Between Illusionism and Anti-Illusionism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Between Illusionism and Anti-Illusionism PDF full book. Access full book title Between Illusionism and Anti-Illusionism by Marek Pawlicki. Download full books in PDF and EPUB format.
Author: Marek Pawlicki
Publisher: Cambridge Scholars Publishing
ISBN: 1443863475
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
Between Illusionism and Anti-Illusionism: Self-Reflexivity in the Chosen Novels of J. M. Coetzee takes as its premise J. M. Coetzee’s distinction between “illusionism” and “anti-illusionism”: the realist and the self-reflexive traditions in prose fiction. The aim of this critical study is to demonstrate that these two traditions are not opposed, but rather complementary to each other, and enrich the novel as a genre. Based on Marek Pawlicki’s doctoral thesis, the book is a detailed analysis of Coetzee’s oeuvre, paying particular attention to the impact of the writer’s literary essays on his fiction. Insofar as it looks into the ways in which Coetzee’s work as a critic has affected his novels, this book deals with the relation between fiction and literary criticism. Chapter One is an introduction into the topic of self-reflexivity. Chapters Two to Five, devoted to Dusklands, In the Heart of the Country, Age of Iron and Summertime, are concerned with the issue of subjectivity in confessional discourse and the boundary between fiction and autobiography. Chapters Six to Eight, concentrating on Foe, Slow Man, The Master of Petersburg, and Elizabeth Costello, offer insight into Coetzee’s views on literary creation and the role of the writer in society. Between Illusionism and Anti-Illusionism also examines intertextual references in Coetzee’s novels to the works of Tolstoy, Dostoevsky, Kafka and Beckett.
Author: Marek Pawlicki
Publisher: Cambridge Scholars Publishing
ISBN: 1443863475
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
Between Illusionism and Anti-Illusionism: Self-Reflexivity in the Chosen Novels of J. M. Coetzee takes as its premise J. M. Coetzee’s distinction between “illusionism” and “anti-illusionism”: the realist and the self-reflexive traditions in prose fiction. The aim of this critical study is to demonstrate that these two traditions are not opposed, but rather complementary to each other, and enrich the novel as a genre. Based on Marek Pawlicki’s doctoral thesis, the book is a detailed analysis of Coetzee’s oeuvre, paying particular attention to the impact of the writer’s literary essays on his fiction. Insofar as it looks into the ways in which Coetzee’s work as a critic has affected his novels, this book deals with the relation between fiction and literary criticism. Chapter One is an introduction into the topic of self-reflexivity. Chapters Two to Five, devoted to Dusklands, In the Heart of the Country, Age of Iron and Summertime, are concerned with the issue of subjectivity in confessional discourse and the boundary between fiction and autobiography. Chapters Six to Eight, concentrating on Foe, Slow Man, The Master of Petersburg, and Elizabeth Costello, offer insight into Coetzee’s views on literary creation and the role of the writer in society. Between Illusionism and Anti-Illusionism also examines intertextual references in Coetzee’s novels to the works of Tolstoy, Dostoevsky, Kafka and Beckett.
Author: Keith Frankish
Publisher: Andrews UK Limited
ISBN: 1845409663
Category : Psychology
Languages : en
Pages : 364
Get Book Here
Book Description
Illusionism is the view that phenomenal consciousness (in the philosophers' sense) is an illusion. This book is a reprint of a special issue of the Journal of Consciousness Studies devoted to this topic. It takes the form of a target paper by the editor, followed by commentaries from various thinkers, including leading defenders of the theory such as Daniel Dennett, Nicholas Humphrey, Derk Pereboom and Georges Rey. A number of disciplines are represented and different viewpoints are discussed and defended. The colleciton is tied together with a response to the commentaries from the editor.
Author: Aaron Preston
Publisher: A&C Black
ISBN: 1441131965
Category : Philosophy
Languages : en
Pages : 204
Get Book Here
Book Description
Author: John O'Loughlin
Publisher: Centretruths Digital Media
ISBN: 1446686000
Category : Philosophy
Languages : en
Pages : 71
Get Book Here
Book Description
BEYOND TRUTH AND ILLUSION markedly contrasts with John O'Loughlin's first venture into philosophy back in 1977, 'Between Truth and Illusion', and does so to the extent of being more akin to the omega point of his philosophical oeuvre than to anything alpha-like at the beginning. Here he has finally answered his doubts and brought his quest to rest on the basis of a collection of revised and reformatted weblogs which have every right to be regarded as aphoristically metaphysical.
Author: Martin O'Shaughnessy
Publisher: Bloomsbury Publishing
ISBN: 0857713043
Category : Performing Arts
Languages : en
Pages : 135
Get Book Here
Book Description
Directed by the great Jean Renoir, "La Grande Illusion" (1937) is the finest of all anti-war films and a cinematic masterwork. Other films oppose war by showing its horror. Renoir's film holds the horror at arm's length to give us a clearer view of it. A prisoner-of-war drama, with brilliant performances from leading stars of its period, including Erich von Stroheim and Jean Gabin, the film combines popular appeal with a formal brilliance that allows a complex examination of how classes, nations and genders relate to one another. In this comprehensive and readable companion to the film, Martin O'Shaughnessy underlines its sharp intelligence. He shows how, not content to register the world as it is, the film plays off competing historical possibilities against each other, facing the public with their responsibility to shape the future. Locating the film in the context of Renoir's career, O'Shaughnessy discusses its use of stars, production history, set design and reception. He compares known drafts of the film with a previously undiscovered story outline, casting important new light on its genesis. Stressing how it spoke to its times, he also demonstrates how it speaks to us now.
Author: François Furet
Publisher: University of Chicago Press
ISBN: 9780226273419
Category : History
Languages : en
Pages : 628
Get Book Here
Book Description
"A brilliant and important book. . . . The publication of the American edition makes accessible to the general reader the most thought-provoking historical assessment of communism in Europe to appear since its collapse".--Jeffrey Herf, "Wall Street Journal".
Author: J. M. Nuttin
Publisher: Leuven University Press
ISBN: 9789061862277
Category : Psychology
Languages : en
Pages : 260
Get Book Here
Book Description
Author: Peter Hühn
Publisher: Walter de Gruyter
ISBN: 3110217449
Category : Literary Criticism
Languages : en
Pages : 478
Get Book Here
Book Description
This handbook in English provides a systematic overview of the present state of international research in narratology. Detailed individual studies by internationally renowned narratologists elucidate 34 central terms. The articles present original research contributions and are all structured in a similar manner. Each contains a concise definition and a detailed explanation of the term in question. In a main section they present a critical account of the major research positions and their historical development and indicate directions for future research; they conclude with selected bibliographical references.
Author: Ann Reynolds
Publisher: MIT Press
ISBN: 9780262681551
Category : Art
Languages : en
Pages : 394
Get Book Here
Book Description
An examination of the interplay between cultural context and artistic practice in the work of Robert Smithson. Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson's working life—magazines, postcards from other artists, notebooks, and perhaps most important, his library—from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson's art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time. A central focus of Reynolds's analysis is Smithson's fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again—alone and with fellow artists—to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.
Author: Haim Ben-Asher
Publisher: iUniverse
ISBN: 1450273793
Category : History
Languages : en
Pages : 316
Get Book Here
Book Description
What is the use of Zionism? To restore our pride as Jews, comes the ready answer. Now just when did we lose this precious pride? Could it be that, without the State of Israel, Zionists might be ashamed of being Jews? And how can one be proud of a country that drops white phosphorous bombs on defenseless civilians? Instead of combating anti-Semitism, Zionism cultivates it. An essential dogma of this new creed is that anti-Semitism is immutable and permanent. Zionists claim that we are still in 1938, and that a new Holocaust is in the offi ng. Every passing year becomes a year of broken glass. So we must rally around the State of Israel, which alone can save us. A fear-based religion allows Jewish leaders in the Diaspora to retain power over their flock. To free themselves from such blackmail, to break out of the vicious Auschwitz-Israel circle, Jews have only to disconnect from Zionism and take up their historic vocation: explaining Torah to the nations. But first, they will have to understand it themselves. Haim Ben-Asher is a historian.
