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Author: John Johnston
Publisher: University of Pennsylvania Press
ISBN: 1512806420
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Although published many decades ago, William Gaddis's The Recognitions is only now beginning to receive the critical attention it deserves. Carnival of Repetition, the first full-length study of the novel, is a sophisticated analysis that places it in a new literary and cultural context . This novel of the 1950 s is unlike anything else from that decade. It harks back to the works of high modernism (exemplified by Joyce's Ulysses) and looks forward to postmodern fiction (especially as practiced by Barth, Pynchon, and DeLillo). Imitation is its major theme, one that Gaddis pursues on many levels, across several continents, into mazes of arcane knowledge and bogus scholarship, and even into the novel's structure through the repetition of prior texts and the interplay between literal and disguised quotation. Through an endless play of repetition, Gaddis confounds the reader's recognition of similarity and difference. Johnston uses the theories of Bakhtin and Deleuze (and others, such as Julia Kristeva) to map out a context for this most unusual and difficult work. From Bakhtin, he appropriates the concepts of "carnivalesque" fiction and dialogism (or a plurality of independent voices, no one more important than another). From Deleuze, he borrows the idea of the simulacrum, a copy that presupposes no original and that becomes meaningful through a process of infinite repetition. With these instruments, Johnston analyzes the labyrinth of copy and counterfeit that Gaddis constructs in his novel.
Author: John Johnston
Publisher: University of Pennsylvania Press
ISBN: 1512806420
Category : Literary Criticism
Languages : en
Pages : 248
Get Book Here
Book Description
Although published many decades ago, William Gaddis's The Recognitions is only now beginning to receive the critical attention it deserves. Carnival of Repetition, the first full-length study of the novel, is a sophisticated analysis that places it in a new literary and cultural context . This novel of the 1950 s is unlike anything else from that decade. It harks back to the works of high modernism (exemplified by Joyce's Ulysses) and looks forward to postmodern fiction (especially as practiced by Barth, Pynchon, and DeLillo). Imitation is its major theme, one that Gaddis pursues on many levels, across several continents, into mazes of arcane knowledge and bogus scholarship, and even into the novel's structure through the repetition of prior texts and the interplay between literal and disguised quotation. Through an endless play of repetition, Gaddis confounds the reader's recognition of similarity and difference. Johnston uses the theories of Bakhtin and Deleuze (and others, such as Julia Kristeva) to map out a context for this most unusual and difficult work. From Bakhtin, he appropriates the concepts of "carnivalesque" fiction and dialogism (or a plurality of independent voices, no one more important than another). From Deleuze, he borrows the idea of the simulacrum, a copy that presupposes no original and that becomes meaningful through a process of infinite repetition. With these instruments, Johnston analyzes the labyrinth of copy and counterfeit that Gaddis constructs in his novel.
Author: Milla Cozart Riggio
Publisher: Presbyterian Publishing Corp
ISBN: 0203646045
Category : Social Science
Languages : en
Pages : 339
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Book Description
This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay. Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event. Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world.
Author: William Gaddis
Publisher: New York Review of Books
ISBN: 1681374676
Category : Fiction
Languages : en
Pages : 969
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Book Description
A postmodern masterpiece about fraud and forgery by one of the most distinctive, accomplished novelists of the last century. The Recognitions is a sweeping depiction of a world in which everything that anyone recognizes as beautiful or true or good emerges as anything but: our world. The book is a masquerade, moving from New England to New York to Madrid, from the art world to the underworld, but it centers on the story of Wyatt Gwyon, the son of a New England minister, who forsakes religion to devote himself to painting, only to despair of his inspiration. In expiation, he will paint nothing but flawless copies of his revered old masters—copies, however, that find their way into the hands of a sinister financial wizard by the name of Recktall Brown, who of course sells them as the real thing. Dismissed uncomprehendingly by reviewers on publication in 1955 and ignored by the literary world for decades after, The Recognitions is now established as one of the great American novels, immensely ambitious and entirely unique, a book of wild, Boschian inspiration and outrageous comedy that is also profoundly serious and sad.
Author: Joseph Tabbi
Publisher: University of Alabama Press
ISBN: 0817354069
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
In 2002, following the posthumous publication of William Gaddis' collected nonfiction, his final novel, and Jonathan Franzen's lengthy attack on him in The New Yorker, a number of partisan articles appeared in support of Gaddis' legacy. In a review in The London Review of Books, critic Hal Foster suggested a reason for disparate responses to Gaddis' reputation: Gaddis' unique hybridity, his ability to write in the gap between two dispensations, between science and literature, theory and narrative, and different orders of linguistic imagination. Gaddis (1922-1998) is often cited as the link between literary modernism and postmodernism in the United States. His novels - The Recognitions, JR, Carpenter's Gothic, and A Frolic of His Own - are notable in the ways that they often restrict themselves to the language and communication systems of the worlds he portrays.
Author: Daniel Bowles
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110386844
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory.
Author: Ken Hirschkop
Publisher: Manchester University Press
ISBN: 1526183897
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
An important collection of essays which treats Bakhtin as a provocative theorist whose work must be tested, explored and compared with the work of others. Contributors assess Bakhtin's contribution to difficult issues of colonialism, feminism, reception theory and theories of the body, amongst others. New articles explore the origins, previously unacknowledged, of Bakhtin's theory of language and provide a vivid account of the dramatic scandal surrounding Bakhtin's thesis on Rabelais. Contains dramatic new material, drawn from post-perestroika sources, which demythologizes the image of this important writer. A new bibliographical essay and introduction bring the English-language reader up-to-date with the progress of Bakhtin studies in Russia.
Author: Matthew Cordell
Publisher: Little, Brown Books for Young Readers
ISBN: 0759554846
Category : Juvenile Fiction
Languages : en
Pages : 83
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Book Description
An IndieBound Bestseller • An Amazon Best Book of the Year • A 2022 Kirkus Best Children's Book ★ "A rewarding choice for young readers."—Booklist, starred review ★"Cornbread and Poppy are endearing characters, poised to join the ranks of other memorable early reader sets of best friends old and new, including James Marshall's George and Martha."—Bookpage, starred review ★ "Delightful."—Kirkus, starred review Caldecott medalist Matthew Cordell debuts his first early reader series about two best friends who are as different from each other as can be. Cornbread LOVES planning. Poppy does not. Cornbread ADORES preparing. Poppy does not. Cornbread IS ready for winter. Poppy...is not. But Cornbread and Poppy are the best of friends, so when Poppy is left without any food for the long winter, Cornbread volunteers to help her out. Their search leads them up, up, up Holler Mountain, where these mice might find a new friend...and an old one. Celebrating both partnership and the value of what makes us individuals, young readers will find this classic odd-couple irresistible as they encounter relatable issues with humor and heart. Publishing simultaneously in hardcover and paperback.
Author: Paul D. Greene
Publisher: Wesleyan University Press
ISBN: 0819570621
Category : Music
Languages : en
Pages : 301
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Book Description
Winner of the Society for Ethnmusicology's Klaus Wachsmann Award (2006) Wired for Sound is the first anthology to address the role of sound engineering technologies in the shaping of contemporary global music. Wired sound is at the basis of digital audio editing, multi-track recording, and other studio practices that have powerfully impacted the world's music. Distinctions between musicians and engineers increasingly blur, making it possible for people around the globe to imagine new sounds and construct new musical aesthetics. This collection of 11 essays employs primarily ethnographical, but also historical and psychological, approaches to examine a range of new, technology-intensive musics and musical practices such as: fusions of Indian film-song rhythms, heavy metal, and gamelan in Jakarta; urban Nepali pop which juxtaposes heavy metal, Tibetan Buddhist ritual chant, rap, and Himalayan folksongs; collaborations between Australian aboriginals and sound engineers; the production of "heaviness" in heavy metal music; and the production of the "Austin sound." This anthology is must reading for anyone interested in the global character of contemporary music technology. CONTRIBUTORS: Harris M. Berger, Beverley Diamond, Cornelia Fales, Ingemar Grandin, Louise Meintjes, Frederick J. Moehn, Karl Neunfeldt, Timothy D. Taylor, Jeremy Wallach.
Author: A. W. Stencell
Publisher:
ISBN: 9781550228809
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The follow-up to Seeing is Believing (ECW Press, 2002) tells the fascinating story of the carnival in words and pictures. Circus and Carnival Ballyhoo follows the development of the circus sideshow with interviews and stories from sideshow workers that explain the role of freaks, working acts, managers and talkers and explores how important grift was to circuses and how it became located inside the sideshow.
Author: Mark C. Taylor
Publisher: Columbia University Press
ISBN: 0231531648
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
Digital and electronic technologies that act as extensions of our bodies and minds are changing how we live, think, act, and write. Some welcome these developments as bringing humans closer to unified consciousness and eternal life. Others worry that invasive globalized technologies threaten to destroy the self and the world. Whether feared or desired, these innovations provoke emotions that have long fueled the religious imagination, suggesting the presence of a latent spirituality in an era mistakenly deemed secular and posthuman. William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo are American authors who explore this phenomenon thoroughly in their work. Engaging the works of each in conversation, Mark C. Taylor discusses their sophisticated representations of new media, communications, information, and virtual technologies and their transformative effects on the self and society. He focuses on Gaddis's The Recognitions, Powers's Plowing the Dark, Danielewski's House of Leaves, and DeLillo's Underworld, following the interplay of technology and religion in their narratives and their imagining of the transition from human to posthuman states. Their challenging ideas and inventive styles reveal the fascinating ways religious interests affect emerging technologies and how, in turn, these technologies guide spiritual aspirations. To read these novels from this perspective is to see them and the world anew.
