Carta de Miguel Pastorfido a Manuel Castellano

Carta de Miguel Pastorfido a Manuel Castellano PDF Author: Miguel Pastorfido
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Languages : es
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Carta de Miguel Pastorfido a Manuel Castellano

Carta de Miguel Pastorfido a Manuel Castellano PDF Author: Miguel Pastorfido
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Languages : es
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Carta de Miguel Díaz a Manuel Castellano, julio de 1872

Carta de Miguel Díaz a Manuel Castellano, julio de 1872 PDF Author: Miguel Díaz
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Languages : es
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Carta de Manuel Castellano a José Amador de los Ríos, 21 abril 1868

Carta de Manuel Castellano a José Amador de los Ríos, 21 abril 1868 PDF Author: Manuel Castellano
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Languages : en
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Cartas de Manuel Ortiz de Pinedo a Manuel Castellano

Cartas de Manuel Ortiz de Pinedo a Manuel Castellano PDF Author: Manuel Ortiz de Pinedo
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Languages : es
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Acompaña una Nota autógrafa de Ortiz de Pinedo al Contador del teatro del Circo, diciembre 1871.

Carta de Manuel Ossorio y Bernard a Manuel Castellano, 27 julio 1869

Carta de Manuel Ossorio y Bernard a Manuel Castellano, 27 julio 1869 PDF Author: Manuel Ossorio y Bernard
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Languages : en
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Carta del Sr. Albelda a Manuel Castellano

Carta del Sr. Albelda a Manuel Castellano PDF Author: Albelda (compositor)
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Languages : es
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Carta de Juan de Castro a Manuel Castellano. Roma, 27 septiembre 1877

Carta de Juan de Castro a Manuel Castellano. Roma, 27 septiembre 1877 PDF Author: Juan de Castro
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Languages : es
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Carta de Benito Murillo a Manuel Castellano

Carta de Benito Murillo a Manuel Castellano PDF Author: Benito Soriano Murillo
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Languages : es
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Carta de Ezequiel Uricoechea a Manuel Castellano, Madrid, 7 de septiembre de 1872

Carta de Ezequiel Uricoechea a Manuel Castellano, Madrid, 7 de septiembre de 1872 PDF Author: Ezequiel Uricoechea
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Dark Prisms

Dark Prisms PDF Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 0813184509
Category : Literary Criticism
Languages : en
Pages : 282

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The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.