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Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1108923879
Category : Music
Languages : en
Pages : 277
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Book Description
Early nineteenth-century composers, publishers and writers evolved influential ideals of Beethoven's symphonies as untouchable masterpieces. Meanwhile, many and various arrangements of symphonies, principally for amateur performers, supported diverse and 'hands-on' cultivation of the same works. Now mostly forgotten, these arrangements served a vital function in nineteenth-century musical life, extending works' meanings and reach, especially to women in the home. This book places domestic music-making back into the history of the classical symphony. It investigates a largely untapped wealth of early nineteenth-century arrangements of symphonies by Beethoven - for piano, string quartet, mixed quintet and other ensembles. The study focuses on three key agents in the nineteenth-century culture of musical arrangement: arrangers, publishers and performers. It investigates significant functions of those musical arrangements in the era: sociability, reception and canon formation. The volume also explores how conceptions of Beethoven's symphonies, and their arrangement, changed across the era with changing conception of musical works.
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1108923879
Category : Music
Languages : en
Pages : 277
Get Book Here
Book Description
Early nineteenth-century composers, publishers and writers evolved influential ideals of Beethoven's symphonies as untouchable masterpieces. Meanwhile, many and various arrangements of symphonies, principally for amateur performers, supported diverse and 'hands-on' cultivation of the same works. Now mostly forgotten, these arrangements served a vital function in nineteenth-century musical life, extending works' meanings and reach, especially to women in the home. This book places domestic music-making back into the history of the classical symphony. It investigates a largely untapped wealth of early nineteenth-century arrangements of symphonies by Beethoven - for piano, string quartet, mixed quintet and other ensembles. The study focuses on three key agents in the nineteenth-century culture of musical arrangement: arrangers, publishers and performers. It investigates significant functions of those musical arrangements in the era: sociability, reception and canon formation. The volume also explores how conceptions of Beethoven's symphonies, and their arrangement, changed across the era with changing conception of musical works.
Author: Ludwig van Beethoven
Publisher: A-R Editions, Inc.
ISBN: 1987204549
Category : Music
Languages : en
Pages : 437
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Book Description
This volume represents two important aspects of early-nineteenth-century taste in chamber music: a predilection for mixed groupings, including winds and strings; and a preference for larger groupings, including nonets. The sheer number of such works composed, along with data from publishing catalogs and concert programs, is evidence of the contemporary taste for varied chamber music. The present volume gives a selection of three large-scale chamber arrangements of Beethovens symphonies. Michael Gotthard Fischers arrangement of the sixth symphony for string sextet provides an example of this less common format. The nonet arrangement of the second symphony for flute, two horns, two violins, two violas, cello, and bass by Ferdinand Ries shows the flexibility of performance forces in this repertoire as well as the publishers and composers desires to capitalize on their popularity, given that this arrangement can be performed with or without the addition of winds. The arrangement of the fourth symphony by William Watts stands between the sextet and nonet arrangements noted above in its combination of one flute with six strings.
Author: Nancy November
Publisher:
ISBN: 9781987204544
Category :
Languages : en
Pages : 0
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Book Description
Author: Nancy November
Publisher: A-R Editions, Inc.
ISBN: 198720283X
Category : Music
Languages : en
Pages : 327
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Book Description
The three selections in this edition of quartet arrangements of Beethovens symphonies are chosen to represent the diversity of quartets as a medium for arrangement in the early nineteenth century. Only the arrangement by Carl Zulehner, of Beethovens first symphony, is a string quartet. The arrangement by Johann Nepomuk Hummel of Beethovens fifth symphony, for pianoforte, flute, violin, and violoncello (or pianoforte alone), is part of an extensive collection of arrangements that he made for that grouping, while the arrangement for piano quartet by Ferdinand Ries of the Eroica Symphony represents the particular popularity of chamber groupings involving stringed instruments and piano.
Author: Gottfried Weber
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 522
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Book Description
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1009409808
Category : Music
Languages : en
Pages : 267
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Book Description
A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
Author: Gottfried Weber
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 486
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Book Description
Author: Gottfried WEBER (Generalstaatsprokurator in Darmstadt.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
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Book Description
Author: Robert Cocks & Co
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 34
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Book Description
Author: Ora Frishberg Saloman
Publisher: UPNE
ISBN: 9781555532161
Category : Music
Languages : en
Pages : 268
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Book Description
John Sullivan Dwight (1813-1893), the first American critic of art music and the founder of Dwight's Journal of Music, set a new standard for musical criticism in the 1840s by fostering the American reception of Ludwig van Beethoven's then unfamiliar symphonies. Drawing upon extraordinary and painstaking research, Ora Frishberg Saloman details the progressive and influential musical vision of the young Dwight, offering a dramatic and long overdue corrective to the conservative image of the critic that has prevailed for most of this century.
