Author: Mary Agnes Donoghue
Publisher:
ISBN: 9783947563395
Category :
Languages : en
Pages : 368
Book Description
This is the first monograph on the Californian pop artist in more than thirty years, with a representative selection of works from 1957 to 2014. Billy Al Bengston is the very personification of the cheerful, carefree attitude towards life in California--in both his work and his personal life. After studying at the California College of Arts and Crafts and the Otis Art Institute, he exhibited at the legendary Ferus Gallery in 1957 and was the central figure among a group of artists that included Frank Gehry, Edward Kienholz, Ed Ruscha, and Ken Price. BAB, as he apostrophizes himself, inserts car and motorcycle parts as motifs into his otherwise abstract paintings. He uses lacquer and spray paint instead of oil and aluminum panels with dented surfaces instead of the traditional canvas. Art and lifestyle combine to create the individual "Bengston iconography" of California Cool.
Billy Al Bengston
Author: Mary Agnes Donoghue
Publisher:
ISBN: 9783947563395
Category :
Languages : en
Pages : 368
Book Description
This is the first monograph on the Californian pop artist in more than thirty years, with a representative selection of works from 1957 to 2014. Billy Al Bengston is the very personification of the cheerful, carefree attitude towards life in California--in both his work and his personal life. After studying at the California College of Arts and Crafts and the Otis Art Institute, he exhibited at the legendary Ferus Gallery in 1957 and was the central figure among a group of artists that included Frank Gehry, Edward Kienholz, Ed Ruscha, and Ken Price. BAB, as he apostrophizes himself, inserts car and motorcycle parts as motifs into his otherwise abstract paintings. He uses lacquer and spray paint instead of oil and aluminum panels with dented surfaces instead of the traditional canvas. Art and lifestyle combine to create the individual "Bengston iconography" of California Cool.
Publisher:
ISBN: 9783947563395
Category :
Languages : en
Pages : 368
Book Description
This is the first monograph on the Californian pop artist in more than thirty years, with a representative selection of works from 1957 to 2014. Billy Al Bengston is the very personification of the cheerful, carefree attitude towards life in California--in both his work and his personal life. After studying at the California College of Arts and Crafts and the Otis Art Institute, he exhibited at the legendary Ferus Gallery in 1957 and was the central figure among a group of artists that included Frank Gehry, Edward Kienholz, Ed Ruscha, and Ken Price. BAB, as he apostrophizes himself, inserts car and motorcycle parts as motifs into his otherwise abstract paintings. He uses lacquer and spray paint instead of oil and aluminum panels with dented surfaces instead of the traditional canvas. Art and lifestyle combine to create the individual "Bengston iconography" of California Cool.
Billy Al Bengston: Dentos
Author: Billy Bengston
Publisher:
ISBN: 9780692944424
Category : Art
Languages : en
Pages : 72
Book Description
Between 1965 and 1970, Los Angeles painter Billy Al Bengston (born 1934) challenged the limitations of painting through his famous Dentos series, using automobile lacquers and polyurethane sprayed on dented, punctured aluminum sheets. This book documents the series.
Publisher:
ISBN: 9780692944424
Category : Art
Languages : en
Pages : 72
Book Description
Between 1965 and 1970, Los Angeles painter Billy Al Bengston (born 1934) challenged the limitations of painting through his famous Dentos series, using automobile lacquers and polyurethane sprayed on dented, punctured aluminum sheets. This book documents the series.
Circle of Truth
Author: Laura Hipke
Publisher: Bookbaby
ISBN: 9781645167532
Category :
Languages : en
Pages : 130
Book Description
Exhibition catalog for the Circle of Truth traveling art exhibition. Curated by Laura Hipke & Shane GuffoggForeword by: Randy Hipke Preface by: Paul RuschaThe Circle of Truth project is a visual game of Telephone, sometimes called a Rumor Game.49 artists, including Ed Ruscha, Shane Guffogg, Billy Al Bengston, Lita Albuquerque, Jim Morphesis, Charles Arnoldi, Robert Williams, and Ruth Weisberg, created works especially for the Circle of Truth project, in absolute secrecy over a period of nine years. The catalog dedicates a full spread to each of the 49 artists with color images of the art they received and responded to, the art they created, as well as an essay they wrote about their experience. The catalog provides a rare look at the thought processes and studio practices of these unique and private people.The Circle of Truth project is a wholly unique collaboration of 49 contemporary artists, each sequestered and unknown to one another, working in absolute secrecy. Taking a full nine years from launch to fruition, the Circle is a modern, visual take on a common childhood schoolroom exercise, wherein a secret message was whispered from student to student. Often referred to as the Rumor Game or Telephone.In the case of the Circle of Truth, the "whispered" message was imbued in the first painting, which was then delivered, along with a blank canvas, to the second artist. That artist was given no direction other than to find the Truth in in the previous painting, respond to what they perceived, and create a work using the blank canvas, that would go to the next artist, also unknown to them. And so, it went, through 49 artists, each confronted with a work from an unknown artist and a blank canvas. Participants were encouraged to work outside of their normal, comfortable styles. Once their creations were complete, each was asked to write an essay about their experience.The 49 works of art were created specifically for the Circle of Truth by 49 different and often disparateartists. Mostly oil paintings, all of the works measure 20 inches square by 2 inches deep, and are presented in chronological order. The Circle of Truth project opens a dialog regarding the nature of what we consider Truth to be, and evenwhether we think it exists. The Circle of Truth exhibition touches on a need that resinates deeply in the human psyche - access to meaningful, truthful contact with others. This truthful contact is the secret ingredient in the Circle of Truth project.Using paint and words the artists speak to the viewers candidly, providing a rare perspective into theirexperience and thought processes.Viewers of all ages and backgrounds, will be able to quickly understand and appreciate the meaning of the Circle of Truth. There are no prerequisites or any fundamental knowledge needed to appreciate and recognize Truth. The Circle relies simply on the viewers' inherent human nature.The LA-based Project was conceived by artist, Laura Hipke and co-curated with artist, Shane Guffogg. Exhibiting artists from Los Angeles, Arizona and New York include: Kim Abeles, Lisa Adams, Lita Albuquerque, Charles Arnoldi, Lisa Bartleson, Billy Al Bengston, Justin Bower, Virginia Broersma, Randall Cabe, Rhea Carmi, Greg Colson, Jeff Colson, Stanley Dorfman, Cheryl Ekstrom, Jimi Gleason, Rives Granade, Ron Griffin, Alex Gross, Shane Guffogg, Lynn Hanson, Doro Hofmann, Tim Isham, Kim Kimbro, Bari Kumar, Cal Lane, Margaret Lazzari, Mark Licari, Dan Lutzick, Deborah Martin, Susan McDonnell, Christopher Monger, Jim Morphesis, Andy Moses, Juan Carlos Munoz Hernandez, Gary Panter, Daniel Peacock, Bruce Richards, Michael Andrew Rosenfeld, Ed Ruscha, Eddie Ruscha, Paul Ruscha, John Scane, Vonn Sumner, Matthew Thomas, Alison Van Pelt, Michelle Weinstein, Ruth Weisberg, Robert Williams and Todd Williamson.
Publisher: Bookbaby
ISBN: 9781645167532
Category :
Languages : en
Pages : 130
Book Description
Exhibition catalog for the Circle of Truth traveling art exhibition. Curated by Laura Hipke & Shane GuffoggForeword by: Randy Hipke Preface by: Paul RuschaThe Circle of Truth project is a visual game of Telephone, sometimes called a Rumor Game.49 artists, including Ed Ruscha, Shane Guffogg, Billy Al Bengston, Lita Albuquerque, Jim Morphesis, Charles Arnoldi, Robert Williams, and Ruth Weisberg, created works especially for the Circle of Truth project, in absolute secrecy over a period of nine years. The catalog dedicates a full spread to each of the 49 artists with color images of the art they received and responded to, the art they created, as well as an essay they wrote about their experience. The catalog provides a rare look at the thought processes and studio practices of these unique and private people.The Circle of Truth project is a wholly unique collaboration of 49 contemporary artists, each sequestered and unknown to one another, working in absolute secrecy. Taking a full nine years from launch to fruition, the Circle is a modern, visual take on a common childhood schoolroom exercise, wherein a secret message was whispered from student to student. Often referred to as the Rumor Game or Telephone.In the case of the Circle of Truth, the "whispered" message was imbued in the first painting, which was then delivered, along with a blank canvas, to the second artist. That artist was given no direction other than to find the Truth in in the previous painting, respond to what they perceived, and create a work using the blank canvas, that would go to the next artist, also unknown to them. And so, it went, through 49 artists, each confronted with a work from an unknown artist and a blank canvas. Participants were encouraged to work outside of their normal, comfortable styles. Once their creations were complete, each was asked to write an essay about their experience.The 49 works of art were created specifically for the Circle of Truth by 49 different and often disparateartists. Mostly oil paintings, all of the works measure 20 inches square by 2 inches deep, and are presented in chronological order. The Circle of Truth project opens a dialog regarding the nature of what we consider Truth to be, and evenwhether we think it exists. The Circle of Truth exhibition touches on a need that resinates deeply in the human psyche - access to meaningful, truthful contact with others. This truthful contact is the secret ingredient in the Circle of Truth project.Using paint and words the artists speak to the viewers candidly, providing a rare perspective into theirexperience and thought processes.Viewers of all ages and backgrounds, will be able to quickly understand and appreciate the meaning of the Circle of Truth. There are no prerequisites or any fundamental knowledge needed to appreciate and recognize Truth. The Circle relies simply on the viewers' inherent human nature.The LA-based Project was conceived by artist, Laura Hipke and co-curated with artist, Shane Guffogg. Exhibiting artists from Los Angeles, Arizona and New York include: Kim Abeles, Lisa Adams, Lita Albuquerque, Charles Arnoldi, Lisa Bartleson, Billy Al Bengston, Justin Bower, Virginia Broersma, Randall Cabe, Rhea Carmi, Greg Colson, Jeff Colson, Stanley Dorfman, Cheryl Ekstrom, Jimi Gleason, Rives Granade, Ron Griffin, Alex Gross, Shane Guffogg, Lynn Hanson, Doro Hofmann, Tim Isham, Kim Kimbro, Bari Kumar, Cal Lane, Margaret Lazzari, Mark Licari, Dan Lutzick, Deborah Martin, Susan McDonnell, Christopher Monger, Jim Morphesis, Andy Moses, Juan Carlos Munoz Hernandez, Gary Panter, Daniel Peacock, Bruce Richards, Michael Andrew Rosenfeld, Ed Ruscha, Eddie Ruscha, Paul Ruscha, John Scane, Vonn Sumner, Matthew Thomas, Alison Van Pelt, Michelle Weinstein, Ruth Weisberg, Robert Williams and Todd Williamson.
With Pleasure
Author: Anna Katz
Publisher: Yale University Press
ISBN: 0300239947
Category : Art
Languages : en
Pages : 329
Book Description
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.
Publisher: Yale University Press
ISBN: 0300239947
Category : Art
Languages : en
Pages : 329
Book Description
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.
Rebels in Paradise
Author: Hunter Drohojowska-Philp
Publisher: Henry Holt and Company
ISBN: 9780805088366
Category : Art
Languages : en
Pages : 288
Book Description
The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.
Publisher: Henry Holt and Company
ISBN: 9780805088366
Category : Art
Languages : en
Pages : 288
Book Description
The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.
Los Angeles
Author: Alexandra Schwartz
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
Publisher: MIT Press
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
Light, Space, Surface: Art from Southern California
Author: Melinda Wortz
Publisher: Delmonico Books
ISBN: 9781942884996
Category : Art, American
Languages : en
Pages : 160
Book Description
"Published in conjunction with the touring exhibition, Light, Space, Surface. Itinerary: Addison Gallery of American Art, Phillips Academy October 2, 2021-January 30, 2022 Frist Art Museum June 3, 2022-September 6, 2022"--
Publisher: Delmonico Books
ISBN: 9781942884996
Category : Art, American
Languages : en
Pages : 160
Book Description
"Published in conjunction with the touring exhibition, Light, Space, Surface. Itinerary: Addison Gallery of American Art, Phillips Academy October 2, 2021-January 30, 2022 Frist Art Museum June 3, 2022-September 6, 2022"--
Stanley Whitney
Author: Matthew Jeffrey Abrams
Publisher: Contemporary Painters Series
ISBN: 9781848222519
Category : Art, Abstract
Languages : en
Pages : 0
Book Description
Since the mid-1970s, American painter Stanley Whitney has been exploring the formal possibilities of colour within grids of multi-coloured blocks. Matthew Jeffrey Abrams's thoughtful book, the first full monograph on the artist, highlights Whitney's unique and sophisticated understanding of line and colour and his commitment to abstract painting over four decades of consistent practice. Abrams brings together Whitney's personal and professional narratives to weave a chronological analysis of the work and the artist's wider cultural contribution. Born in Philadelphia in 1946, Whitney moved to New York in 1968, and under the guidance of Philip Guston he began to experiment with abstraction, drawn to the basic formal qualities of Abstract Expressionism, the pure chroma of the Color Field movement, and the minimalist approach of such artists as Donald Judd. Steadfastly pursuing abstraction at a time when critical interest was focussed on figurative art and photography, Whitney has not received the critical recognition due to him until late in his career. This book affirms his outstanding achievement.
Publisher: Contemporary Painters Series
ISBN: 9781848222519
Category : Art, Abstract
Languages : en
Pages : 0
Book Description
Since the mid-1970s, American painter Stanley Whitney has been exploring the formal possibilities of colour within grids of multi-coloured blocks. Matthew Jeffrey Abrams's thoughtful book, the first full monograph on the artist, highlights Whitney's unique and sophisticated understanding of line and colour and his commitment to abstract painting over four decades of consistent practice. Abrams brings together Whitney's personal and professional narratives to weave a chronological analysis of the work and the artist's wider cultural contribution. Born in Philadelphia in 1946, Whitney moved to New York in 1968, and under the guidance of Philip Guston he began to experiment with abstraction, drawn to the basic formal qualities of Abstract Expressionism, the pure chroma of the Color Field movement, and the minimalist approach of such artists as Donald Judd. Steadfastly pursuing abstraction at a time when critical interest was focussed on figurative art and photography, Whitney has not received the critical recognition due to him until late in his career. This book affirms his outstanding achievement.
Seeing is Forgetting the Name of the Thing One Sees
Author: Lawrence Weschler
Publisher: Univ of California Press
ISBN: 9780520045958
Category : Art
Languages : en
Pages : 240
Book Description
Traces the life and career of the California artist, who currently works with pure light and the subtle modulation of empty space
Publisher: Univ of California Press
ISBN: 9780520045958
Category : Art
Languages : en
Pages : 240
Book Description
Traces the life and career of the California artist, who currently works with pure light and the subtle modulation of empty space
Ken Price Sculpture
Author: Stephanie Barron
Publisher: Prestel Publishing
ISBN: 9783791352558
Category : Ceramic sculpture, American
Languages : en
Pages : 0
Book Description
This book was published on the occasion of the exhibition Ken Price Sculpture: A Retrospective, which was organized by the Los Angeles County Museum of Art. Exhibition itinerary: Los Angeles County Museum of Art, September 16, 2012-January 6, 2013, Nasher Sculpture Center, February 9, 2013-May 12, 2013, Metropolitan Museum of Art, June 18-September 22, 2013.
Publisher: Prestel Publishing
ISBN: 9783791352558
Category : Ceramic sculpture, American
Languages : en
Pages : 0
Book Description
This book was published on the occasion of the exhibition Ken Price Sculpture: A Retrospective, which was organized by the Los Angeles County Museum of Art. Exhibition itinerary: Los Angeles County Museum of Art, September 16, 2012-January 6, 2013, Nasher Sculpture Center, February 9, 2013-May 12, 2013, Metropolitan Museum of Art, June 18-September 22, 2013.