Metamorphoses of the Werewolf PDF Download
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Author: Leslie A. Sconduto
Publisher: McFarland
ISBN: 0786452161
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The mythical werewolf is known for its sudden transformation under the full moon, but the creature also underwent a narrative evolution through the centuries, from bloodthirsty creature to hero. Beginning with The Epic of Gilgamesh, Ovid's Metamorphoses, and an account in Petronius' Satyricon, the book analyzes the context that created the traditional image of the werewolf as a savage beast. The Catholic Church's response to the popular belief in werewolves and medieval literature's sympathetic depiction of the werewolf as victim are presented to support the idea of the werewolf as a complex and varied cultural symbol. Instructors considering this book for use in a course may request an examination copy here.
Author: Leslie A. Sconduto
Publisher: McFarland
ISBN: 0786452161
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
The mythical werewolf is known for its sudden transformation under the full moon, but the creature also underwent a narrative evolution through the centuries, from bloodthirsty creature to hero. Beginning with The Epic of Gilgamesh, Ovid's Metamorphoses, and an account in Petronius' Satyricon, the book analyzes the context that created the traditional image of the werewolf as a savage beast. The Catholic Church's response to the popular belief in werewolves and medieval literature's sympathetic depiction of the werewolf as victim are presented to support the idea of the werewolf as a complex and varied cultural symbol. Instructors considering this book for use in a course may request an examination copy here.
Author: Anonymous
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Bisclavret was written by Marie de France between 1160 and 1175, while Melion was written by an unknown or anonymous writer between 1190 and 1204. While they are several decades apart, they have a number of similarities. This has led some people to believe that they could in fact originate from the same story, or perhaps they are both inventions drawing on the same source of icons and motifs found in the folklore, myth, and legends of the time. They are both written in Old French, Bisclavret is in 'Anglo-Norman', whereas Melion is in the 'Picard dialect', both of which are part of the 'Langues d'oïl' dialect continuum of Gallo-Romance languages. Old French is the result of a gradual separation from Vulgar Latin and Common Romance, coming into contact with influences from Gaulish (Continental Celtic), and Frankish (Germanic). The text is presented in the original Old French, with a literal word-for-word line-by-line translation, and a Modern English translation, all side-by-side. In this way, it is possible to see and feel how Old French worked and how it has evolved. Also included is a word list with 2,030 Old French words translated in to English, and 1,842 English words translated into Old French. This book is designed to be of use and interest to anyone with a passion for the Old French language, French history, or languages and history in general. Translated by Matthew Leigh Embleton Matthew Leigh Embleton is a language and history enthusiast, musician, composer, and producer living in London. www.matthewleighembleton.co.uk
Author:
Publisher: Slatkine
ISBN:
Category :
Languages : en
Pages : 156
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Book Description
Author: Evie Margaret Grimes
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 160
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Book Description
Author: Amaleena Damlé
Publisher: Peter Lang
ISBN: 9783039119004
Category : Art
Languages : en
Pages : 250
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Book Description
Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms. The series publishes studies of individual authors and artists, comparative studies and interdisciplinary projects.
Author: Marie de France
Publisher: Hackett Publishing
ISBN: 1603842985
Category : Poetry
Languages : en
Pages : 227
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Book Description
This edition includes Edward Gallagher's prose translations of The Lays of Marie de France; a general introduction; a map; commentaries on the lays; two anonymous Breton lays—-The Lay of Melion and The Lay of Tyolet; a glossary of proper names; a glossary of specialized terms; and an appendix of selected texts in the Old French, including Marie's Prologue, Guigemar, Bisclavret, and Yonec.
Author: Charity Urbanski
Publisher: Taylor & Francis
ISBN: 0429516150
Category : History
Languages : en
Pages : 314
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Book Description
This volume examines various manifestations and understandings of the concept of monstrosity in medieval Europe around 500-1500 ce through a collection of contextual chapters and primary sources. The main chapters focus on a specific theme, a type of monster or representation of monstrosity, and consist of a contextual essay synthesizing recent scholarship on that theme, excerpts from primary sources and a bibliography of additional primary and secondary sources on the topics addressed in the chapter. In addition to building upon the wealth of scholarship on monsters and monstrosity produced in recent decades, the book engages with the current fascination with monsters in popular culture, especially in movies, television, and video games. The book presents a survey of medieval monstrosity for a non-specialist audience and provides a theoretical framework for interpreting the monstrous. This book is ideal for undergraduate students working on the theme of monstrosity, as well as being useful for undergraduate courses that cover the supernatural and manifestations of the monstrous covered in the book. With materials drawn from a wide range of medieval sources, it will also appeal to courses in English, French, Art History, and Medieval Studies.
Author: Logan Whalen
Publisher: BRILL
ISBN: 9004215107
Category : History
Languages : en
Pages : 350
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Book Description
After nearly eight centuries and much research and writing on Marie de France, the only biographical information we know about her, with any degree of certainty, is that she was from France and wrote for the Anglo-Angevin court of Henry II. Yet Marie de France remains today one of the most prominent literary voices of the end of the twelfth century and was the first woman of letters to write in French. The chapters in this book are composed by scholars who have specialized in Marie de France studies, in most cases for many years. Offering traditional views alongside new critical perspectives, the authors discuss many different aspects of her poetics.
Author: Marie de France
Publisher: Penguin
ISBN: 9780140447590
Category : Poetry
Languages : en
Pages : 182
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Book Description
The leading edition of the work of the earliest known French woman poet—the subject of Lauren Groff’s bestselling novel Matrix Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais—stories in verse based on Breton tales of chivalry and romance—are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Corinne J. Saunders
Publisher: Boydell & Brewer Ltd
ISBN: 9780859913812
Category : Literary Collections
Languages : en
Pages : 260
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Book Description
Corinne J. Saunders's exploration of the topos of the forest, a familiar and ubiquitous motif in the literature of the middle ages, is a broad study embracing a range of medieval and Elizabethan exts from the twelft to the sixteenth centuries: the roman d'antiquite, Breton lay and courtly romance, the hagiographical tradition of the Vita Merlini and the Queste del Saint Graal, Spenser and Shakespeare. Saunders identifies the forest as a primary romance landscape, as a place of adventure, love, and spiritual vision... offers a pleasurable overview of the narrative function of the forest as a literary landscape. Based on a close comparative and theoretically non-partisan] reading of a broad range of literary texts drawn from the Europeqan canon, Saunders's study explores the continuity and transformation of an important motif in the corpus of medieval literature. MODERN LANGUAGE REVIEWDr CORINNE SAUNDERSteaches in the Department of English at the University of Durham. BLURBEXTRACTED FROM TLS REVIEW] ...An immense tract, not only of medieval literature but of human experience is] engagingly introduced and presented here...Corinne Saunders considers first forests in reality (a reality which keeps breaking through in romance...). She looks also at the classical and biblical models including Virgil, Statius and Nebuchadnezzar...only then does she turn to the non-real and non-Classical, i.e. the medieval and romantic. Here she follows a clear chronological plan from twelfth to fifteenth centuries also covering] the allegorized landscape of Spenser and the lovers' woods of Arden or Athens in Shakespeare. Her text-by-text layout does justice to the variety of possibilities taken up by different authors; the forest as a place where men run mad and turn into animals, a place of voluntary suffering, a focus of significance in the Grail-quests, a lovers' bower; above all and centrally, the place where the knight is tested and defined, even (as with Perceval) created.
