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Author: Gina D. B. Clemen
Publisher: Black Cat-Cideb
ISBN: 9788877546180
Category : Education
Languages : en
Pages : 127
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Book Description
A stimulating cross-curricular approach to British history and art. Signiticant events in the history of Britain are described simply and clearly. Each chapter is lavishly illustrated with works of art which cast light on periods, events and characters. Perceptive commentaries describe the works of art, and place each in its cultural context. What do Stonehenge and the Great Pyramid of Giza in Egypt have in common ? Where does the language of the Celts survive today ? Why did the Romans build a wall across northern Britain ? Where can you find a castle in the shape of a rose ? How did a " tea party " lead to a revolution ? When was the word `teenager' invented ? The answers to these questions and many more can be found in this book, which both students and teachers will enjoy. Our dedicated website www.britishhistoryart.com supports this book, and provides links to other websites on British history and art. Internet activities provided both in the book and on our dedicated website. Magniticent full-colour illustrations throughout. Historical sections recorded in full and accompanied by listening activities. PET-style exercises after each chapter, and PET-style exit test at end of book.
Author: Gina D. B. Clemen
Publisher: Black Cat-Cideb
ISBN: 9788877546180
Category : Education
Languages : en
Pages : 127
Get Book Here
Book Description
A stimulating cross-curricular approach to British history and art. Signiticant events in the history of Britain are described simply and clearly. Each chapter is lavishly illustrated with works of art which cast light on periods, events and characters. Perceptive commentaries describe the works of art, and place each in its cultural context. What do Stonehenge and the Great Pyramid of Giza in Egypt have in common ? Where does the language of the Celts survive today ? Why did the Romans build a wall across northern Britain ? Where can you find a castle in the shape of a rose ? How did a " tea party " lead to a revolution ? When was the word `teenager' invented ? The answers to these questions and many more can be found in this book, which both students and teachers will enjoy. Our dedicated website www.britishhistoryart.com supports this book, and provides links to other websites on British history and art. Internet activities provided both in the book and on our dedicated website. Magniticent full-colour illustrations throughout. Historical sections recorded in full and accompanied by listening activities. PET-style exercises after each chapter, and PET-style exit test at end of book.
Author: Andrew Graham-Dixon
Publisher: Univ of California Press
ISBN: 9780520223769
Category : Art
Languages : en
Pages : 260
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Book Description
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
Author: James Fox
Publisher: Cambridge University Press
ISBN: 1107105870
Category : Art
Languages : en
Pages : 259
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Book Description
Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
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Book Description
Author: Douglas Fordham
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352
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Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
Author: David Peters Corbett
Publisher: John Wiley & Sons
ISBN: 1119170117
Category : Art
Languages : en
Pages : 599
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Book Description
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 307
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Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Author: Robert Hoozee
Publisher: Cornell University Press
ISBN: 9780801446948
Category : Art
Languages : en
Pages : 423
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Book Description
"Show-stoppers from many private and regional galleries, mixing paintings, watercolors, books, sculptures and photographs."—The Guardian"Stunning and constantly surprising. . . . Although it contains most of our great artists it is not a 'survey' so much as an unconventional, personal and thought-provoking take on British art, full of unexpected works and unfamiliar names, as well as familiar landmarks—over 300 works gathered from collections all over the world."—The SpectatorFrom the landscapes of Wilson and Constable to the visionary imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a beautifully illustrated survey of British art from 1750 to 1950. British Vision presents some of the most celebrated works in British art history, selected from public and private collections in Europe, Britain, and the United States by Robert Hoozee, drawing on the expertise of Andrew Dempsey, John Gage, Mark Haworth-Booth, and Timothy Hyman. Among the artists whose work appears in British Vision are William Hogarth, Thomas Gainsborough, George Stubbs, William Blake, Henry Fuseli, John Constable, J. M. W. Turner, Richard Dadd, Dante Gabriel Rossetti, Edward Burne-Jones, Stanley Spencer, Graham Sutherland, Francis Bacon, and Lucien Freud.Essays by a group of distinguished art historians focus on two defining characteristics of British art, observation and imagination, seen within the context of society, landscape, and the visionary. Together, they set forth important arguments about what makes British art recognizable, what gives it its typically "British" style, and how British artists have contributed to the history of art as a whole. This lavishly illustrated catalog is a sumptuous record of the most comprehensive exhibition of British art to be displayed in recent years, and represents a unique opportunity to discover the creative forces that shaped British art over two centuries.
Author: Charlotte Gould
Publisher: Routledge
ISBN: 1000408213
Category : Art
Languages : en
Pages : 424
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Book Description
This book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature–culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art’s engagement with recording and questioning the impact of human activity on the environment. The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.
Author: Lisa Tickner
Publisher: Paul Mellon Centre BA
ISBN: 1913107108
Category : Art
Languages : en
Pages : 426
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Book Description
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
