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Author: Vivian Nun Halloran
Publisher:
ISBN: 9780814282854
Category : American literature
Languages : en
Pages : 0
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Book Description
"In Caribbean American Narratives of Belonging, Vivian Nun Halloran analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to West Side Story, Hamilton, and Into the Spider-Verse, these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin. There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture."--Provided by publisher.
Author: Vivian Nun Halloran
Publisher:
ISBN: 9780814282854
Category : American literature
Languages : en
Pages : 0
Get Book Here
Book Description
"In Caribbean American Narratives of Belonging, Vivian Nun Halloran analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to West Side Story, Hamilton, and Into the Spider-Verse, these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin. There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture."--Provided by publisher.
Author: Jean Besson
Publisher: MacMillan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
Contemporary Caribbean society emerged within a complex framework of extensive and exploitive interconnections on a global scale, and unequal, inter-cultural, social relations at the local level. This book explores the communities of belonging that Caribbean people have created and sustained, as they have carved out a life for themselves within this context of social, economic and cultural complexity. Caribbean narratives offer a fertile ground in which to explore notions and practices of belonging, because they are rich in empirical data on the lives experienced by various Caribbean people. At the same time they point to the shared socio-cultural orders that give meaning and purpose to these lives. By analyzing narratives as accounts of lived lives, as a way of structuring the past, and as modes of communication and performance, the chapters in this volume develop important insights into Caribbean culture and bring fresh perspectives to cross-cultural research on narratives and their articulation with fields of social relations and sites of cultural identity. The sixteen chapters by anthropologists, geographers, historians and sociologists are based on in-depth research from throughout the Caribbean region and among Caribbean migrants and their descendents in Europe and North America
Author: Roger Bromley
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Cultural fictions - texts written from the perspective of the edge - are the focus of this exciting and enlightening book. The author examines the formations of narratives of identity in contemporary 'borderline' fictions and films. The work of migrant and marginalised groups located at the boundaries of nations, cultures, classes, ethnicities, sexualities and genders, is explored through an intricate weaving of theory with textual analysis. Organised around the themes of memory, tradition and 'belonging', the book proposes the space of 'migrant' writing - an emerging third space - as one that challenges fixed assumptions about identity.The cross-cultural range - including texts from British, Caribbean, Chinese-American, Indo-Caribbean, Canadian, Cuban and Indian writers; the original discussion of authors such as Maxine Hong Kingston, Gloria Anzaldua, Amy Tan, Gish Jen, Hanif Kureishi and Chang-rae Lee; and engagement with the work of theorists including Bakhtin, Freud, Lyotard, de Certeau, Deleuze and Guattari, produces a significant contribution to the broadening definitions of ethnicity and the 'post-colonial'.Works explored include Jasmine, Borderlands, The Joy Luck Club, The Wedding Banquet, Dreaming in Cuban, My Year of Meat, Buddha of Suburbia and East is East. These contemporary texts and films will make this book accessible to a broad range of readers.
Author: Elvira Pulitano
Publisher: Routledge
ISBN: 1317331273
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This book offers a timely intervention in current debates on diaspora and diasporic identity by affirming the importance of narrative as a discursive mode to understand the human face of contemporary migrations and dislocations. Focusing on the Caribbean double-diaspora, Pulitano offers a close-reading of a range of popular works by four well-known writers currently living in the United States: Jamaica Kincaid, Michelle Cliff, Edwidge Danticat, and Caryl Phillips. Navigating the map of fictional characters, testimonial accounts, and autobiographical experiences, Pulitano draws attention to the lived experience of contemporary diasporic formations. The book offers a provocative re-thinking of socio-scientific analyses of diaspora by discussing the embodied experience of contemporary diasporic communities, drawing on disciplines such as Caribbean, Postcolonial, Diaspora, and Indigenous Studies along with theories on "border thinking" and coloniality/modernity. Contesting restrictive, national, and linguistic boundaries when discussing literature originating from the Caribbean, Pulitano situates the transnational location of Caribbean-born writers within current debates of Transnational American Studies and investigates the role of immigrant writers in discourses of race, ethnicity, citizenship, and belonging. Exploring the multifarious intersections between home, exile, migration and displacement, the book makes a significant contribution to memory and trauma studies, human rights debates, and international law, aiming at a wide range of scholars and specialized agents beyond the strictly literary circle. This volume affirms the humanity of personal stories and experiences against the invisibility of immigrant subjects in most theoretical accounts of diaspora and migration.
Author: Caitlin G. Watt
Publisher: Indiana University Press
ISBN: 025306242X
Category : Art
Languages : en
Pages : 457
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Book Description
Each John Wick film has earned more money and recognition than its predecessor, defying the conventional wisdom about the box office's action movie landscape, normally dominated by superhero movies and science fiction epics. As The Worlds of John Wick explores, the worldbuilding of John Wick offers thrills that you simply can't find anywhere else. The franchise's plot combines familiar elements of the revenge thriller and crime film with seamlessly coordinated action. One of its most distinctive appeals, however, is the detailed and multifaceted fictional world—or rather, worlds—it constructs. The contributors to this volume consider everything from fight sequences, action aesthetics, and stunts to grief, cinematic space and time, and gender performance to map these worlds and explore how their range and depth make John Wick a hit. A deep dive into this popular neo-noir franchise, The Worlds of John Wick celebrates and complicates the cult phenomenon that is John Wick.
Author: Jocelyn Fenton Stitt
Publisher: Rutgers University Press
ISBN: 197880654X
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Introduction: Archival dreams and Caribbean life writing -- 'Autobiography in a graveyard' : doors of no return and revolutionary failures -- Speculative autobiography : ghosts and feminist fugitivity -- Repicturing the picturesque : genealogical desire, archives, and descendant community autobiography -- Ashes to ashes, dust to dust : Indo-Caribbean archival impossibility -- "Put my mom in there" : Memorialization as Caribbean counter-archive -- Coda: Untelling history.
Author: Karen Fog Olwig
Publisher: Duke University Press
ISBN: 0822389851
Category : Social Science
Languages : en
Pages : 331
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Book Description
Caribbean Journeys is an ethnographic analysis of the cultural meaning of migration and home in three families of West Indian background that are now dispersed throughout the Caribbean, North America, and Great Britain. Moving migration studies beyond its current focus on sending and receiving societies, Karen Fog Olwig makes migratory family networks the locus of her analysis. For the people whose lives she traces, being “Caribbean” is not necessarily rooted in ongoing visits to their countries of origin, or in ethnic communities in the receiving countries, but rather in family narratives and the maintenance of family networks across vast geographical expanses. The migratory journeys of the families in this study began more than sixty years ago, when individuals in the three families left home in a British colonial town in Jamaica, a French Creole rural community in Dominica, and an African-Caribbean village of small farmers on Nevis. Olwig follows the three family networks forward in time, interviewing family members living under highly varied social and economic circumstances in locations ranging from California to Barbados, Nova Scotia to Florida, and New Jersey to England. Through her conversations with several generations of these far-flung families, she gives insight into each family’s educational, occupational, and socioeconomic trajectories. Olwig contends that terms such as “Caribbean diaspora” wrongly assume a culturally homogeneous homeland. As she demonstrates in Caribbean Journeys, anthropologists who want a nuanced understanding of how migrants and their descendants perceive their origins and identities must focus on interpersonal relations and intimate spheres as well as on collectivities and public expressions of belonging.
Author: Sherina Feliciano-Santos
Publisher: Rutgers University Press
ISBN: 1978808194
Category : Social Science
Languages : en
Pages : 232
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Book Description
A Contested Caribbean Indigeneity is an in-depth analysis of the debates surrounding Taíno/Boricua activism in Puerto Rico and the Caribbean diaspora in New York City. Drawing on in-depth ethnographic research, media analysis, and historical documents, the book explores the varied experiences and motivations of Taíno/Boricua activists as well as the alternative fonts of authority they draw on to claim what is commonly thought to be an extinct ethnic category. It explores the historical and interactional challenges involved in claiming membership in, what for many Puerto Ricans, is an impossible affiliation. In focusing on Taíno/Boricua activism, the books aims to identify a critical space from which to analyze and decolonize ethnoracial ideologies of Puerto Ricanness, issues of class and education, Puerto Rican nationalisms and colonialisms, as well as important questions regarding narrative, historical memory, and belonging.
Author: Camilla Stevens
Publisher: University of Pittsburgh Press
ISBN: 0822987163
Category : Performing Arts
Languages : en
Pages : 259
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Book Description
Aquí and Allá: Transnational Dominican Theater and Performance explores how contemporary Dominican theater and performance artists portray a sense of collective belonging shaped by the transnational connections between the homeland and the diaspora. Through close readings of plays and performances produced in the Dominican Republic and the United States in dialogue with theories of theater and performance, migration theory, and literary, cultural, and historical studies, this book situates theater and performance in debates on Dominican history and culture and the impact of migration on the changing character of national identity from end of the twentieth century to the present. By addressing local audiences of island-based and diasporic Dominicans with stories of characters who are shaped by both places, the theatrical performances analyzed in this book operate as a democratizing force on conceptions of Dominican identity and challenge assumptions about citizenship and national belonging. Likewise, the artists’ bi-national perspectives and work methods challenge the paradigms that have traditionally framed Latin(o) American theater studies.
Author: Antonio Michael Downing
Publisher: Milkweed Editions
ISBN: 1571317643
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
A Black immigrant journeys from the Caribbean to Canada—and through multiple musical personas—in a “deeply moving” memoir “suffused with poetic prose” (Publishers Weekly, starred review). As a clever, willful boy in a tiny village in the tropical forests of Trinidad—raised by his indomitable grandmother, Miss Excelly, and her King James Bible—Antonio Michael Downing is steeped in the legacies of his scattered family, the vibrant culture of the island, and the weight of its colonial history. But after Miss Excelly’s death, everything changes. The eleven-year-old seems to fall asleep in the jungle and wake up in a blizzard: he is sent to live with his devoutly evangelical Aunt Joan in rural Canada, where they are the only Black family in a landscape starkly devoid of the warm lushness of his childhood. Isolated and longing for home, Downing begins a decades-long journey to transform himself through music and performance. A reunion with his birth parents, whom he’s known only through story, closes more doors than it opens. Instead, Downing seeks refuge in increasingly extravagant musical personalities: “Mic Dainjah,” a boisterous punk rapper; “Molasses,” a soul crooner; and, finally, an eccentric dystopian-era pop star clad in leather and gold, “John Orpheus.” In his mid-thirties, increasingly addicted to escapism, attention, and sex, Downing realizes he has become a “Saga Boy”—a Trinidadian playboy archetype—like his father and grandfather before him. When his choices land him in a jail cell, Downing must face who he has become. “Lush language and sensory details make the fascinating events of this memoir pop. An authentic, entertaining, and timely account of a creative immigrant’s experiences.” —Booklist “Downing’s elegant, engaging memoir will have particular significance to readers from the Caribbean diaspora, but it will be understood by any reader who has ever had their world suddenly upended and needed to make it whole again.” —Library Journal “A rich memoir about how far some folks have to travel just to arrive where they began.” —Minneapolis Star Tribune
