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Author: Sarah Street
Publisher: Routledge
ISBN: 1134917872
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
Author: Sarah Street
Publisher: Routledge
ISBN: 1134917872
Category : Performing Arts
Languages : en
Pages : 248
Get Book Here
Book Description
The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
Author: Robert Murphy
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
No Marketing Blurb
Author: Jim Leach
Publisher: Cambridge University Press
ISBN: 9780521654197
Category : Business & Economics
Languages : en
Pages : 308
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Book Description
This book explores British cinema in relation to its social political and cultural contexts. Each chapter deals with a specific topic and includes close readings of key films from different historical periods. Demonstrating the richness and variety of a national cinema that has traditionally struggled to define itself between the paradigms of Hollywood popular film and European art cinema, British Film provides comprehensive coverage of British cinema and detailed discussion of specific films that can be used in tandem with screenings.
Author: Justine Ashby
Publisher: Psychology Press
ISBN: 0415220610
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
British Cinema brings together leading international scholars to investigate the rich diversity of Britain's film production, and explore the different cultural traditions which have shaped Britain's national identity onscreen.
Author: Christine Geraghty
Publisher: Psychology Press
ISBN: 9780415171571
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era.
Author: Andrew Higson
Publisher: Oxford University Press on Demand
ISBN: 9780198742296
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
What does it mean to speak of 'national' cinema? Challenging conventional viewpoints, Waving the Flag combines detailed analyses of film text with studies of industrial and cultural contexts, to offer a history of British cinema.
Author: John Hill
Publisher: John Wiley & Sons
ISBN: 1118477510
Category : Performing Arts
Languages : en
Pages : 605
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Book Description
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
Author: Robert Shail
Publisher: SIU Press
ISBN: 9780809328321
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs.
Author: Lindsey Decker
Publisher: University of Wales Press
ISBN: 1786837005
Category : Fiction
Languages : en
Pages : 266
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Book Description
As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror’s vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies’ focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.
Author: Sue Harper
Publisher:
ISBN: 019815934X
Category : Business & Economics
Languages : en
Pages : 436
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Book Description
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
