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Author: Karen Schneider
Publisher: University Press of Kentucky
ISBN: 0813161347
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Loving Arms examines the war-related writings of five British women whose works explore the connections among gender, war, and story-telling. While not the first study to relate the subjects of gender and war, it is the first within a growing body of criticism to focus specifically on British culture during and after World War II. Evoking the famous "St. Crispin's Day" speech from Henry V and then her own father's account of being moved to tears on V-J Day because he had been too young to fight, Karen Schneider posits that the war story has a far-reaching potency. She admits -- perhaps for all of us -- that such stories "had powerfully shaped my consciousness in ways I could not completely resist." How a story is narrated and by whom are matters of no small importance. As widely defined and accepted, war stories are men's stories. If we are to hear an "other" story of war, then we must listen to the stories women tell. Many of the war stories written by women insist that war is not the condition of men but rather the condition of humanity, beginning with relations between the sexes. For the five women whose work is examined in Loving Arms -- Stevie Smith, Katharine Burdekin, Virginia Woolf, Elizabeth Bowen, and Doris Lessing -- this latter point was particularly relevant. Their positions as women within a patriarchal, militarist culture that was externally threatened by an overtly fascist one led to an acute ambivalence, says Schneider. Though all five women perceived the war from substantially different perspectives, each in her own way exposed and critiqued the seductive power of war and war stories, with their densely interwoven tropes of masculinity and nationalism. Yet these writers' conflicting impulses of loyalty to England and resistance to the war betray their ambivalence. Loving Arms will interest students of twentieth-century British literature and culture, gender studies, and narratology. Even today, we maintain an unabated love affair with the war story. But unless we listen to what the women had to say fifty years ago, we are doomed to hear only "the same old story."
Author: Karen Schneider
Publisher: University Press of Kentucky
ISBN: 0813161347
Category : Literary Criticism
Languages : en
Pages : 232
Get Book Here
Book Description
Loving Arms examines the war-related writings of five British women whose works explore the connections among gender, war, and story-telling. While not the first study to relate the subjects of gender and war, it is the first within a growing body of criticism to focus specifically on British culture during and after World War II. Evoking the famous "St. Crispin's Day" speech from Henry V and then her own father's account of being moved to tears on V-J Day because he had been too young to fight, Karen Schneider posits that the war story has a far-reaching potency. She admits -- perhaps for all of us -- that such stories "had powerfully shaped my consciousness in ways I could not completely resist." How a story is narrated and by whom are matters of no small importance. As widely defined and accepted, war stories are men's stories. If we are to hear an "other" story of war, then we must listen to the stories women tell. Many of the war stories written by women insist that war is not the condition of men but rather the condition of humanity, beginning with relations between the sexes. For the five women whose work is examined in Loving Arms -- Stevie Smith, Katharine Burdekin, Virginia Woolf, Elizabeth Bowen, and Doris Lessing -- this latter point was particularly relevant. Their positions as women within a patriarchal, militarist culture that was externally threatened by an overtly fascist one led to an acute ambivalence, says Schneider. Though all five women perceived the war from substantially different perspectives, each in her own way exposed and critiqued the seductive power of war and war stories, with their densely interwoven tropes of masculinity and nationalism. Yet these writers' conflicting impulses of loyalty to England and resistance to the war betray their ambivalence. Loving Arms will interest students of twentieth-century British literature and culture, gender studies, and narratology. Even today, we maintain an unabated love affair with the war story. But unless we listen to what the women had to say fifty years ago, we are doomed to hear only "the same old story."
Author: Beryl Pong
Publisher: Oxford University Press
ISBN: 0192577646
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
British Literature and Culture in Second World Wartime excavates British late modernism's relationship to war in terms of chronophobia: a joint fear of the past and future. As a wartime between, but distinct from, those of the First World War and the Cold War, Second World wartime involves an anxiety that is both repetition and imaginary: both a dread of past violence unleashed anew, and that of a future violence still ungraspable. Identifying a constellation of temporalities and affects under three tropes—time capsules, time zones, and ruins—this volume contends that Second World wartime is a pivotal moment when wartime surpassed the boundaries of a specific state of emergency, becoming first routine and then open-ended. It offers a synoptic, wide-ranging look at writers on the home front, including Henry Green, Elizabeth Bowen, Virginia Woolf, and Rose Macaulay, through a variety of genres, such as life-writing, the novel, and the short story. It also considers an array of cultural and archival material from photographers such as Cecil Beaton, filmmakers such as Charles Crichton, and artists such as John Minton. It shows how figures harnessed or exploited their media's temporal properties to formally register the distinctiveness of this wartime through a complex feedback between anticipation and retrospection, oftentimes fashioning the war as a memory, even while it was taking place. While offering a strong foundation for new readers of the mid-century, the book's overall theoretical focus on chronophobia will be an important intervention for those already working in the field.
Author: Antony Beevor
Publisher: Back Bay Books
ISBN: 0316084077
Category : History
Languages : en
Pages : 829
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Book Description
A masterful and comprehensive chronicle of World War II, by internationally bestselling historian Antony Beevor. Over the past two decades, Antony Beevor has established himself as one of the world's premier historians of WWII. His multi-award winning books have included Stalingrad and The Fall of Berlin 1945. Now, in his newest and most ambitious book, he turns his focus to one of the bloodiest and most tragic events of the twentieth century, the Second World War. In this searing narrative that takes us from Hitler's invasion of Poland on September 1st, 1939 to V-J day on August 14, 1945 and the war's aftermath, Beevor describes the conflict and its global reach -- one that included every major power. The result is a dramatic and breathtaking single-volume history that provides a remarkably intimate account of the war that, more than any other, still commands attention and an audience. Thrillingly written and brilliantly researched, Beevor's grand and provocative account is destined to become the definitive work on this complex, tragic, and endlessly fascinating period in world history, and confirms once more that he is a military historian of the first rank.
Author: Mark Rawlinson
Publisher: Oxford University Press on Demand
ISBN: 9780198184560
Category : History
Languages : en
Pages : 247
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Book Description
This detailed survey of British literary culture during World War Two explores the significance of cultural representations of violence with regard to the war effort & evaluates wartime writing in the context of official and unofficial discourses
Author: Mark Rawlinson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 872
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Book Description
Author: Alan Allport
Publisher: Vintage
ISBN: 1101974699
Category : History
Languages : en
Pages : 641
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Book Description
From statesmen and military commanders to ordinary Britons, a bold, sweeping history of Britain's entrance into World War II—and its efforts to survive it—illuminating the ways in which the war permanently transformed a nation and its people “Might be the single best examination of British politics, society and strategy in these four years that has ever been written.” —The Wall Street Journal Here is the many-faceted, world-historically significant story of Britain at war. In looking closely at the military and political dimensions of the conflict’s first crucial years, Alan Allport tackles pressing questions such as whether the war could have been avoided, how it could have been lost, how well the British lived up to their own values, and ultimately, what difference the war made to the fate of the nation. In answering these questions, he reexamines our assumptions and paints a vivid portrait of the ways in which the Second World War transformed British culture and society. This bracing account draws on a lively cast of characters—from the political and military leaders who made the decisions, to the ordinary citizens who lived through them—in a comprehensible and compelling single history of forty-six million people. A sweeping and groundbreaking epic, Britain at Bay gives us a fresh look at the opening years of the war, and illuminates the integral moments that, for better or for worse, made Britain what it is today.
Author: Marina MacKay
Publisher: Cambridge University Press
ISBN: 0521887550
Category : History
Languages : en
Pages : 259
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Book Description
An overview of writing about the war from a global perspective, aimed at students of modern literature.
Author: Dennis Wheatley
Publisher: Bloomsbury Publishing
ISBN: 1448215072
Category : Fiction
Languages : en
Pages : 5461
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Book Description
'Before there was James Bond, there was Gregory Sallust.' Tina Rosenberg, Salon.com Dennis Wheatley's complete, bestselling Gregory Sallust series featuring the debonair spy Gregory Sallust, a forerunner to Ian Fleming's James Bond. During WWII, Dennis Wheatley was hired by Winston Churchill to be a part of a highly confidential group of strategists. He was one of the only civilians to be recruited, on the strength that he had shown a flair for deception and cover stories in his novels, particularly through his incarnation of Gregory Sallust - widely regarded as the inspiration for Ian Fleming's James Bond. This complete collection includes the following titles in chronological order of events as they occur within the novels: CONTRABAND THE SCARLET IMPOSTOR FAKED PASSPORT THE BLACK BARONESS V FOR VENGEANCE COME INTO MY PARLOUR TRAITORS' GATE THEY USED DARK FORCES THE ISLAND WHERE TIME STANDS STILL BLACK AUGUST THE WHITE WITCH OF THE SOUTH SEAS
Author: David Reynolds
Publisher: Random House
ISBN: 0307824802
Category : History
Languages : en
Pages : 1014
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Book Description
Winston Churchill was one of the giants of the twentieth century. As Britain’s prime minister from 1940 to 1945, he courageously led his nation and the world away from appeasement, into war, and on to triumph over the Axis dictators. His classic six-volume account of those years, The Second World War, has shaped our perceptions of the conflict and secured Churchill’s place as its most important chronicler. Now, for the first time, a book explains how Churchill wrote this masterwork, and in the process enhances and often revises our understanding of one of history’s most complex, vivid, and eloquent leaders. In Command of History sheds new light on Churchill in his multiple, often overlapping roles as warrior, statesman, politician, and historian. Citing excerpts from the drafts and correspondence for Churchill’s magnum opus, David Reynolds opens our eyes to the myriad forces that shaped its final form. We see how Churchill’ s manuscripts were vetted by Whitehall to conceal secrets such as the breaking of the Enigma code by British spymasters at Bletchley Park, and how Churchill himself edited the volumes to avoid offending postwar statesmen such as Tito, Charles de Gaulle, and Dwight D. Eisenhower. We explore his confusions about the true story of the atomic bomb, learn of his second thoughts about Stalin, and watch him repackage himself as a consistent advocate of the D-Day landings. In Command of History is a major work that forces us to reconsider much received wisdom about World War II. It also peels back the covers from an unjustly neglected period of Churchill’s life, his “second wilderness” years, 1945—1951. During this time Churchill, now over seventy, wrote himself into history, politicked himself back into 10 Downing Street, and delivered some of the most vital oratory of his career, including his pivotal “iron curtain” speech. Exhaustively researched and dazzlingly written, this is a revelatory portrait of one of the world’s most profiled figures, a work by a historian in full command of his craft. “A fascinating account that accomplishes the impossible: [Reynolds] actually finds something new and interesting to say about one of the most chronicled characters of all time.” –The New York Times Book Review A New York Times NOTABLE BOOK OF THE YEAR A BEST HISTORY OF THE YEAR SELECTION –The New York Sun NOTE: This edition does not include photographs.
Author: Stuart Sillars
Publisher: Springer
ISBN: 134909918X
Category : Art
Languages : en
Pages : 257
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Book Description
An examination of the ways in which the artists and writers of the 1940s developed and extended approaches from earlier English romanticism to provide a direct and compassionate response to the reality of contemporary destruction.
