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Author: Linda M. Grasso
Publisher: Univ of North Carolina Press
ISBN: 0807860190
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history. Exploring how black and white nineteenth-century women writers defined, expressed, and dramatized anger, Grasso reconceptualizes antebellum women's writing and illuminates an unrecognized tradition of discontent in American literature. She maintains that two equally powerful forces shaped this tradition: women's anger at their exclusion from the democratic promise of America, and the cultural prohibition against its public articulation. Grasso challenges the common notion that nineteenth-century women's writing is confined to domestic themes and shows instead how women channeled their anger into art that addresses complex political issues such as slavery, nation-building, gender arrangements, and race relations. Cutting across racial and genre boundaries, she considers works by Lydia Maria Child, Maria W. Stewart, Fanny Fern, and Harriet Wilson as superb examples of the artistry of angry expression. Transforming their anger through literary imagination, these writers bequeathed their vision of an alternative America both to their contemporaries and to subsequent generations.
Author: Linda M. Grasso
Publisher: Univ of North Carolina Press
ISBN: 0807860190
Category : Literary Criticism
Languages : en
Pages : 265
Get Book Here
Book Description
In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history. Exploring how black and white nineteenth-century women writers defined, expressed, and dramatized anger, Grasso reconceptualizes antebellum women's writing and illuminates an unrecognized tradition of discontent in American literature. She maintains that two equally powerful forces shaped this tradition: women's anger at their exclusion from the democratic promise of America, and the cultural prohibition against its public articulation. Grasso challenges the common notion that nineteenth-century women's writing is confined to domestic themes and shows instead how women channeled their anger into art that addresses complex political issues such as slavery, nation-building, gender arrangements, and race relations. Cutting across racial and genre boundaries, she considers works by Lydia Maria Child, Maria W. Stewart, Fanny Fern, and Harriet Wilson as superb examples of the artistry of angry expression. Transforming their anger through literary imagination, these writers bequeathed their vision of an alternative America both to their contemporaries and to subsequent generations.
Author: Ken Rochon Jr.
Publisher:
ISBN: 9781648100451
Category :
Languages : en
Pages : 0
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Book Description
Author: Deborah Velasquez
Publisher:
ISBN: 1631592807
Category : Art
Languages : en
Pages : 147
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Book Description
Learn to work with only positive and negative lines and master the basics of composition, balance, and harmony with Drawing in Black & White.
Author: David Vestal
Publisher: HarperCollins Publishers
ISBN:
Category : Photography
Languages : en
Pages : 328
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Book Description
Specifically aimed at one past the beginner level, this book gives many details of producing fine black-and-white prints.
Author: Andrea Barnwell Brownlee
Publisher: Pomegranate
ISBN: 9780764921292
Category : Art
Languages : en
Pages : 140
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Book Description
One of the greatest American artists of the twentieth century, Charles White (1918-1979) --with amazing spirit, vision, and brilliance--devoted both his life and work to portraying the African American community. With pencil and brush, in black and white or in color, he captured not only the poverty, strife, and despair of the black people but their strength of community, the joy of enlightenment, and the tenderness of kinship as well, rejecting the usual stereotypes of black people as inferior. His canvases, woodcuts, monumental drawings, and murals convey his strong social consciousness and impart the inherent dignity of his subjects.Andrea Barnwell chronicles the highlights of White's career, discusses several of the artist's famous works, and introduces many works from private collections that never before have been examined. Although White's works are in the collections of major museums and libraries, including Hampton University Museum, Hampton, Virginia; Whitney Museum of American Art, New York; Howard University Gallery of Art, Washington; the Art Institute of Chicago; and the Flint Institute of Art, his place in the annals of art history has never been fully realized.
Author: Caroline Goeser
Publisher:
ISBN:
Category :
Languages : en
Pages : 459
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Book Description
Author: Hubert Herkomer
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Anna Arabindan-Kesson
Publisher: Duke University Press
ISBN: 1478021373
Category : Social Science
Languages : en
Pages : 252
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Book Description
In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton—as both commodity and material—became inexorably tied to the monetary value of Black bodies. From the production and representation of “negro cloth”—the textile worn by enslaved plantation workers—to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor.
Author: Evan Pricco
Publisher: Gingko Press Editions
ISBN: 9781584236825
Category : Art
Languages : en
Pages : 0
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Book Description
"Juxtapoz Black and White spotlights 28 contemporary artists from David Shrigley to Shantell Martin, Geoff McFetridge to Katy Ann Gilmore, who strip their work down to basic, often breathtaking black and white. The immutable black line is primal and direct, originating in prehistoric cave drawings first rendered in charcoal eons ago. Within the pages of Juxtapoz Black & White, an impressive list of artists with fascinating results affirm the role monochromatic treatments play in their practice. Paintings and drawings bolster this dialogue in lavishly presented, oversize format. More fascinating contributors such as Cleon Peterson, Saner, Matt Leines, Brendan Monroe, Mrzyk & Moriceau, Carl Krull, Nicomi Nix Turner and many more join the armament of black and white offerings"--Publisher's description.
Author: Ernie Palomino
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
