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Author: Dika Newlin
Publisher: Read Books Ltd
ISBN: 1473387302
Category : Biography & Autobiography
Languages : en
Pages : 387
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Book Description
The idea of this book originally came to me during my years of study with Arnold Schoenberg in Los Angeles. At that time I was first introduced to the most "radical" works of Schoenberg-works virtually unknown in this country so far as public performances are concerned. I felt the need of a historical background which would explain the origins of the new style.
Author: Dika Newlin
Publisher: READ BOOKS
ISBN: 9781443728713
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
Bruckner Mahler Schoenberg by DIKA NEWLIN. Preface: THE IDEA of this book originally came to me during my years of study with Arnold Schoenberg in Los Angeles ( 1938-1941). At that time I was first introduced to the most radical works of Schoenberg works virtually unknown in this country so far as public performances are concerned. I felt the need of a historical background which would explain the origins of the new style. It was this which brought me to a study of the works of Mahler and Bruckner; for Schoenberg's oft expressed indebtedness to Mahler plainly indicated that the roots of Schoenberg's style might be found in Mahler's scores ( however different Mahler's music might be in texture from Schoenberg's), and the re lationship between Mahler and Bruckner seemed well established. Thence, it was but a step to the conclusion that Schoenberg is not only the heir of Bruckner and Mahler but also the heir of the great Viennese classical tradition, which they transmitted to him. It is this conclusion which I have tried to prove in the following pages; it has been my desire to portray Schoenberg's works as the culmination of several centuries of historical development, rather than as the products of a wilful icono clasm. To this end, I have attempted to place Schoenberg in the Vien nese cultural scene by analyzing, not only the musical background, but also the literary, artistic, and political background of his generation a task which I have likewise performed for the period of Bruckner and of Mahler. Such an extensive project could never have been carried out without the assistance and cooperation of those who were familiar at first hand with the milieu which I wished to reconstruct.
Author: Dika Newlin
Publisher:
ISBN:
Category :
Languages : en
Pages : 293
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Book Description
Author: Dika Newlin
Publisher:
ISBN: 9780781295826
Category : Biography & Autobiography
Languages : en
Pages : 293
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Book Description
Bonded Leather binding
Author: Dika Newlin
Publisher: Read Books Ltd
ISBN: 1473387302
Category : Biography & Autobiography
Languages : en
Pages : 387
Get Book Here
Book Description
The idea of this book originally came to me during my years of study with Arnold Schoenberg in Los Angeles. At that time I was first introduced to the most "radical" works of Schoenberg-works virtually unknown in this country so far as public performances are concerned. I felt the need of a historical background which would explain the origins of the new style.
Author: Dika Newlin
Publisher:
ISBN:
Category :
Languages : en
Pages : 293
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Book Description
Author: Max Graf
Publisher: Open Road Media
ISBN: 1504064526
Category : Music
Languages : en
Pages : 882
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Book Description
These three essential volumes on classical music theory and history explore the lives and contributions of some of music’s greatest minds. In Legend of a Musical City: The Story of Vienna, renowned Austrian music critic Max Graf shares his recollections of life with Anton Bruckner, Gustav Mahler, Johannes Brahms, Richard Strauss, Arnold Schoenberg, and other immortals of the music world. Bringing to life several iconic composers as well as the city of Vienna itself, Graf recounts a charming, personal, and highly educational story of Austria’s musical legacy. In Schoenberg and His School, noted composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s impact on the works of his two great disciples, Alban Berg and Anton Webern. In Shostakovich: The Man and His Work, Ivan Martynov presents a compelling and intimate biography of this pioneering legend. Martynov draws on extensive research, including interviews and conversations with Shostakovich himself, as well as his own expertise in the field of musicology.
Author: A. Peter Brown
Publisher: Indiana University Press
ISBN: 0253072123
Category : Music
Languages : en
Pages : 1050
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Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.
Author: Hans Ferdinand Redlich
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 336
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Book Description
Author: John Williamson
Publisher: Cambridge University Press
ISBN: 9780521008785
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
This Companion provides an overview of the composer Anton Bruckner (1824-1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner's Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner's career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.
Author: Marilyn McCoy
Publisher: Schoenberg in Words
ISBN: 0195381963
Category : Music
Languages : en
Pages : 449
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Book Description
A fresh perspective on two well-known personalities, Schoenberg's Correspondence with Alma Mahler documents a modern music friendship beginning in fin-de-siécle Vienna and ending in 1950s Los Angeles. This volume is the first English-language edition of the complete extant correspondence in new English translations from the original German, many from new transcriptions of handwritten originals, and it is the first English-language book of Schoenberg's correspondence with a female associate. These often quite candid letters afford readers a fascinating glimpse into the personalities, ideologies, institutions, protocols, and aesthetics of early twentieth-century European music culture. Critics, conductors, composers, and visual artists are appraised, kindly or venomously; visual artists and writers also appear. Above all, Alma Mahler (1879-1964) and Arnold Schoenberg (1874-1951) emerge as intriguing, complex individuals who transcend their conventional representations as, respectively, a femme fatale and a musical radical. For Schoenberg, Alma was a sympathetic confidante, a comrade in their shared battle against musical conservatism, yet also a canny negotiator of Vienna's social circles, a skill that brought Schoenberg into contact with important patrons. Not only did he invite Alma to his premieres, lectures, and art exhibitions, but Schoenberg also sent her scores of his music and drafts of his writings. He revealed to her his plans for his innovative new music society, the Society for Private Music Performances, and his development of a new method of composition with twelve tones. The letters remind us of how crucial the social and personal dimensions of music culture were to the early twentieth-century composers and musicians. Gender, ethnicity, and social class conditioned their opportunities in music---and in life---and their shared experience of fleeing fascism to a new country with a different culture and language resonates with our own epoch.
