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Author: Rebecca L. Walkowitz
Publisher: Columbia University Press
ISBN: 0231539452
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate "native" readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Díaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Miéville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of "born-translated" works, redefines common conceptions of author, reader, and nation.
Author: Rebecca L. Walkowitz
Publisher: Columbia University Press
ISBN: 0231539452
Category : Literary Criticism
Languages : en
Pages : 446
Get Book Here
Book Description
As a growing number of contemporary novelists write for publication in multiple languages, the genre's form and aims are shifting. Born-translated novels include passages that appear to be written in different tongues, narrators who speak to foreign audiences, and other visual and formal techniques that treat translation as a medium rather than as an afterthought. These strategies challenge the global dominance of English, complicate "native" readership, and protect creative works against misinterpretation as they circulate. They have also given rise to a new form of writing that confounds traditional models of literary history and political community. Born Translated builds a much-needed framework for understanding translation's effect on fictional works, as well as digital art, avant-garde magazines, literary anthologies, and visual media. Artists and novelists discussed include J. M. Coetzee, Junot Díaz, Jonathan Safran Foer, Mohsin Hamid, Kazuo Ishiguro, Jamaica Kincaid, Ben Lerner, China Miéville, David Mitchell, Walter Mosley, Caryl Phillips, Adam Thirlwell, Amy Waldman, and Young-hae Chang Heavy Industries. The book understands that contemporary literature begins at once in many places, engaging in a new type of social embeddedness and political solidarity. It recasts literary history as a series of convergences and departures and, by elevating the status of "born-translated" works, redefines common conceptions of author, reader, and nation.
Author: Alberto González Rivero
Publisher: Pfeifer-Hamilton Pubs
ISBN: 9781935388111
Category : History
Languages : en
Pages : 266
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Book Description
In this lively memoir, told with engaging wit and emotion, Alberto Gonzalez Rivero, poor country boy, masters English, earns his university degree, and embarks on a bright teaching future. Suddenly economic disaster strikes his family and almost all Cuban families during the "Special Period" of the1990s. Alberto, now the young father of two little daughters, struggles mightily to keep food on the table. Just when things are looking especially grim, a chance encounter with Reverend Raul Suarez of the Martin Luther King Center in Havana provides him with the chance to utilize his special gift and training in languages as the interpreter for visiting delegations - and eventually as a translator for Fidel Castro himself. Each chapter begins with a brief description of Cuba during the decades after the revolution.
Author: Ernesto Cardenal
Publisher: New Directions Publishing
ISBN: 9780811205382
Category : Fiction
Languages : en
Pages : 360
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Book Description
A Jewish girl and the daughter of a Nazi have been best friends since they started school, but in 1938 the 13-year-olds find their close relationship difficult to maintain.
Author: Ada Ferrer
Publisher: Simon and Schuster
ISBN: 1501154575
Category : History
Languages : en
Pages : 436
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Book Description
WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.
Author: Cuba
Publisher:
ISBN:
Category : Constitutional history
Languages : en
Pages : 60
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Book Description
Author: Mauro García Triana
Publisher: Lexington Books
ISBN: 0739133454
Category : History
Languages : en
Pages : 301
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Book Description
This book deals with Chinese immigrants' role in the struggle for Cuban liberation and in Cuba's twentieth-century revolutionary social movement; the history of the Chinese economy in Cuba; and the Chinese contribution to Cuban music, painting, food, sport, and language. The centerpiece of the book is a translation of a study by Mauro Garc'a Triana and Pedro Eng Herrera on the history of the Chinese presence in Cuba. Over many years, Garc'a and Eng have collaborated closely on scholarly research on the Chinese contribution to Cuban life and politics, although their work is not widely known. Both are well equipped for such an enterprise: Eng as a Cuban of Chinese descent and a participant in the ethnic-Chinese revolutionary movement in Cuba, starting in the 1950s; Garc'a as a participant in the struggle against Batista and Cuban Ambassador to China during the period of the Cultural Revolution. The study is supplemented by an extensive collection of archival photographs and of paintings on Cuban-Chinese themes by Pedro Eng, who is not just a chronicler of the community but a well-known worker-artist who paints in a style described by commentators as 'naive.' The volume has three appendices: excerpts from the Cuba Commission's 1877 report on Chinese emigration to Cuba; the rebel leader Gonzalo de Quesada y Ar-stegui's pamphlet 'The Chinese and Cuban Independence,' translated from his book Mi primera ofrenda (My first offering), first published in 1892; and the chapter on 'Coolie Life in Cuba' from Duvon Clough Corbitt's Study of the Chinese in Cuba, 1847-1947 (Wilmore 1971).
Author: Severo Sarduy
Publisher:
ISBN: 9781949918021
Category : Poetry
Languages : en
Pages : 264
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Book Description
Poetry. Latinx Studies. LGBTQIA Studies. Cuban Studies. Translated by David Francis. Cuban writer Severo Sarduy was one of the most groundbreaking Latin American literary figures of the 20th-Century. His poems are acrobatic in content and form, innovative, and also part of a deep lineage and web of connection. David Francis translated the poems from Spanish into a gripping English. He writes, FOOTWORK is "a body of work that sings on its own, that celebrates the carnal life, the sensual experiences of dance, of painting, food, music, and sexual pleasure, but that also recognizes--in these pleasures--the imminence of one's passing." Although Sarduy's novels have been translated into English and received praise from such writers as Roland Barthes, Richard Howard, and James McCourt, this is the first collection of his poetry to appear in English translation. FOOTWORK represents work from throughout Sarduy's life, following the thrilling trajectory of a great thinker. Sarduy invents new forms to engage questions of identity, specifically how his own and Cuba's Spanish, African, and Chinese heritage is intrinsically intertwined with Cuba's history of slavery and indentured labor. As Francis writes, "Severo Sarduy was not known to follow convention. Nor did he think that conventional approaches to storytelling or lyrical composition could capture the complexities of human behavior or personal and national identity." The title, FOOTWORK, "recognizes how Sarduy's poems deliver devastating wit, which lands on its prototypical feet or adroitly maneuvers, purposefully, around naming objects, people, or body parts and toward unexpected endings," writes Francis. The poetry in FOOTWORK makes it clear why Gabriel GarcÃa Márquez once called Sarduy the best writer in the Spanish language. "Baroque, yes, as we expect from the great Severo Sarduy: but these poems are also severe, mathematical, futurist, neoclassical, occasional, private, courtly, and lubricated. Some of the poems come from the heady world of poststructuralism, but most come from a Caravaggio-like sepulchral grotto, where a lush and explicit eroticism meets up with the sculpted and the shaped. Fixity is everywhere in this volume: fate fixes Sarduy, just as the seam between sex and language fixates his verse. David Francis's translations are a labor of love, executed with ingenuity and a voluptuary fineness."--Wayne Koestenbaum
Author: Robert S. Lesman
Publisher: Routledge
ISBN: 1000410129
Category : History
Languages : en
Pages : 194
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Book Description
Cuban culture has long been available to English speakers via translation. This study examines the complex ways in which English renderings of Cuban texts from various domains—poetry, science fiction, political and military writing, music, film—have represented, reshaped, or amended original texts. Taking in a broad corpus, it becomes clear that the mental image an Anglophone audience has formed of Cuban culture since 1959 depends heavily on the decisions of translators. At times, a clear ideological agenda drives moves like strengthening the denunciatory tone of a song or excising passages from a political text. At other moments, translators’ indifference to the importance of certain facets of a work, such as a film’s onscreen text or the lyrics sung on a musical performance, impoverishes the English speaker’s experience of the rich weave of self-expression in the original Spanish. In addition to the dynamics at work in the choices translators make at the level of the text itself, this study attends to how paratexts like prefaces, footnotes, liner notes, and promotional copy shape the audience’s experience of the text.
Author: Cristina García
Publisher: Ballantine Books
ISBN: 0307798003
Category : Fiction
Languages : en
Pages : 274
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Book Description
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
Author: C. Peter Ripley
Publisher: University of Georgia Press
ISBN: 0820323020
Category : History
Languages : en
Pages : 281
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Book Description
A long-time Cuba watcher discusses his love affair with this proud, passionate, troubled nation, from his romanticized high school observances of Castro's revolution to his five illegal trips to the nation between 1991 and 1997.
