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Author: Kate A. Baldwin
Publisher: Duke University Press
ISBN: 0822383837
Category : Social Science
Languages : en
Pages : 360
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Book Description
Examining the significant influence of the Soviet Union on the work of four major African American authors—and on twentieth-century American debates about race—Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism. Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources—including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts—to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism. Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism.
Author: Kate A. Baldwin
Publisher: Duke University Press
ISBN: 0822383837
Category : Social Science
Languages : en
Pages : 360
Get Book Here
Book Description
Examining the significant influence of the Soviet Union on the work of four major African American authors—and on twentieth-century American debates about race—Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism. Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources—including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts—to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism. Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism.
Author: Sarah-Jane Mathieu
Publisher: Univ of North Carolina Press
ISBN: 0807899399
Category : Social Science
Languages : en
Pages : 297
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Book Description
North of the Color Line examines life in Canada for the estimated 5,000 blacks, both African Americans and West Indians, who immigrated to Canada after the end of Reconstruction in the United States. Through the experiences of black railway workers and their union, the Order of Sleeping Car Porters, Sarah-Jane Mathieu connects social, political, labor, immigration, and black diaspora history during the Jim Crow era. By World War I, sleeping car portering had become the exclusive province of black men. White railwaymen protested the presence of the black workers and insisted on a segregated workforce. Using the firsthand accounts of former sleeping car porters, Mathieu shows that porters often found themselves leading racial uplift organizations, galvanizing their communities, and becoming the bedrock of civil rights activism. Examining the spread of segregation laws and practices in Canada, whose citizens often imagined themselves as devoid of racism, Mathieu historicizes Canadian racial attitudes, and explores how black migrants brought their own sensibilities about race to Canada, participating in and changing political discourse there.
Author: Paul Gilroy
Publisher: Harvard University Press
ISBN: 9780674000964
Category : Political Science
Languages : en
Pages : 428
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Book Description
He argues that the triumph of the image spells death to politics and reduces people to mere symbols."--BOOK JACKET.
Author: Scott Withrow
Publisher: Backintyme
ISBN: 093947932X
Category : Minorities
Languages : en
Pages : 256
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Book Description
Some Americans pretend that a watertight line separates the "races." But most know that millions of mixed-heritage families crossed from one "race" to another over the past four centuries. Every essay in this collection tells such a tale. Each speaks with a different style and to different interests. But taken together, the seven articles paint a portrait, unsurpassed in the literature, of migrations, challenges, and triumphs over "racial" obstacles. Stacy Webb tells of families of mixed ancestry who pioneered westward paths from the Carolinas into the colonial wilderness, paths now known as Cumberland Road, Natchez Trace, Three-Chopped Way, and others. They migrated, not in search of wealth or exploration, but to escape the injustice of America's hardening "racial" barrier. Govinda Sanyal's astonishing research uses mtDNA markers to trace a single female lineage that winds its way through prehistoric Yemen, North Africa, Moorish Spain, the Sephardic diaspora, colonial Mexico, and finally escapes the Inquisition by assimilating into a Native American tribe, ending up in South Carolina. He fleshes out the DNA thread with documented genealogy, so we get to know their names, their lives, their struggles. Cyndie Goins Hoelscher focuses on a specific family that scattered from the Carolinas. One branch fled to Texas, becoming friends with Sam Houston and participating in the founding of that state. Other bands fought in the war of 1812, or migrated to Florida or the Gulf coast. Nowadays, Goins descendants can be found in nearly every state and are of nearly every "race." Scott Withrow (the collection's editor) concentrates on the saga of one individual of mixed ancestry. Joseph Willis was born into a community of color in South Carolina. He migrated to Louisiana, was accepted as a White man, founded one of the first churches in the area, and became one of the region's best-loved and most fondly remembered Christian ministers. S. Pony Hill recounts the historic struggles of South Carolina's Cheraw tribe, in a reprint of Chapter 5 of his book, "Strangers in Their Own Land." Marvin Jones tells the history of the "Winton Triangle," a section of North Carolina populated by successful families of mixed ancestry from colonial times until the mid-20th century. They fought for the Union, founded schools, built businesses, and thrived through adversity until the civil rights movement of 1955-65 ended legal segregation. K. Paul Johnson traces the history of North Carolina's antebellum Quakers. The once-strong community dissolved as it grew morally opposed to slavery. Those who stayed true to their faith migrated north. Those who remained slaveowners left the church. The worst stress was the Nat Turner event. Its aftermath helped turn the previously permeable color line into the harsh endogamous barrier that exists today.
Author: Jason Chambers
Publisher: University of Pennsylvania Press
ISBN: 9780812220605
Category : Business & Economics
Languages : en
Pages : 332
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Book Description
Until now, most works on the history of African Americans in advertising have focused on the depiction of blacks in advertisements. Madison Avenue and the Color Line breaks new ground by examining the history of black advertising agency employees and agency owners.
Author: Henry Louis Gates Jr.
Publisher: Hachette UK
ISBN: 0446533904
Category : Social Science
Languages : en
Pages : 417
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Book Description
The readable companion, in the oral-history tradition of Studs Terkel, to the PBS documentary series, peeking behind the veil "that still, far too often, separates black America from white." Renowned scholar and New York Times bestselling author Gates delivers a stirring and authoritative companion to the major new PBS documentary America Behind the Color Line. The book includes thought-provoking essays from Colin Powell, Morgan Freeman, Russell Simmons, Vernon Jordan, Alicia Keys, Bernie Mac, and Quincy Jones.
Author: Dennis Tyler
Publisher: NYU Press
ISBN: 147980584X
Category : HISTORY
Languages : en
Pages : 333
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Book Description
"Rather than simply engaging in a triumphalist narrative of overcoming where both disability and disablement are shunned alike, Disabilities of the Color Line argues that Black authors and activists have consistently avowed disability as a part of Black social life in varied and complex ways. Sometimes their affirmation of disability serves to capture how their bodies, minds, and health have been and are made vulnerable to harm and impairment by the state and society. Sometimes their assertion of disability symbolizes a sense of commonality and community that comes not only from a recognition of the shared subjection of blackness and disability but also from a willingness to imagine and create a world distinct from the dominant social order. Through the work of David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley, Disabilities of the Color Line examines how Black writer-activists have engaged in an aesthetics of redress: modes of resistance that show how Black communities have rigorously acknowledged disability as a response to forms of racial injury and in the pursuit of racial and disability justice"--
Author: Heather M. Dalmage
Publisher: Rutgers University Press
ISBN: 9780813528441
Category : Family & Relationships
Languages : en
Pages : 218
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Book Description
Through in-depth interviews with individuals from black-white multiracial families, and insightful sociological analysis, Heather M. Dalmage examines the challenges faced by people living in such families and explores how their experiences demonstrate the need for rethinking race in America. She examines the lived reality of race in the ways multiracial family members construct and describe their own identities and sense of community and politics. Their lack of language to describe their multiracial existence, along with their experience of coping with racial ambiguity and with institutional demands to conform to a racially divided, racist system is the central theme of Tripping on the Color Line.
Author: Jennifer Lynn Stoever
Publisher: NYU Press
ISBN: 1479835625
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
Author: Shawn Michelle Smith
Publisher: Duke University Press
ISBN: 9780822333432
Category : Art
Languages : en
Pages : 276
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Book Description
DIVAn exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900./div
