Black Fiddler PDF Download
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Author: Richard Piro
Publisher:
ISBN:
Category : Minorities
Languages : en
Pages : 272
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Book Description
Author: Richard Piro
Publisher:
ISBN:
Category : Minorities
Languages : en
Pages : 272
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Book Description
Author: Matthew D. Morrison
Publisher: Univ of California Press
ISBN: 0520390571
Category : African American musicians
Languages : en
Pages : 323
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Book Description
A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.
Author: John B. Boles
Publisher: University Press of Kentucky
ISBN: 0813183065
Category : Social Science
Languages : en
Pages : 327
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Book Description
This revealing interpretation of the black experience in the South emphasizes the evolution of slavery over time and the emergence of a rich, hybrid African American culture. From the incisive discussion on the origins of slavery in the Chesapeake colonie
Author: Drew Beisswenger
Publisher: Routledge
ISBN: 1135847223
Category : Music
Languages : en
Pages : 433
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Book Description
North American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
Author: Ryan J. Thomson
Publisher: Captain Fiddle Publications
ISBN: 9780931877001
Category : Music
Languages : en
Pages : 148
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Book Description
Includes a wealth of fiddling lore and illustrations; a guide to buying a fiddle and bow; tips on learning and playing the fiddle; over 800 listings of books, records, fiddling and bluegrass organizations, fiddling schools and camps, violin making supplies, films, etc.; information about fiddle contests.
Author: Nicholas Saul
Publisher: MHRA
ISBN: 1900755882
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
An apparently nomadic diaspora nation of Indian provenance, the Gypsies are present with notable frequency in Germanic literatures from Wolzogen and Brentano to Stifter, Keller, Storm, Raabe, Jensen, Saar and Thomas Mann. Against the background of the still officially unacknowledged Romany Holocaust, Saul analyses in a series of close interpretations the stations of the literary construction of the Gypsy prior to the human disaster. The book's synthesis of scholarship in cultural, social and institutional history, the history of ideas and literary history will appeal to the scholarly community across traditional disciplinary boundaries, and will also serve as a valuable introduction for students from diverse fields.
Author: James Walvin
Publisher: Bloomsbury Publishing
ISBN: 1474292909
Category : History
Languages : en
Pages : 210
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Book Description
The British role in the shaping of the African diaspora was central: the British carried more Africans across the Atlantic than any other nation and their colonial settlements in the Caribbean and North America absorbed vast numbers of Africans. The crops produced by those slaves helped to lay the foundations for Western material well-being, and their associated cultural habits helped to shape key areas of Western sociability that survive to this day. Britain was also central in the drive to end slavery, in her own possessions and elsewhere in the world. Making the Black Atlantic presents a coherent story of Britain's role in the African diaspora, its origins, progress, and transformation.
Author: Nick Tosches
Publisher: Da Capo Press
ISBN: 0786750987
Category : Social Science
Languages : en
Pages : 306
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Book Description
Celebrating the dark origins of our most American music, Country reveals a wild shadowland of history that encompasses blackface minstrels and yodeling cowboys; honky-tonk hell and rockabilly heaven; medieval myth and musical miscegenation; sex, drugs, murder; and rays of fierce illumination on Elvis, Jerry Lee Lewis, and others, famous and forgotten, whose demonology is America's own. Profusely and superbly illustrated, Country stands as one of the most brilliant explorations of American musical culture ever written.
Author: Craig Duncan
Publisher: Mel Bay Publications
ISBN: 1610654587
Category : Music
Languages : en
Pages : 121
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Book Description
If you are looking for exciting and challenging fiddle solos by one of America's hottest fiddlers, this book is for you. Contains Craig's outstanding fiddle arrangements on: Dueling Fiddles; Rocky Top; Black Mountain Rag; Tennessee Waltz; Faded Love; Cajun Fiddle; Jole Blon; Gardenia Waltz; Draggin' the Bow; Granny Does Your Dog Bite?; Black-Eyed Suzie; Wabash Cannonball; and many more. Presents 60 great fiddling tunes! the CD is sparkling stereo listening recording featuring Craig Duncan backed up by a top Nashville country rhythm section!
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
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Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
