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Author: Marco Bernini
Publisher: Oxford University Press
ISBN: 0190664371
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Does literature merely represent cognitive processes, or can it enhance, parallel, or reassess the scientific study of the mind? Beckett and the Cognitive Method argues that Samuel Beckett's narrative work, rather than just expressing or rendering mental states, inaugurates an exploratory use of narrative as an introspective modeling technology. Through a detailed analysis of Beckett's entire corpus and published volumes of letters, this book argues that Beckett pioneered a new method of writing to construct (in a mode analogous to scientific inquiry) models for the exploration of core laws, processes, and dynamics in the human mind. Marco Bernini integrates frameworks from contemporary narrative theory, cognitive sciences, phenomenology, and philosophy of mind to make a case for Beckett's modeling practice. Bernini demonstrates how this modeling applies to a vast array of processes including the (narrative) illusion of a sense of self, the dialogic interaction with memories and felt presences, the synesthetic nature of inner experience and mental imagery, the role of moods and emotions as cognitive drives, and the emergent quality of consciousness. Beckett and the Cognitive Method also reflects on how Beckett's fictional cognitive models are transformed into reading, auditory, or spectatorial experiences generating through narrative devices insights on what the sciences can only discursively report. As such, Bernini argues that literature should be considered a proper exploration of the mind, with its own tools and models for cognitive inquiry.
Author: Marco Bernini
Publisher: Oxford University Press
ISBN: 0190664371
Category : Literary Criticism
Languages : en
Pages : 265
Get Book Here
Book Description
Does literature merely represent cognitive processes, or can it enhance, parallel, or reassess the scientific study of the mind? Beckett and the Cognitive Method argues that Samuel Beckett's narrative work, rather than just expressing or rendering mental states, inaugurates an exploratory use of narrative as an introspective modeling technology. Through a detailed analysis of Beckett's entire corpus and published volumes of letters, this book argues that Beckett pioneered a new method of writing to construct (in a mode analogous to scientific inquiry) models for the exploration of core laws, processes, and dynamics in the human mind. Marco Bernini integrates frameworks from contemporary narrative theory, cognitive sciences, phenomenology, and philosophy of mind to make a case for Beckett's modeling practice. Bernini demonstrates how this modeling applies to a vast array of processes including the (narrative) illusion of a sense of self, the dialogic interaction with memories and felt presences, the synesthetic nature of inner experience and mental imagery, the role of moods and emotions as cognitive drives, and the emergent quality of consciousness. Beckett and the Cognitive Method also reflects on how Beckett's fictional cognitive models are transformed into reading, auditory, or spectatorial experiences generating through narrative devices insights on what the sciences can only discursively report. As such, Bernini argues that literature should be considered a proper exploration of the mind, with its own tools and models for cognitive inquiry.
Author: Marco Bernini
Publisher: Oxford University Press
ISBN: 0190664363
Category : Literary Criticism
Languages : en
Pages : 265
Get Book Here
Book Description
Does literature merely represent cognitive processes, or can it enhance, parallel, or reassess the scientific study of the mind? Beckett and the Cognitive Method argues that Samuel Beckett's narrative work, rather than just expressing or rendering mental states, inaugurates an exploratory use of narrative as an introspective modeling technology. Through a detailed analysis of Beckett's entire corpus and published volumes of letters, this book argues that Beckett pioneered a new method of writing to construct (in a mode analogous to scientific inquiry) models for the exploration of core laws, processes, and dynamics in the human mind. Marco Bernini integrates frameworks from contemporary narrative theory, cognitive sciences, phenomenology, and philosophy of mind to make a case for Beckett's modeling practice. Bernini demonstrates how this modeling applies to a vast array of processes including the (narrative) illusion of a sense of self, the dialogic interaction with memories and felt presences, the synesthetic nature of inner experience and mental imagery, the role of moods and emotions as cognitive drives, and the emergent quality of consciousness. Beckett and the Cognitive Method also reflects on how Beckett's fictional cognitive models are transformed into reading, auditory, or spectatorial experiences generating through narrative devices insights on what the sciences can only discursively report. As such, Bernini argues that literature should be considered a proper exploration of the mind, with its own tools and models for cognitive inquiry.
Author: David Fuller
Publisher: Springer Nature
ISBN: 3030744434
Category : Literary Criticism
Languages : en
Pages : 558
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Book Description
This open access book studies breath and breathing in literature and culture and provides crucial insights into the history of medicine, health and the emotions, the foundations of beliefs concerning body, spirit and world, the connections between breath and creativity and the phenomenology of breath and breathlessness. Contributions span the classical, medieval, early modern, Romantic, Victorian, modern and contemporary periods, drawing on medical writings, philosophy, theology and the visual arts as well as on literary, historical and cultural studies. The collection illustrates the complex significance and symbolic power of breath and breathlessness across time: breath is written deeply into ideas of nature, spirituality, emotion, creativity and being, and is inextricable from notions of consciousness, spirit, inspiration, voice, feeling, freedom and movement. The volume also demonstrates the long-standing connections between breath and place, politics and aesthetics, illuminating both contrasts and continuities.
Author: Richard Walsh
Publisher: Springer
ISBN: 3319647148
Category : Computers
Languages : en
Pages : 319
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Book Description
This book stages a dialogue between international researchers from the broad fields of complexity science and narrative studies. It presents an edited collection of chapters on aspects of how narrative theory from the humanities may be exploited to understand, explain, describe, and communicate aspects of complex systems, such as their emergent properties, feedbacks, and downwards causation; and how ideas from complexity science can inform narrative theory, and help explain, understand, and construct new, more complex models of narrative as a cognitive faculty and as a pervasive cultural form in new and old media. The book is suitable for academics, practitioners, and professionals, and postgraduates in complex systems, narrative theory, literary and film studies, new media and game studies, and science communication.
Author: Charles Fernyhough
Publisher: Profile Books
ISBN: 1782830782
Category : Psychology
Languages : en
Pages : 364
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Book Description
We all hear voices. Ordinary thinking is often a kind of conversation, filling our heads with speech: the voices of reason, of memory, of self-encouragement and rebuke, the inner dialogue that helps us with tough decisions or complicated problems. For others - voice-hearers, trauma-sufferers and prophets - the voices seem to come from outside: friendly voices, malicious ones, the voice of God or the Devil, the muses of art and literature. In The Voices Within, Royal Society Prize shortlisted psychologist Charles Fernyhough draws on extensive original research and a wealth of cultural touchpoints to reveal the workings of our inner voices, and how those voices link to creativity and development. From Virginia Woolf to the modern Hearing Voices Movement, Fernyhough also transforms our understanding of voice-hearers past and present. Building on the latest theories, including the new 'dialogic thinking' model, and employing state-of-the-art neuroimaging and other ground-breaking research techniques, Fernyhough has written an authoritative and engaging guide to the voices in our heads. WELLCOME COLLECTION Wellcome Collection is a free museum and library that aims to challenge how we think and feel about health. Inspired by the medical objects and curiosities collected by Henry Wellcome, it connects science, medicine, life and art. Wellcome Collection exhibitions, events and books explore a diverse range of subjects, including consciousness, forensic medicine, emotions, sexology, identity and death. Wellcome Collection is part of Wellcome, a global charitable foundation that exists to improve health for everyone by helping great ideas to thrive, funding over 14,000 researchers and projects in more than 70 countries. wellcomecollection.org
Author:
Publisher: BRILL
ISBN: 9004681299
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
Moving beyond the neurohype of recent decades, this book introduces the concept of worlding as a new way to understand the inherent entanglement of brains/minds with their worldly environments, cultural practices, and social contexts. Case studies ranging from film, literature, music, and dance to pedagogy, historical trauma, and present-day discourses of mindfulness investigate how brains are worlded in an active interplay of biological, cognitive, and socio-discursive factors. Combining scholarly work with personal accounts of neurodiversity and essays by artists reflecting on their practical engagement with cognition, Worlding the Brain makes a case for the distinctive role of the humanities and arts in the study of brains and cognition and explores novel forms interdisciplinarity.
Author: Montserrat Sanz
Publisher: OUP Oxford
ISBN: 0191664820
Category : Language Arts & Disciplines
Languages : en
Pages : 518
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Book Description
Thomas G. Bever's now iconic sentence, The horse raced past the barn fell, first appeared in his 1970 paper "The Cognitive Basis of Linguistic Structures". This 'garden path sentence', so-called because of the way it leads the reader or listener down the wrong parsing path, helped spawn the entire subfield of sentence processing. It has become the most often quoted element of a paper which spanned a wealth of research into the relationship between the grammatical system and language processing. Language Down the garden Path traces the lines of research that grew out of Bever's classic paper. Leading scientists review over 40 years of debates on the factors at play in language comprehension, production, and acquisition (the role of prediction, grammar, working memory, prosody, abstractness, syntax, and semantics mapping); the current status of universals and narrow syntax; and virtually every topic relevant in psycholinguistics since 1970. Written in an accessible and engaging style, the book will appeal to all those interested in understanding the questions that shaped, and are still shaping, this field and the ways in which linguists, cognitive scientists, psychologists, and neuroscientists are seeking to answer them.
Author: Yann Moulier-Boutang
Publisher: Polity
ISBN: 0745647324
Category : Business & Economics
Languages : en
Pages : 258
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Book Description
This book argues that we are undergoing a transition from industrial capitalism to a new form of capitalism - what the author calls & lsquo; cognitive capitalism & rsquo;
Author: Karin Kukkonen
Publisher: Oxford University Press
ISBN: 0190654511
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This study provides an introduction to the neoclassical debates around how literature is shaped in concert with the thinking and feeling human mind. Three key rules of neoclassicism, namely, poetic justice (the rewards and punishments of characters in the plot), the unities (the coherence of the fictional world and its extensions through the imagination) and decorum (the inferential connections between characters and their likely actions), are reconsidered in light of social cognition, embodied cognition and probabilistic, predictive cognition. The meeting between neoclassical criticism and today's research psychology, neurology and philosophy of mind yields a new perspective for cognitive literary study. Neoclassicism has a crucial contribution to make to current debates around the role of literature in cultural and cognition. Literary critics writing at the time of the scientific revolution developed a perspective on literature the question of how literature engages minds and bodies as its central concern. A Prehistory of Cognitive Poetics traces the cognitive dimension of these critical debates in seventeenth- and eighteenth-century Britain and puts them into conversation with today's cognitive approaches to literature. Neoclassical theory is then connected to the praxis of eighteenth-century writers in a series of case studies that trace how these principles shaped the emerging narrative form of the novel. The continuing relevance of neoclassicism also shows itself in the rise of the novel, as A Prehistory of Cognitive Poetics illustrates through examples including Pamela, Tom Jones and the Gothic novel.
Author: Ian Miller
Publisher: Routledge
ISBN: 042991122X
Category : Psychology
Languages : en
Pages : 193
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Book Description
This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment.
