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Author: Brendan Lanctot
Publisher: Bucknell University Press
ISBN: 1611485460
Category : History
Languages : en
Pages : 193
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Book Description
Beyond Civilization and Barbarism examines how various cultural forms promoted competing political projects in Argentina during the decades following independence from Spain. This turbulent period has long been characterized as a struggle between two irreconcilable forces: the dictatorship of Juan Manuel de Rosas (1829-1852) versus a dissident intellectual elite. Most famously, Domingo Faustino Sarmiento described the conflict in his canonical Facundo (1845) as a clash between civilization and barbarism, which has become a catchphrase for the experience of modernity throughout Latin America. Against the grain of this durable script, Beyond Civilization and Barbarism examines an extensive corpus to demonstrate how adversaries of the period used similar rhetorical strategies, appealed to the same basic political ideals of republican government, and were preoccupied with defining and interpellating the pueblo, or people. In other words, their collective struggle was fundamentally modern and waged on a mutually intelligible discursive terrain.
Author: Brendan Lanctot
Publisher: Bucknell University Press
ISBN: 1611485460
Category : History
Languages : en
Pages : 193
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Book Description
Beyond Civilization and Barbarism examines how various cultural forms promoted competing political projects in Argentina during the decades following independence from Spain. This turbulent period has long been characterized as a struggle between two irreconcilable forces: the dictatorship of Juan Manuel de Rosas (1829-1852) versus a dissident intellectual elite. Most famously, Domingo Faustino Sarmiento described the conflict in his canonical Facundo (1845) as a clash between civilization and barbarism, which has become a catchphrase for the experience of modernity throughout Latin America. Against the grain of this durable script, Beyond Civilization and Barbarism examines an extensive corpus to demonstrate how adversaries of the period used similar rhetorical strategies, appealed to the same basic political ideals of republican government, and were preoccupied with defining and interpellating the pueblo, or people. In other words, their collective struggle was fundamentally modern and waged on a mutually intelligible discursive terrain.
Author: David O'Brien
Publisher: Penn State Press
ISBN: 0271082690
Category : Art
Languages : en
Pages : 241
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Book Description
Notions of civilization and barbarism were intrinsic to Eugène Delacroix’s artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library of the Chamber of Deputies in the Palais Bourbon. Exiled in Modernity delves deeply into these themes, revealing why Delacroix’s disillusionment with modernity increasingly led him to seek spiritual release or epiphany in the sensual qualities of painting. While civilization implied a degree of control and the constraint of natural impulses for Delacroix, barbarism evoked something uncontrolled and impulsive. Seeing himself as part of a grand tradition extending back to ancient Greece, Delacroix was profoundly aware of the wealth and power that set nineteenth-century Europe apart from the rest of the world. Yet he was fascinated by civilization’s chaotic underbelly. In analyzing Delacroix’s art and prose, David O’Brien illuminates the artist’s effort to reconcile the erudite, tradition-bound aspects of painting with a desire to reach viewers in a more direct, unrestrained manner. Focusing chiefly on Delacroix’s musings about civilization in his famous journal, his major mural projects on the theme of civilization, and the place of civilization in his paintings of North Africa and of animals, O’Brien links Delacroix’s increasingly pessimistic view of modernity to his desire to use his art to provide access to a more fulfilling experience. With more than one hundred illustrations, this original, astute analysis of Delacroix and his work explains why he became an inspiration for modernist painters over the half-century following his death. Art historians and scholars of modernism especially will find great value in O’Brien’s work.
Author: Tzvetan Todorov
Publisher: University of Chicago Press
ISBN: 0226805786
Category : Political Science
Languages : en
Pages : 244
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Book Description
The relationship between Western democracies and Islam, rarely entirely comfortable, has in recent years become increasingly tense. A growing immigrant population and worries about cultural and political assimilation—exacerbated by terrorist attacks in the United States, Europe, and around the world—have provoked reams of commentary from all parts of the political spectrum, a frustrating majority of it hyperbolic or even hysterical. In The Fear of Barbarians, the celebrated intellectual Tzvetan Todorov offers a corrective: a reasoned and often highly personal analysis of the problem, rooted in Enlightenment values yet open to the claims of cultural difference. Drawing on history, anthropology, and politics, and bringing to bear examples ranging from the murder of Theo van Gogh to the French ban on headscarves, Todorov argues that the West must overcome its fear of Islam if it is to avoid betraying the values it claims to protect. True freedom, Todorov explains, requires us to strike a delicate balance between protecting and imposing cultural values, acknowledging the primacy of the law, and yet strenuously protecting minority views that do not interfere with its aims. Adding force to Todorov's arguments is his own experience as a native of communist Bulgaria: his admiration of French civic identity—and Western freedom—is vigorous but non-nativist, an inclusive vision whose very flexibility is its core strength. The record of a penetrating mind grappling with a complicated, multifaceted problem, The Fear of Barbarians is a powerful, important book—a call, not to arms, but to thought.
Author: Cheikh Anta Diop
Publisher: Chicago Review Press
ISBN: 161374742X
Category : History
Languages : en
Pages : 463
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Book Description
Challenging societal beliefs, this volume rethinks African and world history from an Afrocentric perspective.
Author: Harry Redner
Publisher: Transaction Publishers
ISBN: 1412849225
Category : History
Languages : en
Pages : 435
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Book Description
For Harry Redner, the phrase “beyond civilization” refers to the new and unprecedented condition the world is now entering—specifically, the condition commonly known as globalization. Redner approaches globalization from the perspective of history and seeks to interpret it in relation to previous key stages of human development. His account begins with the Axial Age (700–300 BC) and proceeds through Modernity (after AD 1500) to the present global condition. What is globalization doing to civilization? In answering this question, Redner studies the role played by capitalism, the state, science and technology. He aims to show that they have had a catalytic impact on civilization through their reductive effect on society, culture, and individualism. However, Redner is not content to diagnose the ills of civilization; he also suggests how they might be ameliorated by cultural conservation. Above all, it is to the problem of decline in the higher forms of literacy that he addresses himself, for it is on the culture of the book that previous civilizations were founded. This study will be of interest to sociologists, historians, and social and political theorists. Its style makes it accessible also to general readers, interested in civilization past, present, and future.
Author: Christopher Powell
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773585567
Category : Social Science
Languages : en
Pages : 365
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Book Description
From its beginnings in the early twelfth century, the Western civilizing process has involved two interconnected transformations: the monopolization of military force by sovereign states and the cultivation in individuals of habits and dispositions of the kind that we call "civilized." The combined forward movement of these processes channels violent struggles for social dominance into symbolic performances. But even as the civilizing process frees many subjects from the threat of direct physical force, violence accumulates behind the scenes and at the margins of the social order, kept there by a deeply habituated performance of dominance and subordination called deferentiation. When deferentiation fails, difference becomes dangerous and genocide becomes possible. Connecting historical developments with everyday life occurrences, and discussing examples ranging from thirteenth-century Languedoc to 1994 Rwanda, Powell offers an original framework for analyzing, comparing, and discussing genocides as variable outcomes of a common underlying social system, raising unsettling questions about the contradictions of Western civilization and the possibility of a world without genocide.
Author: Tara Daly
Publisher: Rutgers University Press
ISBN: 1684480698
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
In the Andes, indigenous knowledge systems based on the relationships between different beings, both earthly and heavenly, animal and plant, have been central to the organization of knowledge since precolonial times. The legacies of colonialism and the continuance of indigenous cultures make the Andes a unique place from which to think about art and social change as ongoing, and as encompassing more than an exclusively human perspective. Beyond Human revises established readings of the avant-gardes in Peru and Bolivia as humanizing and historical. By presenting fresh readings of canonical authors like César Vallejo, José María Arguedas, and Magda Portal, and through analysis of newer artist-activists like Julieta Paredes, Mujeres Creando Comunidad, and Alejandra Dorado, Daly argues instead that avant-gardes complicate questions of agency and contribute to theoretical discussions on vital materialisms: the idea that life happens between animate and inanimate beings—human and non-human—and is made sensible through art. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Bruce Mazlish
Publisher: Stanford University Press
ISBN: 0804750831
Category : History
Languages : en
Pages : 204
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Book Description
"Civilization" is a constantly invoked term. It is used by both politicians and scholars. How useful, in fact, is this term? Civilization and Its Contents traces the origins of the concept in the eighteenth century. It shows its use as a colonial ideology, and then as a support for racism. The term was extended to a dead society, Egyptian civilization, and was appropriated by Japan, China, and Islamic countries. This latter development lays the groundwork for the contemporary call for a "dialogue of civilizations." The author proposes instead that today the use of the term "civilization" has a global meaning, with local variants recognized as cultures. It may be more appropriate, however, to abandon the name "civilization" and to focus on a new understanding of the civilizing process.
Author: Pierre Manent
Publisher: Princeton University Press
ISBN: 0691125120
Category : Philosophy
Languages : en
Pages : 230
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Book Description
"Pierre Manent's A World beyond Politics? is at once a reflection on modern political philosophy from Rousseau to Tocqueville to Weber and an interpretation of the modern democratic state. Manent is one of the best--maybe the best--minds on the current French scene. His thought is always alive, original, and provocative. It would not surprise me if quite a few political philosophers began to revise their introductory courses to address the themes and problems articulated in this book."--Steven B. Smith, Alfred Cowles Professor of Political Science, Yale University
Author: Maria Boletsi
Publisher: Stanford University Press
ISBN: 0804785376
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
Barbarism and civilization form one of the oldest and most rigid oppositions in Western history. According to this dichotomy, barbarism functions as the negative standard through which "civilization" fosters its self-definition and superiority by labeling others "barbarians." Since the 1990s, and especially since 9/11, these terms have become increasingly popular in Western political and cultural rhetoric—a rhetoric that divides the world into forces of good and evil. This study intervenes in this recent trend and interrogates contemporary and historical uses of barbarism, arguing that barbarism also has a disruptive, insurgent potential. Boletsi recasts barbarism as a productive concept, finding that it is a common thread in works of literature, art, and theory. By dislodging barbarism from its conventional contexts, this book reclaims barbarism's edge and proposes it as a useful theoretical tool.
