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Author: Gwenneth Reynolds
Publisher:
ISBN: 9781910787977
Category : Art schools
Languages : en
Pages : 0
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Book Description
"When Cedric Morris and Arthur Lett-Haines opened The East Anglian School of Painting and Drawing in Dedham, Essex, in 1937 they were both established artists with international reputations...Their idea was to set up an art school which would provide an alternative to the formal courses offered by the art schools in the metropolis. The aim, as expressed in the school's brochure, was to provide 'an environment where students can work together with more experienced artists in a common endeavour to produce sincere painting.' The emphasis was on encouraging freedom of invention, enthusiasm, and enjoyment, with the assumption that the student 'believes himself to have a clear idea of creative work and requires help only in its production'...The extracts which form the text of this book are based largely on conversations with our contributors which took place during the years 1998 and 1999. Articles, extracts from an autobiography and a diary are also included. They comprise the affectionate memories of a few of those who knew and loved Benton End and its two gifted and hospitable hosts." -- from the Introduction.
Author: Gwenneth Reynolds
Publisher:
ISBN: 9781910787977
Category : Art schools
Languages : en
Pages : 0
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Book Description
"When Cedric Morris and Arthur Lett-Haines opened The East Anglian School of Painting and Drawing in Dedham, Essex, in 1937 they were both established artists with international reputations...Their idea was to set up an art school which would provide an alternative to the formal courses offered by the art schools in the metropolis. The aim, as expressed in the school's brochure, was to provide 'an environment where students can work together with more experienced artists in a common endeavour to produce sincere painting.' The emphasis was on encouraging freedom of invention, enthusiasm, and enjoyment, with the assumption that the student 'believes himself to have a clear idea of creative work and requires help only in its production'...The extracts which form the text of this book are based largely on conversations with our contributors which took place during the years 1998 and 1999. Articles, extracts from an autobiography and a diary are also included. They comprise the affectionate memories of a few of those who knew and loved Benton End and its two gifted and hospitable hosts." -- from the Introduction.
Author: Gwynneth Reynolds
Publisher: Unicorn Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
"When in 1939 Cedric Morris and Arthur Lett-Haines visited Benton End, overlooking the River Brett on the outskirts of Hadleigh, Suffolk, they were both established artists with international reputations. What they found was a somewhat ramshackle but capacious sixteenth-century house which had been unoccupied for fifteen years, standing in over three acres of walled gardens lost beneath brambles and elderberries. But in 1940, Benton End became both their home and the new premises of the East Anglian School of Painting and Drawing which they, disillusioned with the commercial aspects of the art world, had founded together in 1937." "From 1940 until Lett Haines died in 1978 and Cedric Morris in 1982, Benton End was an exotic world apart where art, literature, good food, gardening and lively conversation combined to produce an extraordinarily stimulating environment for amateurs and professionals alike. Ronald Blythe recalls that 'there was a whiff of garlic and wine in the air. The atmosphere ... was robust and coarse, and exquisite and tentative all at once. Rough and ready and fine mannered. Also faintly dangerous.'" "The sharply differing characters and interests of Cedric Morris and Lett Haines ensured the widest range of contacts and visitors to Benton End who included Victoria Sackville-West, Elizabeth David, Francis Bacon, Randolph Churchill, Benjamin Britten and Peter Pears. There was no formal teaching and students were left free to pursue their own enthusiasms and to show their work to Cedric or Lett for advice. Cedric's skill as a plantsman and noted breeder of irises, contrasted with Lett's intellectual sophistication and interest in food, wine, artistic experimentation and general lack of enthusiasm for the outdoors." "Over the years many hundreds of students and visitors spent time at Benton End and these included Lucian Freud, Lucy Harwood, David Carr, Glyn Morgan, Kathleen Hale, Beth Chatto, Maggi Hambling and Ronald Blythe. It was Gwynneth Reynolds whose idea it was to assemble the recollections of 30 other former students and friends and to illustrate them with over 70 colour reproductions of works by Lett Haines and Cedric Morris."--BOOK JACKET.
Author: Hugh St Clair
Publisher: Pimpernel Press
ISBN: 9781914902055
Category : Art
Languages : en
Pages : 0
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Book Description
Revised and updated paperback edition of this acclaimed biography of a unique couple who were hugely influential across the spheres of art, gardening and cookery.
Author: Gwynneth Reynolds
Publisher:
ISBN: 9781906509729
Category :
Languages : en
Pages : 0
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Book Description
The story of a house and garden and the two artists that created it that inspired the leading artists of their day with good food, conversation and an idyllic setting.
Author: Larry Poons
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 28
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Book Description
Author: Patricia Cost
Publisher: RIT Press
ISBN: 9781933360423
Category : Type and type-founding
Languages : en
Pages : 0
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Book Description
The ease with which we can choose a typeface today is something we take for granted, but it is possible only because of the tremendous amount of labor of the Bentons.
Author: Leo G. Mazow
Publisher: Penn State Press
ISBN: 0271050837
Category : Art
Languages : en
Pages : 218
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Book Description
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
Author: Janet Waymark
Publisher:
ISBN: 9781912892204
Category : Artists
Languages : en
Pages : 0
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Book Description
Drawing on archive material and extensively illustrated with the work of Morris and contemporary artists, this book explores Morris's roots in Wales, follows his travels in Europe and beyond in the 1920s, and evokes the singular camaraderie of the East Anglian School.
Author: Erica E. Hirshler
Publisher: Museum of Fine Arts Boston
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Dennis Miller Bunker (1861-1890) was one of the most talented painters of late nineteenth-century America. He was among the first Americans to use the bright colors and broken brushstrokes of the new Impressionist style; his beautiful landscapes and portraits are sought after by the most distinguished collectors of American art." "Dennis Miller Bunker: American Impressionist is the first comprehensive study of this important American artist. Trained in the academies of his native New York, Bunker continued his education in Paris, where he flourished in the sophisticated atmosphere of the world's art capital. In 1885, he accepted a teaching position in Boston. He joined the city's vibrant artistic community and developed close friendships with the writer William Dean Howells, the composer Charles Martin Loeffler, and the legendary collector Isabella Stewart Gardner, who became his champion. In Boston, Bunker also met John Singer Sargent, America's most renowned painter. The summer they spent working together in England proved to be a turning point in Bunker's career." "Bunker moved to New York in 1889. His heart remained in Boston, however, for he had fallen in love with Eleanor Hardy, the daughter of a prominent businessman. The couple married in October 1890. Barely three months later, Bunker died at age twenty-nine of a sudden illness. His beautifully crafted paintings were his only legacy.
Author: Grayson Perry
Publisher: Thames & Hudson
ISBN: 9781921034787
Category : Art, Modern
Languages : en
Pages : 258
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Book Description
The Museum of Contemporary Art Australia is pleased to present the first major survey exhibition in the Southern hemisphere by internationally renowned artist and Turner Prize recipient, Grayson Perry, as part of the Sydney International Art Series. It introduces the full spectrum of his practice from the early 1980s to the present, including new work. Grayson Perry is one of the best known British artists of his generation, acclaimed for his ceramics, sculptures, drawings, prints and tapestries. With a keen eye for detail and a love of the popular and vernacular, Perry infuses his artworks with a sly humour and reflection on society past and present. The artist's highly decorated pots in particular reveal a panoply of imagery ranging from the highly personal to the political, their subjects including his own family, the art world, Biblical stories, the royal family, and images of warfare and sexual fantasy. Perry's transvestism and feminine alter ego 'Claire' emerges through his practice as a recurring visual motif. A contemporary of the YBA (Young British Artists) generation, he has forged a distinctive career that sits apart from the cooler theoretical approach of some of his peers, favouring a more flamboyant, accessible aesthetic that blurs the division of high art and popular culture.
