was a Jew who converted to Islam in the shadow of the first Arab-Israeli war. Her career blossomed under the Egyptian monarchy and later gave a singing voice to the Free Officers and the 1952 Revolution. The definitive end of her cinematic career came under Nasser on the eve of the 1956 Suez War. Egyptians have long told their national story through interpretations of Murad's life, intertwining the individual and Egyptian state and society to better understand Egyptian identity. As Unknown Past recounts, there's no life better than Murad's to reflect the tumultuous changes experienced over the dramatic decades of the mid-twentieth century.
Author: Lukas Etter
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110693798
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Distinctive Styles and Authorship in Alternative Comics addresses the benefits and limits of analyses of style in alternative comics. It offers three close readings of works serially published between 1980 and 2018 – Art Spiegelman’s Maus, Alison Bechdel’s Dykes to Watch Out For, and Jason Lutes’ Berlin – and discusses how artistic style may influence the ways in which readers construct authorship.
Author: Richard Scully
Publisher: Manchester University Press
ISBN: 1526142961
Category : History
Languages : en
Pages : 528
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Book Description
Comic empires is an innovative collection of new scholarly research, exploring the relationship between imperialism and cartoons, caricature, and comic art.
Author: James P. Jankowski
Publisher: Columbia University Press
ISBN: 9780231106955
Category : History
Languages : en
Pages : 404
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Book Description
The fourteen original essays in this volume explore the psychological, political, and cultural bases of Arab nationalism since World War I and are arranged around broad themes of study: academic constructions of nationalist history, nationalist presentations of Arab histories, conflict among competing nationalist visions, and more.
