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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
At the Crossroads of American Photography examines the aesthetic and personal interrelationships of three photographers who helped define the course of American photography after Steiglitz: Frederick Sommer (1905-1999), Harry Callahan (1912-1999) and Aaron Siskind (1903-1991). Although each member of this "holy trinity" (as they were dubbed by photographer and publisher Jonathan Williams) has been honored with individual museum retrospectives, this is the first full comparison of their work, as well as an exploration of their robust, prescient exchange of ideas about photography, abstraction and metaphor over the course of their 25 years as colleagues and friends. Self-taught as photographers, this trio helped shape a national community of peers and the evolution of photography as an art form, creating a bridge between the purity of Group f/64-era photography at midcentury and the hybrid approaches to the medium seen today. This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by the writings of Spinoza for Sommer), the interest in chance as an artistic process, the expressive potential of photographic found objects and collage, experimental abstraction, close affiliations with fine art movements (New Bauhaus, Abstract Expressionism and Surrealism), and changing attitudes toward the fine-print tradition.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
Get Book Here
Book Description
At the Crossroads of American Photography examines the aesthetic and personal interrelationships of three photographers who helped define the course of American photography after Steiglitz: Frederick Sommer (1905-1999), Harry Callahan (1912-1999) and Aaron Siskind (1903-1991). Although each member of this "holy trinity" (as they were dubbed by photographer and publisher Jonathan Williams) has been honored with individual museum retrospectives, this is the first full comparison of their work, as well as an exploration of their robust, prescient exchange of ideas about photography, abstraction and metaphor over the course of their 25 years as colleagues and friends. Self-taught as photographers, this trio helped shape a national community of peers and the evolution of photography as an art form, creating a bridge between the purity of Group f/64-era photography at midcentury and the hybrid approaches to the medium seen today. This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by the writings of Spinoza for Sommer), the interest in chance as an artistic process, the expressive potential of photographic found objects and collage, experimental abstraction, close affiliations with fine art movements (New Bauhaus, Abstract Expressionism and Surrealism), and changing attitudes toward the fine-print tradition.
Author: Charles Arnoldi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Foreword by Frank Gehry. Conversation with Gregory Amenoff, Dave Hickey, Fred Hoffman, Charlotte Jackson, Charles Arnoldi.
Author: Richard Cahan
Publisher: John Wiley & Sons
ISBN: 0471144266
Category : Architecture
Languages : en
Pages : 290
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Book Description
"Richard Nickel, whom I had the delight of knowing during hisall too brief life, is one of the unsung heroes of Chicagoarchitecture. He was not an architect himself, nor a designer. Hesimply took pictures, but what pictures! He was, for want of abetter description, one of the most sensitive of architecturalphotographers. More than that, his life--and ironically,tragically and poetically, his death--were fused to Chicagoarchitecture. How he died tells us how he lived: for the beauty inthe works of Sullivan, Wright and the others. His story is one thatmust be told." --Studs Terkel, author "He was completely understanding of architecture and genius andof the quality of the work he was dealing with. He wassingle-minded in his pursuit and dedication to quality in history,art and architecture. That is an increasingly rare quality." --Ada Louise Huxtable, former New York Timesarchitecture critic "Richard was an excellent photographer--sensitive andintelligent, and a very good craftsman". --John Szarkowski, former Director, Photography, Museumof Modern Art, New York "Richard Nickel was one of those who saw architecture, and whopassionately and skillfully pursued its portrayal. He was one of avery small number, and to make his work known would be afundamental service to architects, students, and teachers as wellas to the art of architecture." --Edgar Kaufmann, Jr., architectural historian
Author: Thomas L. Dyja
Publisher: Penguin
ISBN: 0143125095
Category : History
Languages : en
Pages : 561
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Book Description
Winner of the Chicago Tribune‘s 2013 Heartland Prize A critically acclaimed history of Chicago at mid-century, featuring many of the incredible personalities that shaped American culture Before air travel overtook trains, nearly every coast-to-coast journey included a stop in Chicago, and this flow of people and commodities made it the crucible for American culture and innovation. In luminous prose, Chicago native Thomas Dyja re-creates the story of the city in its postwar prime and explains its profound impact on modern America—from Chess Records to Playboy, McDonald’s to the University of Chicago. Populated with an incredible cast of characters, including Mahalia Jackson, Muddy Waters, Howlin’ Wolf, Chuck Berry, Sun Ra, Simone de Beauvoir, Nelson Algren, Gwendolyn Brooks, Studs Turkel, and Mayor Richard J. Daley, The Third Coast recalls the prominence of the Windy City in all its grandeur.
Author: Liz Heron
Publisher: Routledge
ISBN: 1000324680
Category : Photography
Languages : en
Pages : 543
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Book Description
This selection of women's writings on photography proposes a new and different history, demonstrating the ways in which women's perspectives have advanced photographic criticism over 150 years, focusing it more deeply and, with the advent of feminist approaches, increasingly challenging its orthodoxies. Included in the book are Rosalind Krauss, Ingrid Sischy, Vicki Goldberg and Carol Squiers.
Author: Alma Davenport
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
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Book Description
A compact, readable, up-to-date overview of the history of photography.
Author: Robert Hirsch
Publisher: Taylor & Francis
ISBN: 1000904350
Category : Photography
Languages : en
Pages : 1232
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Book Description
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revised and updated to include the latest advances in technology and digital photography, as well as information on contemporary photographers such as Granville Carroll, Meryl McMaster, Cindy Sherman, Penelope Umbrico, and Yang Yongliang. New topics include the rise of mobile photography and surveillance cameras, drone photography, image manipulation, protest and social justice photography, plus the roles of artificial intelligence and social media in photography. Highly illustrated with over 250 full-color images and contributions from hundreds of artists around the world, Seizing the Light serves as a gateway to the history of photography. Written in an accessible style, it is perfect for those newly engaging with the practice of photography and for experienced photographers wanting to contextualize their own work.
Author: Lynne Warren
Publisher: Routledge
ISBN: 1135205434
Category : Photography
Languages : en
Pages : 1849
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Book Description
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Author: Aaron Siskind
Publisher:
ISBN: 9780936554068
Category :
Languages : en
Pages : 0
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Book Description
Author: Mark Durden
Publisher: Routledge
ISBN: 1317541588
Category : Computers
Languages : en
Pages : 500
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Book Description
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory’s direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to ‘see’ an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The 'fractal' is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory — that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs.
