Author: Miguel Pastorfido
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Languages : es
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Carta de Miguel Pastorfido a Manuel Castellano
Author: Miguel Pastorfido
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Carta de Miguel Díaz a Manuel Castellano, julio de 1872
Author: Miguel Díaz
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Languages : es
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Carta de Manuel Castellano a José Amador de los Ríos, 21 abril 1868
Author: Manuel Castellano
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Languages : en
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Cartas de Manuel Ortiz de Pinedo a Manuel Castellano
Author: Manuel Ortiz de Pinedo
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Languages : es
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Acompaña una Nota autógrafa de Ortiz de Pinedo al Contador del teatro del Circo, diciembre 1871.
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Acompaña una Nota autógrafa de Ortiz de Pinedo al Contador del teatro del Circo, diciembre 1871.
Carta de Manuel Ossorio y Bernard a Manuel Castellano, 27 julio 1869
Author: Manuel Ossorio y Bernard
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Languages : en
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Carta del Sr. Albelda a Manuel Castellano
Author: Albelda (compositor)
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Languages : es
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Carta de Juan de Castro a Manuel Castellano. Roma, 27 septiembre 1877
Author: Juan de Castro
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Carta de Benito Murillo a Manuel Castellano
Author: Benito Soriano Murillo
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Carta de Ezequiel Uricoechea a Manuel Castellano, Madrid, 7 de septiembre de 1872
Author: Ezequiel Uricoechea
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Dark Prisms
Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 0813184509
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
Publisher: University Press of Kentucky
ISBN: 0813184509
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.