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Author: Dr. Katherine MacDonald
Publisher: MHRA
ISBN: 1905981112
Category : History
Languages : en
Pages : 127
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Book Description
When the famous Royal Professor of Philosophy and Eloquence, Petrus Ramus (1515-1572), gave a lecture, one of his most promising pupils stood by, ready to tug on his coat if he made a mistake. That pupil was Ramus' future biographer Nicolas de Nancel (1539-1610), who recounted this anecdote in his Vita Rami (1599). Nancel's insertion of himself into his portrayal of Ramus' life is typical of early modern biographies of men of letters. The first study of biography in 16th-century France, this groundbreaking book offers valuable insights into biography's role as a form of social and cultural negotiation geared to advance the biographer's career.
Author: Dr. Katherine MacDonald
Publisher: MHRA
ISBN: 1905981112
Category : History
Languages : en
Pages : 127
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Book Description
When the famous Royal Professor of Philosophy and Eloquence, Petrus Ramus (1515-1572), gave a lecture, one of his most promising pupils stood by, ready to tug on his coat if he made a mistake. That pupil was Ramus' future biographer Nicolas de Nancel (1539-1610), who recounted this anecdote in his Vita Rami (1599). Nancel's insertion of himself into his portrayal of Ramus' life is typical of early modern biographies of men of letters. The first study of biography in 16th-century France, this groundbreaking book offers valuable insights into biography's role as a form of social and cultural negotiation geared to advance the biographer's career.
Author: Katherine MacDonald
Publisher: Routledge
ISBN: 1351195255
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
"When the famous Royal Professor of Philosophy and Eloquence Petrus Ramus (1515-1572) gave a lecture, one of his most promising pupils stood by, ready to tug on his coat if he made a mistake. That pupil was Ramus's future biographer, the much less famous Nicolas de Nancel (1539-1610), who recounted this anecdote in hisVita Rami (1599). Nancel's insertion of himself into his life of Ramus is typical of early modern biographies of men of letters. As biographer, the humanist man of letters situated himself within the same cultural field as his subject, thereby accrediting himself as a fellow man of letters by his display of humanistic competence. The first study of monograph lives of men of letters in sixteenth-century France, this ground-breaking book offers valuable insights into biography's role as a form of social and cultural negotiation geared to advance the biographer's career."
Author: Warren Boutcher
Publisher: Oxford University Press
ISBN: 019106601X
Category : Literary Criticism
Languages : en
Pages : 467
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Book Description
This major two-volume study offers an interdisciplinary analysis of Montaigne's Essais and their fortunes in early modern Europe and the modern western university. Volume one focuses on contexts from within Montaigne's own milieu, and on the ways in which his book made him a patron-author or instant classic in the eyes of his editor Marie de Gournay and his promoter Justus Lipsius. Volume two focuses on the reader-writers across Europe who used the Essais to make their own works, from corrected editions and translations in print, to life-writing and personal records in manuscript. The two volumes work together to offer a new picture of the book's significance in literary and intellectual history. Montaigne's is now usually understood to be the school of late humanism or of Pyrrhonian scepticism. This study argues that the school of Montaigne potentially included everyone in early modern Europe with occasion and means to read and write for themselves and for their friends and family, unconstrained by an official function or scholastic institution. For the Essais were shaped by a battle that had intensified since the Reformation and that would continue through to the pre-Enlightenment period. It was a battle to regulate the educated individual's judgement in reading and acting upon the two books bequeathed by God to man. The book of scriptures and the book of nature were becoming more accessible through print and manuscript cultures. But at the same time that access was being mediated more intensively by teachers such as clerics and humanists, by censors and institutions, by learned authors of past and present, and by commentaries and glosses upon those authors. Montaigne enfranchised the unofficial reader-writer with liberties of judgement offered and taken in the specific historical conditions of his era. The study draws on new ways of approaching literary history through the history of the book and of reading. The Essais are treated as a mobile, transnational work that travelled from Bordeaux to Paris and beyond to markets in other countries from England and Switzerland, to Italy and the Low Countries. Close analysis of editions, paratexts, translations, and annotated copies is informed by a distinct concept of the social context of a text. The concept is derived from anthropologist Alfred Gell's notion of the 'art nexus': the specific types of actions and agency relations mediated by works of art understood as 'indexes' that give rise to inferences of particular kinds. Throughout the two volumes the focus is on the particular nexus in which a copy, an edition, an extract, is embedded, and on the way that nexus might be described by early-modern people.
Author: Tracey A. Sowerby
Publisher: Oxford University Press
ISBN: 0192572636
Category : History
Languages : en
Pages : 445
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Book Description
This interdisciplinary volume explores core emerging themes in the study of early modern literary-diplomatic relations, developing essential methods of analysis and theoretical approaches that will shape future research in the field. Contributions focus on three intimately related areas: the impact of diplomatic protocol on literary production; the role of texts in diplomatic practice, particularly those that operated as 'textual ambassadors'; and the impact of changes in the literary sphere on diplomatic culture. The literary sphere held such a central place because it gave diplomats the tools to negotiate the pervasive ambiguities of diplomacy; simultaneously literary depictions of diplomacy and international law provided genre-shaped places for cultural reflection on the rapidly changing and expanding diplomatic sphere. Translations exemplify the potential of literary texts both to provoke competition and to promote cultural convergence between political communities, revealing the existence of diplomatic third spaces in which ritual, symbolic, or written conventions and semantics converged despite particular oppositions and differences. The increasing public consumption of diplomatic material in Europe illuminates diplomatic and literary communities, and exposes the translocal, as well as the transnational, geographies of literary-diplomatic exchanges. Diplomatic texts possessed symbolic capital. They were produced, archived, and even redeployed in creative tension with the social and ceremonial worlds that produced them. Appreciating the generic conventions of specific types of diplomatic texts can radically reshape our interpretation of diplomatic encounters, just as exploring the afterlives of diplomatic records can transform our appreciation of the histories and literatures they inspired.
Author: Neil Kenny
Publisher: Oxford University Press
ISBN: 0192593560
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
It is easy to forget how deeply embedded in social hierarchy was the literature and learning that has come down to us from the early modern European world. From fiction to philosophy, from poetry to history, works of all kinds emerged from and through the social hierarchy that was a fundamental fact of everyday life. Paying attention to it changes how we might understand and interpret the works themselves, whether canonical and familiar or largely forgotten. But a second, related fact is much overlooked too: works also often emanated from families, not just from individuals. Families were driving forces in the production—that is, in the composing, editing, translating, or publishing—of countless works. Relatives collaborated with each other, edited each other, or continued the unfinished works of deceased family members; some imitated or were inspired by the works of long-dead relatives. The reason why this second fact (about families) is connected to the first (about social hierarchy) is that families were in the period a basic social medium through which social status was claimed, maintained, threatened, or lost. So producing literary works was one of the many ways in which families claimed their place in the social world. The process was however often fraught, difficult, or disappointing. If families created works as a form of socio-cultural legacy that might continue to benefit their future members, not all members benefited equally; women sometimes produced or claimed the legacy for themselves, but they were often sidelined from it. Relatives sometimes disagreed bitterly about family history, identity (not least religious), and so about the picture of themselves and their family that they wished to project more widely in society through their written works, whether printed or manuscript. So although family was a fundamental social medium out of which so many works emerged, that process could be conflictual as well as harmonious. The intertwined role of family and social hierarchy within literary production is explored in this book through the case of France, from the late fifteenth to the mid-seventeenth century. Some families are studied here in detail, such as that of the most widely read French poet of the age, Clément Marot. But the extent of this phenomenon is quantified too: some two hundred families are identified as each containing more than one literary producer, and in the case of one family an extraordinary twenty-seven.
Author: Alex Hughes
Publisher: Routledge
ISBN: 1351566709
Category : Foreign Language Study
Languages : en
Pages : 160
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Book Description
China has long been an object of fascination for the French, who celebrated theirannee de la Chine in 2004. Symptomatic of that fascination are the movements into China made by groups as diverse as the Jesuits, who arrived inL'Empire du Milieu in the late seventeenth century, and theTel Quel intellectuals, whose will to political pilgrimage took th
Author: Julie Townsend
Publisher: Routledge
ISBN: 1351194216
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
"Whether in the pages of a trashy novel, in the glow of gaslights, in a dance hall, or on the walls of art galleries, the figure of the female dancer haunts nineteenth-century French culture. Artists and writers of all kinds took on la danseuse as an emblem of their own artistic prowess. They represented her alternately as an elusive ideal, a saucy prostitute, or a dangerous seductress. Dancers, in turn, produced their own images, novels and autobiographies, thereby contributing to an ongoing cultural debate around performance, spectatorship, desire, and art. In this interdisciplinary study of la danseuse, Julie Townsend examines the rise and fall of classical ballet, the phenomenon of the music hall, and the birth of modern dance. She highlights moments of representational crisis and emergent aesthetics in her consideration of poetry, novels, painting, early film, and women's autobiography."
Author: Matthew Rowley
Publisher: Taylor & Francis
ISBN: 1040031889
Category : History
Languages : en
Pages : 752
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Book Description
This first volume of A Global Sourcebook in Protestant Political Thought provides a window into the early Protestant world, and the ways in which Protestants wrestled with politics and religion in the wake of the Reformation. This period saw political authorities and church hierarchies challenged and defended by scholars, clerics, and laypeople alike. The volume engages the full spectrum of Protestants, with reference to theology, geography, ethnicity, historical importance, socio-economic background, and gender. This diversity highlights how Protestants felt pulled towards differing political positions and used several maps to chart their course – conscience, custom, history, ecclesiastical tradition, and the laws of God, nature, nation, or community. On most important issues, Protestants lined up on opposing sides. Additionally, Catholic and Eastern Orthodox political thought, as well as interactions with Jewish and Muslim texts and thinkers, profoundly influenced different directions taken in the history of Protestant political thought. Even as our own time is fraught with deep disagreement and political polarisation, so too was early modern Europe, and we might read it in the anxieties, uncertainties, hopes, and expectations that the sources vividly express. This sourcebook will enrich both research and classroom teaching in politics, theology, and history, whether geared towards general political or religious history, or towards more specialised courses on colonialism, warfare, gender, race or religious diversity.
Author: Mairi MaLaughlin
Publisher: Routledge
ISBN: 1351547305
Category : Foreign Language Study
Languages : en
Pages : 149
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Book Description
It is widely held that the large-scale translation of international news from English will lead to changes in French syntax. For the first time this assumption is put to the test using extensive fieldwork carried out in an international news agency and a corpus of translated news agency dispatches. The linguistic analysis of three syntactic structures in the translations is complemented by an investigation of the effects of a range of factors including, most notably, the speed at which the translation is carried out. The analysis sheds new light on the ways in which news translation could lead to syntactic borrowing in French, and by extension, in other languages.
Author: Timothy Raser
Publisher: Routledge
ISBN: 1351574396
Category : Foreign Language Study
Languages : en
Pages : 132
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Book Description
While Baudelaire's 'Le Peintre de la vie moderne' is often cited as the first expression of our theory of modernism, his choice of Constantin Guys as that painter has caused consternation from the moment of the essay's publication in 1863. Worse still, in his 'Salon de 1859', Baudelaire had also chosen to condemn photography in terms that echo to this day. Why did the excellent critic choose a mere reporter and illustrator as the painter of modern life? How could he have overlooked photography as the painting of modern life? In this study of modernity and photography in Baudelaire's writing, Timothy Raser, who has written on the art criticism of Baudelaire, Proust, Claudel and Sartre, shows how these two aberrations of critical judgment are related, and how they underlie current discussions of both photography and modernism. Timothy Raser is Professor of French at the University of Georgia (USA).
