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Author: Brigid Brophy
Publisher: Harmony
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
A cogent portrait of Beardsley and his work. "Twenty-five years was the terrifyingly brief span of Beardsley's life. For him the world ceased on 16 March 1898. But the world he had created - in just a handful of years - survives in all its economy and wit. It is a major and still potent influence on 'modern' art and design; and it deeply affects our view of the 1890s, a decade rich in revolutionary talents - and savage reactions to them. In Beardsley's own sheer black and white world late Victorianism is stripped of its grossness, gaudiness and hypocrisy. The result is naked art that is still shocking ..."
Author: Aubrey Beardsley
Publisher: Courier Corporation
ISBN: 048613573X
Category : Art
Languages : en
Pages : 162
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Book Description
Rich selection of 170 boldly executed black-and-white illustrations ranging from illustrations for Laclos' Les Liaisons Dangereuses and Balzac's La Comedie Humaine to magazine cover designs, book plates, and more.
Author: Arthur Symons
Publisher: e-artnow
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 91
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Book Description
The Art of Aubrey Beardsley is a study about English artist and illustrator Aubrey Beardsley, written by British editor and critic Arthur Symons. The book includes biographical essay and numerous illustrations by the artist. Beardsley's drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the aesthetic movement which also included Oscar Wilde and James McNeill Whistler.
Author: Brigid Brophy
Publisher: Faber & Faber
ISBN: 0571304656
Category : Art
Languages : en
Pages : 103
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Book Description
'[Beardsley's] vision is permanently that of a child lying in bed watching his mother dress for a dinner-party. His fantasy hangs this here, tries the effect of that there: everything is a jewel, and everything is a sexual organ. He is allured, yet afraid to touch: driven back on a cold minuteness of detailed attention, and yet passionately curious, with the emotional and involved curiosity children give to sex.' Brigid Brophy first published her study of 'the most intensely and electrically erotic artist in the world' in 1968, at the height of her own powers and in the moment of a notable revival of interest - both scholarly and pop-cultural (amid 'the dandified realm of Carnavy Street') - in Beardsley's work. An infant prodigy, Beardsley retained through the brief years of his adult life the peculiar genius of a precocious child, and Brophy, well-versed in Freudian analyses, adroitly points out the polymorphous perversity of his pictures - that perversity, coupled with his inimitable graphic/monochromatic signature, accounting for why Beardsley, however 'high-baroque rococo' his style, has remained endlessly modern. Black and White is illustrated by 44 reproductions and augmented by a detailed chronology.
Author: Robert Ross
Publisher:
ISBN: 9781843680727
Category :
Languages : en
Pages : 0
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Book Description
Originally published: London, John Lane; New York, John Lane Comapny, 1909. with a new introduction.
Author: Arthur Symons
Publisher: Baltzell Press
ISBN: 1409784533
Category : History
Languages : en
Pages : 52
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Chris Snodgrass
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
This book analyzes a wide range of Beardsley's most characteristic work. It establishes his assumptions about the underlying nature of his world, and clarifies why so many observers have considered Beardsley's art indispensable to understanding fin-de-si cle Victorian culture. Beardsley's pictures present a dialogue between seemingly polarized impulses: a desire to scandalize and destabilize the old order, and, equally strong, a need to affirm traditional authority. Beardsley depicted various grotesque shapes, caricatures, and mutated figures, including foetus/old man, dwarf, Clown, Harlequin, Pierrot, and dandy (the icon of the Decadent "Religion of Art"). Incarnating the fearful contradictions of decadence, these images served as objective correlatives of some "monstrous" metaphysical contortion. His grotesques suggest the impossibility of resolving these contradictions, even as his elegant designs try formalistically to control and recuperate the disfiguration. As a canonical style, Beardsley's "dandy" sensibility and grotesque caricatures become his means of realigning canonical meaning. Thus, he effects what might be termed a "caricature" of traditional signification. An aesthete devoted to the "Religion of Art", Beardsley, nonetheless, creates a world inescapably "de-formed". He is a Dandy of the Grotesque.
Author: Brigid Brophy
Publisher: Harmony
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
A cogent portrait of Beardsley and his work. "Twenty-five years was the terrifyingly brief span of Beardsley's life. For him the world ceased on 16 March 1898. But the world he had created - in just a handful of years - survives in all its economy and wit. It is a major and still potent influence on 'modern' art and design; and it deeply affects our view of the 1890s, a decade rich in revolutionary talents - and savage reactions to them. In Beardsley's own sheer black and white world late Victorianism is stripped of its grossness, gaudiness and hypocrisy. The result is naked art that is still shocking ..."
Author: Hiroshi Unno
Publisher: Pie Books
ISBN: 9784756252883
Category : Art
Languages : en
Pages : 240
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Book Description
This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed to many books on the fin-de-siècle. Aubrey Beardsley was an illustrator who was best known for his drawings in black ink filled with erotic and decadent features. He was born in Brighton, England on August 21, 1872. The Victorian era in which Aubrey lived was gripped by a strict, rigid, conservative morality. The society was male dominated and forced women to be modest. However, in Brighton, which developed into a seaside resort for the upper classes full of entertainment, people were relieved from such strictness. Brighton was also a breeding ground of a sense of liberty in all things, and sexuality was no exception. In other words, it can be said that the Victorian era was a chaotic era during which open-minded thoughts on sexuality and strict, male-dominated morality coexist. Aubrey's mother, Ellen, was a person who embodied that Brighton atmosphere. Although she worried about raising her son in such an environment, she also taught literature and music to Aubrey. It was lucky for him to spend his youth with Ellen, and Brighton definitely became the basis of his talent for grasping the oddness of society in this era. Aubrey moved to London when he was 15 years old. When the Beardsley family left Brighton, Aubrey lost the feeling of liberty he had been raised with, but at the same time was able to develop his talent by interacting with Edward Burne-Jones, Oscar Wilde, and William Morris, the artists that colored this period. Aubrey, whose talent blossomed in London, began to offer his illustrations to many literary and theatrical outlets. The most famous examples are his illustrations for Oscar Wilde's Salome, Sir Thomas Malory's Le Morte d'Arthur, Edgar Allan Poe's Tales of Edgar Allan Poe, "Alibaba and the Forty Thieves" from One Thousand and One Nights, the French magazine Yellow Book, and the play Lysistrata. The illustrations for these literary and theatrical artworks had also been drawn by many other illustrators, but Aubrey's work was totally different from anyone else's. The seductive motifs that he drew, using only black ink, such as a woman with a fearless smile, a gentleman with disdainful contempt, and figures with extremely exaggerated genitals, all express Aubrey's incomparable talent for grasping the chaos and unsettled atmosphere of the period. The rebellious nature and imagery of his illustrations were often controversial. People even called him "the Devil's younger brother". But there is no doubt that he was a star of the age, which is evident from the many influential illustrators who came after him who were influenced by Aubrey's work, such as Harry Clarke, Alastair, John Austin, Kay Nielsen and George Barbier. Unfortunately Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-siècle decadence, only briefly before fading away, when his tragically short life ended after just twenty five years. How did the rebellious, yet refined, monochrome artworks drawn by "the Devil's younger brother" come about? Was his life simply the art itself? This book is a gem that presents the artwork that is most identified with "Beardsley" himself, revealing both the artist and the idea, through his life and his masterpieces.
Author: Brigid Brophy
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Robert Baldwin Ross
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 84
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Book Description
DigiCat Publishing presents to you this special edition of "Aubrey Beardsley" by Robert Baldwin Ross. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
