Blood-Sucking, Man-Eating Monsters PDF Download
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Author: Kelly Regan Barnhill
Publisher: Capstone
ISBN: 142962292X
Category : Monsters
Languages : en
Pages : 32
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Book Description
"Describes a variety of popular monsters, including real-life accounts that inspire the legends behind the creatures"--Provided by publisher.
Author: Kelly Regan Barnhill
Publisher: Capstone
ISBN: 142962292X
Category : Monsters
Languages : en
Pages : 32
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Book Description
"Describes a variety of popular monsters, including real-life accounts that inspire the legends behind the creatures"--Provided by publisher.
Author: Dina Khapaeva
Publisher: Emerald Group Publishing
ISBN: 1787695271
Category : Social Science
Languages : en
Pages : 134
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Book Description
What role do man-eating monsters - vampires, zombies, werewolves and cannibals - play in contemporary culture? This book explores the question of whether recent representations of humans as food in popular culture characterizes a unique moment in Western cultural history and suggests a new set of attitudes toward people, monsters, and death.
Author: David D. Gilmore
Publisher: University of Pennsylvania Press
ISBN: 0812220889
Category : Body, Mind & Spirit
Languages : en
Pages : 226
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Book Description
A field guide to the world's scary creatures, along with an intriguing explanation why monsters won't go away. Gilmore considers the role of monsters in the human psyche and in society, looking at art, folktales, fantasy, literature, and other sources.
Author: Beverly Gray
Publisher: Da Capo Press
ISBN: 9781560255550
Category : Biography & Autobiography
Languages : en
Pages : 318
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Book Description
A pioneer of independent cinema, Roger Corman is a fascinating study in contrasts. As the original King of the Exploitation Film, he has filled his movies with images of blood-sucking vampires, rampaging biker gangs, vigilante strippers, and abducting aliens, all while producing each of his four-hundred-plus films on a shoestring budget and making a profit on nearly every one. In the process, Corman became the role model for today’s independent filmmaker. This guru with a vision has also demonstrated an uncanny eye for talent, being among the first to recognize and employ the abilities of Jack Nicholson, Peter Fonda, Dennis Hopper, Francis Ford Coppola, Martin Scorsese, Jonathan Demme, Joe Dante, Ron Howard, John Sayles, and James Cameron to name but a few. Through interviews with eighty of Corman’s friends and associates and photographs, Beverly Gray takes you behind the cameras and into the heart of Cormanville for a firsthand, insider’s look at the man and the mogul, providing a compelling private and public perspective on this soft-spoken giant of the cinema.
Author: Gregory Claeys
Publisher: Oxford University Press
ISBN: 0191088625
Category : History
Languages : en
Pages : 569
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Book Description
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
Author: Eric Gryzymkowski
Publisher: Simon and Schuster
ISBN: 1440525390
Category : Reference
Languages : en
Pages : 237
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Book Description
Factoid Attack: Inherent sadistic streak in dentists confirmed! The electric chair was invented by a dentist, Dr. Alfred Southwick. Not surprising, dentists have been perfecting torture devices for centuries. Factoid Attack: Galaxy at risk! Intelligent life in short supply! In 1961, Astronomer Frank Drake estimated the number of probable intelligent civilizations inhabiting our galaxy. Using conservative numbers, that estimate came to 10,000. Unfortunately, we are not included in that total. Factoid Attack: Colorblind bulls hate all matadors equally! The color of a matador's cape, or muleta, is traditionally red, which is widely believed to irritate the bull. In reality, bulls are colorblind, so it is irrelevant what color cape a matador uses to antagonize them. Shot in the dark, but maybe it's the being stabbed with swords bit that pisses them off. Forget Fringe, Warehouse 13, and The X-Files. In this book, you'll find more weird and wacko truths than in all those combined. From golden poison dart frogs with enough venom to kill ten grown humans to cockroaches that can survive radiation 15 times stronger than what kills people, scary and strange just got scarier—and stranger!
Author: Rob Shone
Publisher: The Rosen Publishing Group, Inc
ISBN: 1448819075
Category : Juvenile Nonfiction
Languages : en
Pages : 50
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Book Description
The walking dead as an idea and an image sends a shudder through our collective psyche. Just why did we invent these chilling creatures and what fears do they uncover? The living dead is explore here through graphic novel format, also supported by color and black and white photographs. Students will enjoy walking in the steps of the undead through time.
Author: Terry Rowan
Publisher: Lulu.com
ISBN: 1365462102
Category : Performing Arts
Languages : en
Pages : 166
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Book Description
The story about Hollywood Monsters, vampires, zombies, werew;lfs, phantoms, mummies, and ghosts of literature - and how they went Hollywood. Classic monsters are primarily the creatures of legend, touched by the supernatural or created by the madness of men who ventured where no man should go, the good old monsters who lurked in gloomy settings of Central European villages, ancient castles and tombs, moulding mansions and stone laboratories filled mazes of bewilding equipment in dark nights and violent storms. From A to Z which inspired by Edgar Allan Poe, Bram Stoker and Mary Shelley.
Author: National Geographic Kids
Publisher: National Geographic Books
ISBN: 142632717X
Category : Juvenile Nonfiction
Languages : en
Pages : 212
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Book Description
Brace yourself for some serious (seriously fun) ickiness! This delightfully disgusting book is a tribute to all kinds of everyday nastiness! Discover yucky jokes, laugh-out-loud lists, kooky knock-knocks, funny puns, strange tongue twisters, and more to share with friends and family. Funny profiles of super-gross animals and weird-but-true science show that grossness is also downright fascinating.
Author: Brenda S. Gardenour Walter
Publisher: McFarland
ISBN: 1476619425
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
The witch, the vampire and the werewolf endure in modern horror. These "old monsters" have their origins in Aristotle as studied in the universities of medieval Europe, where Christian scholars reconciled works of natural philosophy and medicine with theological precepts. They codified divine perfection as warm, light, male and associated with the ethereal world beyond the moon, while evil imperfection was cold, dark, female and bound to the corrupt world below the moon. All who did not conform to divine goodness--including un-holy women and Jews--were considered evil and ascribed a melancholic, blood hungry and demonic physiology. This construct was the basis for anti-woman and anti-Jewish discourse that has persisted through modern Western culture. Nowhere is this more evident than in horror films, where the witch, the vampire and the werewolf represent our fear of the inverted other.
