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ISBN: 9780947830526
Category :
Languages : en
Pages : 0
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Book Description
Herrera's work has remained uncompromisingly abstract and minimal throughout her career - although the hard-edge, rectilinear qualities of her paintings are, on closer inspection, belied by their obviously hand-painted expanses of color. This show of recent work also exemplifies Herrera's mastery of larger scale canvases, including subtle incorporations of diptych and triptych configurations.In an essay written for this catalogue which accompanies the Lisson, New York exhibition (featuring photographs of Herrera's New York studio and home), the American curator and critic Robert Storr states: 'In Alpes (2015) Herrera sets up what promises to be a pattern of green and white triangles alternating like clenched teeth but leaves out the last green 'tooth' so that the whole sequence dissolves into an open expanse of white that is barely contained by the outer edge of the diptych.'Given her stylistic connections to Latin American and European Constructivism and Concrete Art, as well as Mondrian's Neo-Plasticism and the Abstraction-Création movement in Paris, it is telling that Herrera has never identified with any art historical grouping, even though she lived in Havana, Paris and New York in the 1930s and '40s when many of these artistic associations were being formed.Being neither gender- nor nationality-specific as an artist, Herrera's only true affiliation is with pure Modernism, perhaps reflecting the ethos and underpinnings of the International Style of architecture as much as any era of art production.Published on the occasion of Carmen Herrera's show at Lisson Gallery, New York, 3 May - 25 June 2016.
Author:
Publisher:
ISBN: 9780947830526
Category :
Languages : en
Pages : 0
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Book Description
Herrera's work has remained uncompromisingly abstract and minimal throughout her career - although the hard-edge, rectilinear qualities of her paintings are, on closer inspection, belied by their obviously hand-painted expanses of color. This show of recent work also exemplifies Herrera's mastery of larger scale canvases, including subtle incorporations of diptych and triptych configurations.In an essay written for this catalogue which accompanies the Lisson, New York exhibition (featuring photographs of Herrera's New York studio and home), the American curator and critic Robert Storr states: 'In Alpes (2015) Herrera sets up what promises to be a pattern of green and white triangles alternating like clenched teeth but leaves out the last green 'tooth' so that the whole sequence dissolves into an open expanse of white that is barely contained by the outer edge of the diptych.'Given her stylistic connections to Latin American and European Constructivism and Concrete Art, as well as Mondrian's Neo-Plasticism and the Abstraction-Création movement in Paris, it is telling that Herrera has never identified with any art historical grouping, even though she lived in Havana, Paris and New York in the 1930s and '40s when many of these artistic associations were being formed.Being neither gender- nor nationality-specific as an artist, Herrera's only true affiliation is with pure Modernism, perhaps reflecting the ethos and underpinnings of the International Style of architecture as much as any era of art production.Published on the occasion of Carmen Herrera's show at Lisson Gallery, New York, 3 May - 25 June 2016.
Author: Dana Miller
Publisher: Yale University Press
ISBN: 030022186X
Category : Art
Languages : en
Pages : 233
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Book Description
L'artiste native de Cuba Carmen Herrera (née en 1915) peint depuis plus de sept décennies, mais ce n'est que ces dernières années que la reconnaissance pour son travail a projeté l'artiste vers la notoriété internationale. Ce beau volume offre le premier examen soutenu d'elle, depuis le début de sa carrière en 1948 jusqu'en 1978, et s'étend sur les mondes de l'art de La Havane, de Paris et de New York. Les essais considèrent les premières études de l'artiste à Cuba, son implication dans le Salon des Réalités Nouvelles dans le Paris d'après-guerre et sa sortie révolutionnaire de New York. Puis l'ouvrage situe son travail dans le contexte d'un art d'avant-garde latino-américain plus large. Un essai de Dana Miller considère le travail de New York d'Herrera depuis les années 1950 jusque dans les années 1970, lorsque Herrera arrivait et perfectionnait son style de signature. Des photographies familiales personnelles des archives de Herrera enrichissent le récit, et une chronologie traitant de l'intégralité de sa vie et de sa carrière présente des images documentaires supplémentaires. Plus de quatre-vingts œuvres sont illustrées sous forme de plaques de couleur. Ce livre est la représentation la plus étendue des travaux de Herrera à ce jour. (d'après l'éditeur).
Author:
Publisher:
ISBN: 9780947830793
Category : Art
Languages : en
Pages : 0
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Book Description
Recent works by the great exponent of hard-edged architectural abstraction This publication highlights a selection of works by Cuban American artist Carmen Herrera (born 1915) from the past decade. At 105 years old, Herrera has developed her signature geometric style over the course of decades spent in New York City and postwar Paris, as well as her hometown of Havana; however, it was only in the early 2000s that she began to receive acclaim for her work. The origins of her process trace back to her early studies in architecture at the Universidad de La Habana in Cuba from 1938 to 1939. She often credits this training as where she learned to draw and to think abstractly, stating, "I wouldn't paint the way I do if I hadn't gone to architecture school." While Herrera's process is often characterized by meticulous constraint and distillation of color and shape, it is perhaps best described as a perfect synergy of artistic and scientific creativity.
Author: Carmen Herrera
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Author: Carmen Herrera
Publisher:
ISBN: 9780947830397
Category :
Languages : en
Pages : 88
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Book Description
Herrera produced a number of paintings on paper throughout the 1960s but subsequently focused on canvas until revisiting the medium in 2010. This new body of work showcases not only her revised treatment of the medium but also a new dimension to her work.
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ISBN:
Category :
Languages : en
Pages : 0
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Author: John Latham
Publisher:
ISBN: 9780947830694
Category : Assemblage (Art)
Languages : en
Pages : 64
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Book Description
John Latham (1921-2006) was a pioneer of British conceptual art, who, through painting, sculpture, performances, assemblages, films, installation and extensive writings, fuelled controversy and continues to inspire.Latham began using books as a medium in 1958, extending his earliest spray-painted canvases into the third dimension by creating reliefs wherein the publication emerged from plaster on canvas.Titled 'skoob', a reversal of 'books', these works invert the traditional function of literature, typically read in a linear and temporal manner, to create an object that can be consumed spontaneously and without structure.The exhibition at Lisson Gallery features a selection of the artist's early book reliefs from the 1960s, which consist of books and a variety of other materials including scrap metal, wires, gauze and nails, attached to a flat rectangular surface with plaster.Also presented are Latham's subsequent Skoob works from the 70s and 80s, including his seminal sculptural piece, They're Learning Fast (1988): a fish tank containing a number of piranhas and waterproofed inserts with extracts from Latham's philosophical treatise, Report of a Surveyor.Featuring contributions from curator Pavel Pys and Turner Prize-winning artist, Laure Prouvost this publication is a useful introduction to the practice of this innovative artist who used books throughout his career.Published on the occasion of the exhibition, John Latham: Skoob Books at Lisson Gallery, New York (2 May - 16 June 2018).
Author: Ulrich Muecke
Publisher: BRILL
ISBN: 9004307249
Category : Biography & Autobiography
Languages : en
Pages : 7913
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Book Description
The diary of Heinrich Witt (1799-1892) is the most extensive private diary written in Latin America known to us today. Written in English by a German migrant who lived in Lima, it is a unique source for the history of Peru, and for international trade and migration.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author: Grace Bonney
Publisher: Hachette UK
ISBN: 1648291112
Category : Business & Economics
Languages : en
Pages : 748
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Book Description
POWERFUL WISDOM FROM THE ELDERS OF OUR COMMUNITIES In this rich and multilayered collection of interviews, conversations, and intimate photographs, over 100 trailblazing women describe the ups, downs, and lessons learned while forging their unique paths. Collective Wisdom celebrates the stories of those who have been there and know the road—from an Olympic athlete and a NASA team member to award-winning artists, activists, writers, and filmmakers, from women in their fifties to centenarians. It is also a tribute to the importance of intergenerational connections between women, with interviews conducted by daughters, friends, mentors, and colleagues. Collective Wisdom creates a living, breathing sense of community—a space where all of us can gather, listen, share, and learn.
