Anthology of Musical Forms - Structure & Style (Expanded Edition) PDF Download
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Author: Leon Stein
Publisher: Alfred Music
ISBN: 9781457400940
Category : Music
Languages : en
Pages : 324
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Book Description
Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Author: Leon Stein
Publisher: Alfred Music
ISBN: 9781457400940
Category : Music
Languages : en
Pages : 324
Get Book Here
Book Description
Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Author: Arthur J Michaels
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Book Description
Would you like to become a better composer, advance your skills, and increase your creativity? This book can help you: Become a more skilled composer. Be a more prolific composer. Promote your work. Get your pieces performed. Publish your music. Even now, as a published, award-winning composer, if I saw this book, I'd buy it. That's because earning a high school diploma, a college degree, or even an advanced degree is a wonderful, promising achievement--I know. I did that. But the problem is: Diplomas and degrees don't guarantee that you know how to advance your skills and increase your output and success. Degrees don't ensure your continued success in today's complicated, competitive world. A degree doesn't guarantee success especially when you make major or even minor career changes. This book's huge amount of specifics makes it a valuable reference that you read, reread, and consult often. This book is a vital standalone guide for composers outside of formal learning circles and a practical supplement for composers who are studying or who have studied in classrooms. Because composing music is so varied with an enormous number of opportunities, a diverse, international group of 24 fellow composers contributed their ideas to this book. These composers work in different genres and styles. This book includes details of specific composer how-to skills, so composers and those who want to be composers get an intimate, unique view of the private professional procedures and practices of fellow composers--a perspective few composers ever see in one comprehensive source. Let this book's wealth of guidance, insights, and suggestions inspire you! Dive into this book and watch your skills, output, and success blossom!
Author: Robert R. Faulkner
Publisher: Transaction Publishers
ISBN: 1412829232
Category :
Languages : en
Pages : 294
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Book Description
Author: Winifred Phillips
Publisher: MIT Press
ISBN: 0262534495
Category : Music
Languages : en
Pages : 285
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Book Description
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
Author: Adonis Aletras
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985705159
Category :
Languages : en
Pages : 380
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Book Description
In 'So You Want To Become a Media Composer?', Adonis Aletras provides all the necessary insight for beginners and professionals alike in a very unique way: by interviewing 65 of the BEST composers, performers and industry executives who are currently successful in their respective fields (more than 300 questions and answers). Offering their 'in the trenches' perspective through 5 custom questions, the interviewees (including John Debney, Jeff Beal, Bruce Broughton, Deborah Lurie, Steve Vai, Richard Kraft, Dawn Soler and dozens of esteemed others) provide answers that shed light into: film-TV scoring, composing for media, getting jobs, the business, academia, career, success/pitfalls, the industry, etc. No stone is left unturned in this one of a kind publication making it a must for anyone interested in pursuing a career in media composition.Presented in a clear and easy to navigate format, this book will be useful to aspiring composers, students and professionals who want to get an insider's view of how the best of the best handle their careers towards a path of success.
Author: Virgil Moorefield
Publisher: MIT Press
ISBN: 0262261014
Category : Music
Languages : en
Pages : 164
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Book Description
The evolution of the record producer from organizer to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances—in the Albert Hall or elsewhere—but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Frank Zappa called a "movie for your ears." In rock and pop, in the absence of a notated score, the recorded version of a song—created by the producer in collaboration with the musicians—became the definitive version. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques—tape editing, overdubbing, compression—and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers. What began when rock and pop producers reinvented themselves in the 1960s has continued; Moorefield describes the importance of disco, hip-hop, remixing, and other forms of electronic music production in shaping the sound of contemporary pop. He discusses the making of Pet Sounds and the production of tracks by Public Enemy with equal discernment, drawing on his own years of studio experience. Much has been written about rock and pop in the last 35 years, but hardly any of it deals with what is actually heard in a given pop song. The Producer as Composer tries to unravel the mystery of good pop: why does it sound the way it does?
Author: Jeremy Borum
Publisher: Rowman & Littlefield
ISBN: 1442237309
Category : Performing Arts
Languages : en
Pages : 271
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Book Description
As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one. In Guerrilla Film Scoring: Practical Advice from Hollywood Composers,Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall. A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game.
Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Author: Steven Melin
Publisher:
ISBN: 9781090896360
Category :
Languages : en
Pages : 185
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Book Description
"You don't have to grind 24/7 to be a successful screen music composer, but you do have to be intentional with your time. I'm proud that Steven Melin has fought for this balance at an early age, and he'll show you how you can too. I'm excited for how Family-First Composer will equip you to live the most fulfilling life possible."-Adam Gubman (Composer of Star Wars Galaxy's Edge, Producer of This Is Me from The Greatest Showman, & Songwriter at Disney Parks Worldwide)This book is written for you, hard-working parent who works at a corporate American job to pay the bills. You long to support your family composing music for film, TV, & video games.You get no joy or fulfillment from your work...this is a safe, "real" job. You complain to your spouse every night about how you long for the day when you can support your family composing music for film, TV, & video games...You look forward to the weekends when you can spend time with your family, but you're usually so exhausted from the work week that this time frustratingly must be used to rest and prepare for the upcoming work week. You have little time for friendships or dates with your spouse due to stress at work and general unhappiness. To escape, you love watching TV shows and playing video games, but you rarely find time to enjoy these. You want to help around the house more and attend your kids' events, but you never have time or energy to spare. You love to read, but have a hard time believing that his situation will ever really change...You hate the trajectory of your life. Aside from your family, it's empty. Hollow. You were created to do more with your life. You want the chance to show your family - and the world - that you can support them doing what you love. You just need a guide: someone who has been in your shoes and knows the steps to take to be where you want to be...This book is written for you, a screen music composer seeking to escape the 9-5 grind of corporate America and build a sustainable and growing music business that fully supports your family. If you read and apply the teachings found in this step-by-step guide, you will: Enjoy freedom from your day job Immediately earn income from your music Free your time to focus more on your family Experience fulfillment supporting your family Do what you love Work from home Remove the stress of inconsistent paychecks Feel secure in your finances Live peacefully Open your options for a better lifestyle Embrace autonomy in your life to do what you want, when you want, where you want, with whom you want, at the price you want, at the terms you want! Buy Family-First Composer today and Support Your Family Composing Music for Film, TV, & Video Games!
Author: Paul Hindemith
Publisher: Schott Music
ISBN: 3795786711
Category : Music
Languages : en
Pages : 252
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Book Description
Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.
