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Author: Stacey Chillemi
Publisher: Lulu.com
ISBN: 1300553383
Category : Poetry
Languages : en
Pages : 239
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Book Description
Somewhere in the heart of New Jersey, like a beam of light through a dense canopy, shines Alison Breskin: Spiritualist, Poet, Artist, and Nurse. She is an accomplished author with several poetry books, and one spiritual self-help book to her credit. This particular collection of poetry, Birdsongs of Poetry 2, is like a gift of butterflies released from her soul to relax, soothe and entertain us with their beautiful exotic dances across the backyard. So, sit deep, sip your favorite beverage and enjoy the butterflies as they gently swarm around you, transporting you to a place of peace, serenity and relaxation.
Author: Stacey Chillemi
Publisher: Lulu.com
ISBN: 1300553383
Category : Poetry
Languages : en
Pages : 239
Get Book Here
Book Description
Somewhere in the heart of New Jersey, like a beam of light through a dense canopy, shines Alison Breskin: Spiritualist, Poet, Artist, and Nurse. She is an accomplished author with several poetry books, and one spiritual self-help book to her credit. This particular collection of poetry, Birdsongs of Poetry 2, is like a gift of butterflies released from her soul to relax, soothe and entertain us with their beautiful exotic dances across the backyard. So, sit deep, sip your favorite beverage and enjoy the butterflies as they gently swarm around you, transporting you to a place of peace, serenity and relaxation.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501727575
Category : Music
Languages : en
Pages : 362
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Book Description
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Author: Mary Oliver
Publisher: Beacon Press
ISBN: 9780807068922
Category : Poetry
Languages : en
Pages : 102
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Book Description
Red bird came all winter / firing up the landscape / as nothing else could. So begins Mary Oliver's twelfth book of poetry, and the image of that fiery bird stays with the reader, appearing in unexpected forms and guises until, in a postscript, he explains himself: "For truly the body needs / a song, a spirit, a soul. And no less, to make this work, / the soul has need of a body, / and I am both of the earth and I am of the inexplicable / beauty of heaven / where I fly so easily, so welcome, yes, / and this is why I have been sent, to teach this to your heart." This collection of sixty-one new poems, the most ever in a single volume of Oliver's work, includes an entirely new direction in the poet's work: a cycle of eleven linked love poems-a dazzling achievement. As in all of Mary Oliver's work, the pages overflow with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog, Percy. But here, too, the poet's attention turns with ferocity to the degradation of the Earth and the denigration of the peoples of the world by those who love power. Red Bird is unquestionably Mary Oliver's most wide-ranging volume to date.
Author: Edith Granger
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 1086
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1102
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Book Description
Author: Francesca Mackenney
Publisher: Cambridge University Press
ISBN: 1009084089
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.
Author: Alison Breskin
Publisher: Lulu.com
ISBN: 1300569174
Category : Poetry
Languages : en
Pages : 175
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Book Description
What does the inside of a beautiful soul look like? A bright spring day full of new green growth? A Baby's smile? An angel's song? A troubadour's tale? Sweet poetry of nature? Open a copy of Waking Spirit Dreams 2 and find out. Read a slice of poetry that touches the divine. It's good for you.
Author: Simon Kövesi
Publisher: Cambridge University Press
ISBN: 1316351955
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
John Clare (1793–1864) has long been recognized as one of England's foremost poets of nature, landscape and rural life. Scholars and general readers alike regard his tremendous creative output as a testament to a probing and powerful intellect. Clare was that rare amalgam ‒ a poet who wrote from a working-class, impoverished background, who was steeped in folk and ballad culture, and who yet, against all social expectations and prejudices, read and wrote himself into a grand literary tradition. All the while he maintained a determined sense of his own commitments to the poor, to natural history and to the local. Through the diverse approaches of ten scholars, this collection shows how Clare's many angles of critical vision illuminate current understandings of environmental ethics, aesthetics, Romantic and Victorian literary history, and the nature of work.
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 1078
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Author: Jopi Nyman
Publisher: Routledge
ISBN: 1317415906
Category : Science
Languages : en
Pages : 249
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Book Description
In recent years, animals have entered the focus of the social and cultural sciences, resulting in the emergence of the new field of human–animal studies. This book investigates the relationships between humans and animals, paying particular attention to the role of affect, space, and animal subjectivity in diverse human–animal encounters. Written by a team of international scholars, contributions explore current debates concerning animal representation, performativity, and relationality in various texts and practices. Part I explores how animals are framed as affective, through four case studies that deal with climate change, human–bovine relationships, and human–horse interaction in different contemporary and historical contexts. Part II expands on the issue of relationality and locates encounters within place, mapping the different spaces where human–animal encounters take place. Part III then examines the construction of animal subjectivity and agency to emphasize the way in which animals are conscious and sentient beings capable of experiencing feelings, emotions, and intentions, and active agents whose actions have meaning for the animals themselves. This book highlights the importance of the ways in which affect enables animal agency and subjectivity to emerge in encounters between humans and animals in different contexts, leading to different configurations. It contributes not only to debates concerning the role of animals in society but also to the epistemological development of the field of human–animal studies.
