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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Author: Szépművészeti Múzeum (Hungary)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author: Yale University (New Haven, Conn.). Art Gallery
Publisher: Yale University Press
ISBN: 0300114338
Category : Art
Languages : en
Pages : 316
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Book Description
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Alexa Piqueux
Publisher: Oxford University Press
ISBN: 0192660330
Category : Literary Collections
Languages : en
Pages : 435
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Book Description
Using both textual and iconographic sources, this richly illustrated book examines the representations of the body in Greek Old and Middle Comedy, how it was staged, perceived, and imagined, particularly in Athens, Magna Graecia, and Sicily. The study also aims to refine knowledge of the various connections between Attic comedy and comic vases from South Italy and Sicily (the so-called 'phlyax vases'). After introducing comic texts and comedy-related vase-paintings in the regional contexts, The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE considers the generic features of the comic body, characterized as it is by a specific ugliness and a constant motion. It also explores how costumes —masks, padding, phallus, clothing, accessories— and gestures contribute to the characters' visual identity in relation with speech : it analyzes the cultural, social, aesthetic, and theatrical conventions by which spectators decipher the body. This study thus leads to a re-examination of the modalities of comic mimesis, in particular when addressing sexual codes in cross-dressing scenes which reveal the artifice of the fictional body. It also sheds light on how comic poets make use of the scenic or imaginary representations of the bodies of those who are targets of political, social, or intellectual satire. There is a particular emphasis on body movements, where the book not only deals with body language and the dramatic function of comic gesture, but also with how words confer a kind of poetic and unreal motion to the body.
Author: László Török
Publisher: BRILL
ISBN: 9047407318
Category : History
Languages : en
Pages : 535
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Book Description
This richly illustrated book presents a history of Egyptian late antique–early Byzantine (Coptic) art in its international stylistic, social and intellectual context.
Author: Myrto Aloumpi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111448282
Category : Literary Criticism
Languages : en
Pages : 830
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Book Description
This volume of essays in honor of Lucia Athanassaki offers a great variety of chapters on a number of topics in Greek and Latin literature and genres, from Greek epic and lyric poetry to Greek drama and late antiquity, Greek historiography, and Latin lyric poetry.
Author: Margaret W. Ferguson
Publisher: University of Chicago Press
ISBN: 9780226243146
Category : History
Languages : en
Pages : 464
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Book Description
Juxtaposing the insights of feminism with those of marxism, psychoanalysis, and deconstruction, this unique collection creates new common ground for women's studies and Renaissance studies. An outstanding array of scholars—literary critics, art critics, and historians—reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and sexual difference. Throughout, the essays focus on the structures of Renaissance patriarchy that organized power relations both in the state and in the family. They explore the major conequences of patriarchy for women—their marginalization and lack of identity and power—and the ways in which individual women or groups of women broke, or in some cases deliberately circumvented, the rules that defined them as a secondary sex. Topics covered include representations of women in literature and art, the actual work done by women both inside and outside of the home, and the writings of women themselves. In analyzing the rhetorical strategies that "marginalized" historical and fictional women, these essays counter scholarly and critical traditions that continue to exhibit patriarchal biases.
Author: New York Public Library. Slavonic Division
Publisher:
ISBN:
Category : Slavic periodicals
Languages : en
Pages : 348
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Book Description
Author: Carlo Rindi Nuzzolo
Publisher: Oxbow Books
ISBN: 1789259053
Category : Social Science
Languages : en
Pages : 675
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Book Description
Excavations by the Dakhleh Oasis Project at Ismant al-Kharab, ancient Kellis in the Dakhleh Oasis, Egypt, revealed the presence of an extensive necropolis dating to the Roman Period, with hundreds of rock-cut tombs containing multiple burials. Termed the Kellis 1 Cemetery, it yielded a range of artifacts and many of the individuals were provided with elaborately decorated cartonnage coverings. This is the largest collection of such material yet discovered in Dakhleh. This book presents a detailed analysis of the entire corpus of cartonnage found at Kellis in a securely excavated context. These objects, which include mummy masks, foot-cases, and full body covers, were part of the burial accoutrements of the wealthier residents of the village. Stylistic and digital investigation of the artifacts suggests a well-defined craft production, with the presence of multiple groups of craftsmen using specific manufacturing techniques and local traits in their iconographic repertoire. The scale of evidence demonstrates that Kellis was a vibrant community with a dynamic funerary production in contact with nearby areas. Comparison with finds from the neighboring Oasis of Kharga, as well as with artifacts in museums collections and from the antiquities market, suggest a complex network of skilled craftsmen throughout the region. This is the first comprehensive study of the material. It has been studied in person by the author in the field enabling a detailed appraisal of the items, whether intact or fragmentary. It builds on recent research addressing regionalism and craftsmanship, and constitutes one of the main sources to investigate issues of permanence and change in the indigenous funerary customs of the area.
