Carpets and Their Datings in Netherlandish Paintings, 1540-1700 PDF Download
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Author: Onno Ydema
Publisher: Walburg Pers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
Discusses the connection between the process of early carpet dating and European paintings of the 16th and 17th century. It includes nearly a thousand examples of carpet types which are discussed according to places of origin: Anatolia, Persia, India and Egypt.
Author: Onno Ydema
Publisher: Walburg Pers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
Discusses the connection between the process of early carpet dating and European paintings of the 16th and 17th century. It includes nearly a thousand examples of carpet types which are discussed according to places of origin: Anatolia, Persia, India and Egypt.
Author: David Carrier
Publisher: Penn State Press
ISBN: 0271036060
Category : Art
Languages : en
Pages : 200
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Book Description
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Author: MiaM. Mochizuki
Publisher: Routledge
ISBN: 1351541994
Category : Art
Languages : en
Pages : 424
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Book Description
Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this
Author: Metropolitan Museum of Art. Robert Lehman Collection
Publisher: Metropolitan Museum of Art
ISBN: 0870998811
Category :
Languages : en
Pages : 257
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Book Description
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
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Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Author: Muizelaar Klaske
Publisher: Yale University Press
ISBN: 9780300098174
Category : Art
Languages : en
Pages : 268
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Book Description
Taking as their premiss the subjective experience of art, the authors look at how paintings by Rembrandt, Vermeer & other masters were displayed & comprehended in the 17th century.
Author: Jochai Rosen
Publisher: Cambridge Scholars Publishing
ISBN: 1527548783
Category : Art
Languages : en
Pages : 579
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Book Description
This book is the first complete study of the life and work of the 17th century Dutch painter Pieter Codde (1599-1678). Alongside Rembrandt, Codde was active in Amsterdam, the largest and busiest city of the Netherlands. Codde belonged to the first generation of painters who took part in the cultural phenomenon known as the Dutch Golden Age and therefore this monograph makes a significant contribution to our understanding of the early stages of development of the Dutch school of painting and its influence on later developments. The book includes a biography of the painter as well as a systematic and comparative iconographical and stylistic study of his work with an attached extensive critical oeuvre catalogue. This book is an important tool for both art enthusiasts and collectors as well as art professionals such as students, scholars, auctioneers and art dealers.
Author: Jochai Rosen
Publisher: Cambridge Scholars Publishing
ISBN: 1036404730
Category : Art
Languages : en
Pages : 601
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Book Description
This book is the first complete study of the life and work of the 17th-century Dutch painter Anthonie Palamedes (1602-1673). Palamedes was active in Delft, one of the most important cities during the Dutch Golden Age, alongside Vermeer. Unlike his famous compatriot Vermeer, Anthonie Palamedes was a successful painter. He was socially acceptable, was recognized and appreciated by his colleagues, painted hundreds of pictures and achieved financial success that allowed him to live comfortably. Palamedes is therefore the embodiment of the successful painter in the Dutch "Golden Age". The book includes a biography of the painter as well as a systematic and comparative iconographical and stylistic study of his work, with an attached critical oeuvre catalogue.
Author: Minoo Moallem
Publisher: Routledge
ISBN: 1351970089
Category : Social Science
Languages : en
Pages : 260
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Book Description
Persian Carpets: the Nation As a Transnational Commodity tracks the Persian carpet as an exotic and mythological object, as a commodity, and as an image from mid-nineteenth-century England to contemporary Iran and the Iranian diaspora. Following the journey of this single object, the book brings issues of labor into conversation with the politics of aesthetics. It focuses on the carpet as a commodity which crosses the boundaries of private and public, religious and secular, culture and economy, modern and traditional, home and diaspora, and art and commodity to tell the story of transnational interconnectivity. Bringing transnational feminist cultural studies, ethnography, and network studies within the same frame of reference, this book sheds light on Orientalia as civilizational objects that emerged as commodities in the encounter between the West and the many directly or indirectly colonized Middle Eastern and West Asian cultures, focusing on the specific example of Persian carpets as some of the most extensively valued and traded objects since colonial modernity.
Author: Dorothée Goetze
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110672006
Category : History
Languages : en
Pages : 838
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Book Description
New Diplomatic History has turned into one of the most dynamic and innovative areas of research – especially with regard to early modern history. It has shown that diplomacy was not as homogenous as previously thought. On the contrary, it was shaped by a multitude of actors, practices and places. The handbook aims to characterise these different manifestations of diplomacy and to contextualise them within ongoing scientific debates. It brings together scholars from different disciplines and historiographical traditions. The handbook deliberately focuses on European diplomacy – although non-European areas are taken into account for future research – in order to limit the framework and ensure precise definitions of diplomacy and its manifestations. This must be the prerequisite for potential future global historical perspectives including both the non-European and the European world.
